Let You Popularize Hypnosis, Do You Shoot Inception?
Chapter 54 California, Where The Film Begins
For footage of the van going backwards, breaking through the railing, and falling into the water.
Qin Feng chose to use nitrogen bombs and set fire to a three-ton dismantling RV.
Using a high-speed camera, capture slow motion of the falling van, slow it down further, and layer it with simulation.
At the end of the film, when the van completes its descent and hits the water first, the water rushes into the car through the rear window, a thrill that awakens the dreamer.
As for the scene of the actors escaping underwater, Qin Feng chose to shoot this scene in the water tank of Warner Bros.
Have the main actor sit in the van, then gimbal the van in the tank.
The rear windows of the van were replaced with a green screen, after which the van was placed on a hydraulic lift.
When everything is ready, lower the van into the water.
The clip is underwater and was shot with a camera that can run at 360 frames per second.
This allows for an ultra-slow, zero-gravity effect of a character falling vertically from a car.
When the van was pushed backwards into the water and the water was sprayed heavily at the actor, the camera came to film the actor.
"This shot is amazing!
We can clearly see all the actors' faces when such a big wave hits behind the actors. "
When Qin Feng used this method to shoot underwater scenes, Girard, the CEO of Warner, couldn't help applauding.
Cheers to Qin Feng and marvel at his cinematic talent.
Qin Feng then used digital technology to re-adjust the speed of the water splash to enhance the effect of the floating animation, and created a scene outside the truck window.
When the scene of the truck crashing into the sea was finished, Qin Feng completely completed all the filming tasks in Los Angeles.
The filming of this location has officially come to an end!
Qin Feng glanced at the time at this time, it was just three o'clock in the afternoon.
While he was in a hurry, he still used six hours to end the filming in Los Angeles.
With the support of the system, the speed of his filming of "Inception" is indeed unusually fast.
And the effect is also perfect!
It's almost indistinguishable from the Earth movie.
After finishing the local shooting in Los Angeles, Qin Feng will also rush abroad to shoot other scenes in "Inception".
After all, five of the film's six filming locations were abroad.
Qin Feng also asked Girard to immediately contact the props teams of the other five filming locations to prepare for the shooting of other scenes.
However, before leaving the United States, Qin Feng still has to lead the "Inception" team to California to shoot some scenes.
This can be said to be the last drama of the film in the United States.
"Inception" opens with Cobb lying on the beach of a seaside castle in an island country.
This beach was actually filmed in Malibu, California.
Qin Feng takes Himeji Castle in the island country as a reference and inserts a medieval-style Japanese castle into it.
The castle is the only place in the film that was created using traditional digital painting techniques.
Recreate the environment through digital painting using photos of castle exteriors taken in Japan.
90% of the footage is reconstructed, and a few are created using 3D models.
But most of them are still hand-painted.
30 minutes later, Qin Feng took a group of actors and arrived at the California airport on a private jet of Warner Films.
Then he took the bus to the set, and when he got here, he immediately started work.
In this world, Qin Feng wants to make Inception a movie that can capture clear dreams and perceive reality.
The storyline is told from the perspective of a man who is troubled by the loss of a lover.
The film opens with armed guards dragging Cobb into the castle, where he encounters a haggard old man.
The old man is Saito, an elderly businessman played by middle-aged actor Ken Watanabe.
He was in a gorgeous island castle, watching Cobb's spinning top.
Qin Feng had Warner Bros. Studios build the castle's interior last night at Warner Bros. Studios in California.
The makeup department is responsible for designing the characters' makeup to make the actors look 110 years old.
Saito's aging makeup is designed with reference to an 80-year-old Caucasian.
Visually Asians are younger than Caucasians, so an 80-year-old Caucasian is equivalent to a 110-year-old Asian.
The face was sculpted and restored with mud, and the technical director of prosthetics was responsible for the final details, sculpting the hand of an elderly Saito.
The device is then cast in silicone to add the hunchback, hands and ears of the aged limbs.
And added a forehead and separate eyelids, nose, lips to the bald head.
Plus, there are custom contact lenses and inlaid teeth, all of which create Saito's aged look.
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