Lord of Mysteries: Yao Guang

Final words of volume one

It’s really today, the first volume…more than 400,000 words.

First of all, I would like to thank you all for accompanying this book until now. I am really panicked that this book will be loved by everyone. I am not a very organized person, I am a third-rate writer, a simple idiot. I just stick to my storytelling instinct and want to write something.

Thank you for your willingness to watch me scribbling foolishly and watch Esther walk over in confusion.

I really started writing out of enthusiasm and had no idea where I was going. The outline was all saved and the plot was about to be released. My dear editor asked me for it, so I started urgently sorting it out overnight.

I will not shy away from my shortcomings. I have a long way to go. I am always grateful for your encouragement, criticism and suggestions. This is a very valuable experience for me.

There is a saying that I have always liked, "There are a thousand Hamlets in the eyes of a thousand people." The key to many people's interpretation of this sentence lies in the "difference", but sometimes I also feel that it also contains the readers' understanding of the Hamlet. It is a very important "composition" of a work, especially on the current reading platform.

Yes, readers often become part of the process. Even if this is not reflected on the surface, readers do not participate in the author's creative process behind the scenes, but feedback, support, denial and companionship will all play a role in shaping a long-term creative process. The nourishment of serialized stories.

Everyone can have their own interpretation, whether it's good or bad, whether they like the story or hate it, it's all part of the true feelings.

This story was written on my keyboard as a joke, and it also belongs to the readers who are willing to read it - you.

In this era of online writing, the distance between readers and authors has been greatly shortened, which is both good and bad. Sometimes I really don’t dare to reply to comments. When I say I’m a coward, I really am a coward. People can scold me all they want, as long as they don’t quarrel!

It's sensational to say this, but to me, it's really an honor to meet you.

"Everyone in the world is like a star. They are born and passed away, just a little bit brighter."

The scroll of Stars is actually written for all the characters. The stars in the sky are gods, and the light on the earth is all living beings.

This is the tragedy of Esther entering the world in a hurry and being forced out of the world.

A small preview of the second volume:

Birds will eventually soar under the sky and above the waves. This will be a story with a broader stage. The pace should be slower than the first volume. Esther will be separated from the scope of Klein's plot, and there will still be original characters. 's appearance.

This is why I made such a rapid progress in the first volume. "It is better to read the original text than to keep writing according to the original text" is a point that fans often criticize, but I can't skip the "relationship" between Esther and Klein. In the process, I can only recklessly compress the parts that are related to the original text.

If I can really make someone see it, I would be happy to go back and relive the mystery, hehe.

Maybe the second volume won't be as heavy as the first volume. I'm trying to change the deliberately sensational tone, hoping it will make everyone read it more happily.

I only hope that you can have a happy life every day and have a smile that makes you feel relaxed.

See you tomorrow. (Yes, I don’t take a break! I don’t ask for leave!! Having manuscripts saved means you have confidence!!!)

——

The following is a partial breakdown of the settings of Volume 1. It is long and can be skipped:

1. The anchoring power of "Zoya" is very special. It is the objectivity of the outside world and the subjectivity of the anchored person. It originates from the river of destiny at the world level of absolute truth. It extracts the strongest part of individual self-awareness from the long river of destiny. .

2. Because Adam (Hulls) wanted to prepare for the "tide of the times" promotion, the result he wanted was for "Zoya" to stay in a closed state, no matter which church it was in, and stay away from the true Creator. He does not want to expose his true identity prematurely. God is above, and all His interference with "Zoya" is out of planning.

3. The state of the true Creator (Horse) requires the stability of "Zoya", but precisely because of excessive humanity and madness, He himself does not want to see "Zoya". The third era is used to anchor Dari. Borg's other ring of thorns is not in his hands, and most people can easily guess who it is.

4. "Zoya"'s former partner was Ouroleus. After approaching the ancient sun god at the end of the second era, "Zoya" fought with Ouroleus until the third era. She appeared in the dream in the first volume. The dragon that passed was Alsuhod, and the impact of 0-08 was spied by "Zoya".

The second volume does not cover the content of the Third Age for the time being, and will fill it in about the second half of the third volume.

5. The reason why the dark night shows its human side in this article is also because of the anchoring of "Zoya". She remembers her past self as a remnant of the past more deeply, and her state is more stable than most true gods. But there is no need to trust Him too much. The few times the night brought Esther into dreams were all hints and inducements, and they were still mainly used.

Don't trust me too much, I'm very unreliable.

6. The honorary name basically shines through the bottom of "Zoya". His honorary name was also designed by the ancient sun god (Daribog).

It is no accident that she is similar to Amon. "Zoya" was used by the ancient sun god as a means to suppress "Tianzun". The earth needs "mystery", but it does not need "Tianzun". The omniscient and omnipotent bet on the variables of fate itself. Note.

7. Luna, as some people think, is the Ravenclaw Luna, and also corresponds to the moon goddess Luna in Roman mythology, including the moon goddess Seile who was later annexed by Luna in ancient Greek mythology. Nirvana is derived from "light".

Du Boa should actually be "Du Boa", after the detective protagonist from Disco Elysium. "Hamel" can bring good news but also disaster. On the contrary, it is a side reflection of "destiny".

"The Pied Piper" is actually slightly inspired by Trunimbula, an outer god who permanently resides in the palace of Azathoth, playing music that puts his master to sleep. Of course, it's just inspiration, not synonymous with "Zoya".

8. The grudge between "Zoya" and the "Fallen Mother Goddess" is not due to direct contact, but because "Zoya" was once used by Tianzun as a source castle purifier (?), which has a certain impact on the pollution of external gods and other sources. Instinctively hate. "Zoya's" originally incomplete self-awareness was also formed under the pollution of the "Mother's Nest", which is why she exhibits "feminine qualities".

So it’s a female-centered article, and I honestly put it on the female channel.

9. "Zoya" comes from the Key of Light, but it is not the same as the Key of Light. This point is purely my personal imagination. I will probably draw it out in the third volume. There is a long way to go.

The boss who said in the book review that I had buried a secret story actually praised me, and I'm really grateful (kowtows). It's just that there is a difference in information between what I wrote and what I thought in my head. Everyone has read Mysterious. I don’t think I can understand it more thoroughly than everyone here. I have written everything that can be straightforward.

10. Make up the number. Esther, eating everything will only harm you... Even if "Zoya" loses her independence, she still has the instinct of aggregation, but this tendency has been assimilated by Origin Castle, so she has a special preference for the "taste" of the Guisan Family.

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