Lord of the Night

Let’s talk about the character creation in novels.

In a novel, the first thing to establish is the characters.

What does it mean to establish? Simply put, after reading the book, the characters that you can still remember in your mind are called established.

And the so-called classic characters are the characters that you can still remember many years after reading the novel.

If a reader does not remember a single name or only remembers one or two names after reading a novel, then the book is a failure.

It is very simple to create a character in a novel, but it is as difficult as ascending to heaven to make him establish!

At present, I think the characters in this book can be called established. Except for the male and female protagonists. There are not many to list.

Of the ten great leaders of the Weiwo Zhengjiao, only three have been established.

These three are divided into two complete ones and two only half established. The complete ones are Yannan and Bi Changhong, and these two people are considered to be established.

And the chief leader Zheng Yuandong and the deputy chief leader Bai Jing can only be considered half at present. In the hope that they will be improved later.

The others, such as Chen Gu, are not established at all.

But I spent a lot of time and effort on the ten great leaders.

Among the masters, only two and a half have been established: Duan Xiyang and Sun Wutian. The other half is Bing Tianxue, but Bing Tianxue has to consider that the subsequent writing will meet my psychological expectations before it can be considered to be established half.

But there are many people I have focused on writing. I tried to establish each one, but I didn’t do it.

After all, I don’t have the writing power of a master, so I’m far behind.

Then for the younger generation, the only one who can be said to be established is Feng Yun!

But Chen Yin and Feng Xing, who I have written about in detail, can be said to have not been established.

Among the five masters of Ye Mo in Yi Xin Sect, only Yin Shen Gong can be said to be completely established. Sun Yuan can be considered half at most.

Mu Linyuan and Qian Sanjiang have barely established a quarter, while Hou Fang is completely stereotyped.

On the guardian side, there are currently three high-level ones: Dongfang Sansan, Xue Fuxiao, and Rui Qianshan.

I don’t think there are any middle-level ones.

Among the brothers who accompanied Fang Che, Yu Zhongge and others, only two can be considered to be completely established: Mo Ganyun and Dong Yunyu.

I also spent a lot of time and effort to write about the others, but if they are not established, they are not established. This has nothing to do with the author's efforts.

If you want the characters to be established, you must spend time and effort.

You even need to describe them in long articles.

For example, when I was writing about Dong Yunyu, many people scolded: 10,000 words are all Dong Yunyu's nonsense. Why is Dong Yunyu scolding the street every day? Too watery.

For example, when I was writing about Feng Yun, many people scolded: A villain young man, constantly describing how excellent he is. Too watery.

You should have an impression of these comments that have been read all the way.

But now, these two characters are liked by many people, and even many people don't want Feng Yun to die. And I dare to guarantee that you will still remember them after reading this book. Why? It is what some people say, "water comes out of long articles".

Without words and effort, they don't even have room to grow.

I really can't say anything. You guys have spent money, so it seems inappropriate for me to criticize you for being impatient one by one.

But there are too many people who are impatient!

During this period, many people who like to read normal plots are complaining: love and romance, the story ends after a chapter, the plot has no progress, it's too watery.

Many people who like to read daily pick-up plots, open it and see that there are no names of Yan Beihan, Bi Yunyan, Ye Meng, Zhao Ying'er, etc., the story ends after a chapter, and then leave comments: too watery!

Smile.

What do you want me to do?

Recently, it has reached the middle stage. In the early stage, because I had to give the protagonist time and space to develop, the real geniuses on the Guardian side were hidden by me.

Because those people who came out in the early stage were fatally suppressed to the protagonist. When Fang Che was a martial arts apprentice, they were all saints. How can this be compared?

Not to mention the suppression of status.

But now they must come out.

But Feng Yun, who is comparable to them, is already a complete body.

What to do?

So I really have to spend time and ink on Xue Changqing and others to make them leave an impression on readers. Otherwise, how can a bunch of idiots compete with Feng Yun, who is the only orthodox one? And the Feng Yun recognized by readers?

How much ink did I spend on Feng Yun? To make him what everyone accepts now?

How much do Xue Changqing and others occupy now?

So I must focus on writing about Xue Changqing, Yuyang, Yutianxia, ​​Xue Yizun, Fengtian, Fengdi and others.

Personality and other aspects should be laid out.

Only in this way can we form a balance of power in the future.

But it is impossible to lay out every one of them. I can only give some points to one of them when I find a gap.

But this kind of comment will follow: It's too watery!

I often say: be calm and read it slowly. If it doesn't work, take care of the book and read it after a while. It doesn't matter if you don't like it or forget it after a while.

You don't even give the author time to develop the characters.

You are impatient to stand up and say: It's too watery.

With this kind of patience, you still shout every day: We want to read classics?

It really makes me laugh.

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Of course I can't write a classic, I don't have the writing skills. I just wrote a book that I can earn money from and have a clear conscience.

If you think the money is wasted, you don't have to read it.

To be honest: I feel guilty for making money from those who read and curse.

They keep cursing, but I still make money from them, right?

So I often advise: Brothers, go read the books you think are worth spending money on. Is that okay? I feel bad when you complain like this, but wouldn’t it be even worse for you to spend money? And you get angry when I say something back or ban you, right?

It would be fine if you met an author who doesn’t respond to curses, but I happened to meet a fool like me who must curse back when someone curses me.

Isn’t it even more uncomfortable?

Let’s get back to the point.

This book is not perfect, and many of the characters I spent a lot of time writing about didn’t stand out.

But at least, there are still a dozen or so characters that readers can remember after reading. You can also comfort yourself.

So, let me make my attitude clear: I will ban you if you do that again.

I will write at my own pace.

And I won’t be influenced by anyone.

If you are compatible, you will gather together. If you are not compatible, you will separate. A gentleman will end a friendship without saying bad things.

If you don't like it, you can leave. Saying goodbye to this book that you think is a waste of money, I think it is a relief for both you and me.

Let's meet in the next book or not.

I have my own pace.

I make money, and I make money with a clear conscience.

In this book, I have used all my energy and time to write every character and story carefully. I think I am right for myself and the readers.

As for those who find my book not good but force themselves to read it, I am not right for you. So I won't make money from you.

As the saying goes, if you have no desires, you will be strong.

You complain every day, I will say to you directly: I don't want to make money from you anymore, go and read something else.

Right, I don't even want to make money from you, how can you complain about me?

Is there anything wrong with this?

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