Made in Hollywood

"Compared to James Bond's action scenes, it is like the flamboyant fist and embroidered legs of Buttercup, and the car chase scene of "Fast and Furious 4" is like kindergarten children driving bumper cars."

I don’t know who expressed this point of view in English, but after Guan Yadi understood it, he agreed with it from the bottom of his heart. If he was asked to rate it, he would definitely give Duke’s new film 120 points!

In the place where the judges of the Palace of Festivals are sitting, Natalie Portman's face is a little ugly. As the screening draws to a close, she has realized what a good, even great, female role she has missed. It is no exaggeration for Hollywood to describe it as extremely rare.

Firoza is more brilliant than the hero, this is something that a fool can see, everything she does is not for chaotic reasons such as looking for love, nor does she need a man to rely on, she fights for her own survival, and there are Ability to fight on.

The pair of bright eyes covered by the smoky makeup clearly revealed a murderous look and compassion for life. Natalie has not seen such a real female character for many years - no need for a delicate appearance , see-through outfits or tights, women who have won the respect of everyone with their own abilities alone.

That bastard's "Fury Road" may be the best female character portrayed in all the films in recent years, with flesh and blood, affection and righteousness.

Even, she thinks that nasty Charlize? Theron may get an Oscar nomination for Best Actress again!

In a film that relies on action scenes to drive the plot, with very few lines, full of fanatical and bloodthirsty men, and a film overflowing with male hormones, Charlize Theron uses the best qualities of women-delicacy, tenacity , repetition, and sympathy are all reflected, and there is no action scene that is not dizzying at all. Overwhelmed by the steampunk scene and the screen-full violence of ghosts and animals, it is so rare.

Those feminists in Hollywood will definitely regard her as a banner!

In recent years, the feminist movement in Hollywood has gradually flourished and has become a huge force that can be supported by this part of the force. Only good for the future...

And this force actually passed him by!

Natalie Portman turned to look at the front row and saw the tall vase. She believed that if she played Ferosa, she would be even more brilliant!

However, now these belong only to Charlize? Theron.

Even she has to admit that Charlize Theron, who is working with Duke again, has brought a strong and cool heroine style to this summer. When her bright eyes shine through When the camera looks directly at you. You won't be attracted.

What is more charming than this appearance is the power of wisdom, bravery and love that she exudes through the characters in the film. At the moment of the screen, she injected a powerful liquid, showing solid strength like a fire-breathing engine.

Charlize Theron is the same as Fury Road. It will be an unforgettable surprise this summer.

Natalie Portman can easily draw this conclusion from the reaction of the theater audience.

Sitting next to her is Isabelle Huppert, the chairman of the jury of this year's Cannes Film Festival, at an angle that others cannot see. There was an unusual smile on her mouth.

Because the people at Warner Bros. didn't lie to her, because this movie has surpassed her highest estimates by showing women!

Isabelle Huppert is a feminist!

Yes. The film does have various deficiencies in treating women, but in the current world film circle, it is already very rare.

This movie, featuring a woman with a broken arm, is all about feminism!

This is Isabelle Huppert's view.

What is feminism in the film? Give audiences the bodysuit superheroine they want. Let her kill all directions and save the world in the sexiest way on the screen, but in reality, the actor is asked most often about how to maintain a good figure and have an affair with who, and no matter how hard she tries, her colleagues will still "Joking" said her character was a vase.

More films with fighting female characters reverted to the "traditional" and seemingly immutable model at critical moments, that is, men deal with the greatest enemy, and women deal with the lesser ones.

A lower-level movie like "Jurassic Park" also has a heroine, but the short two-minute preview tells the audience that this is a traditional muscular and intelligent man who rescues a noble and glamorous scientific research woman who is just talking on paper. In the story, her life must be saved by him, and they must watch the sunset together at the end.

It's not feminism, and in Isabelle Huppert's mind, it doesn't do much to raise feminist awareness.

However, "Fury Road" is a real feminist film. Perhaps the director himself did not intend to deliberately make a feminist film, and everything is based on the plot of the film; on the other hand, he may be a feminist himself, subconsciously There is no difference between gender equality, so the film naturally promotes feminism without any trace—no matter what environment you are in, you can make choices according to your own wishes, and this wish can have nothing to do with men, love, and only about Take control of your own destiny.

That alone is enough, enough for Isabelle Huppert to agree with Warner Bros.'s rhetoric and decide to support the film.

Firosa led the female army to capture the fortress of Undead Joe, and the hero Tom left quietly, avoiding the audience's association of whether the hero would become the next tyrant and open up the harem, and the film ended there.

The audience stood up, and the applause was like thunder. Many people in the guest seat walked towards the crew to send their usual congratulations.

But Quentin Tastino didn't. He was familiar with Duke and knew that he didn't care about it at all.

He just wanted to find a place to be quiet, which was his first reaction after watching "Fury Road".

After watching this movie, all the car chase movies in the past, including Duke Rosenberg's, suddenly became something like "Driving Miss Daisy" in his mind... …

Standing up, Quentin Tastineau walked out. He needed a quiet environment. More than 2,000 spectators were crowded in the Palace of Festivals, but at the moment they were able to pass without hindrance, because except for a few people, more than 90% Everyone stood in place and applauded "Fury Road" vigorously, without any intention of leaving the stage.

"Duke Rosenberg should have done something this time, directly creating a whole new genre of film,"

Quentin Tastineau walked out, saying to himself, "Its name is...uh..."

He tapped his head, "I haven't figured it out yet."

However, he can confirm that because Duke Rosenberg infinitely magnifies the countless details of the film, forming a brand-new aesthetics of violence, dedicating action scenes at the level of film history, and this film proves that the work of a film director, Terrible creativity can still be unleashed in pipeline mode.

"If it's those ordinary audiences, it's not too much to go to the theater to watch it a second time, or a third time..."

Before walking out of the theater, he glanced back and could imagine the breathing of 2,000 audience members in the Lumiere Hall of the Festival Palace, "This is really a fascinating and maddening movie!"

Park Chan-wook didn't stay too long. Taking advantage of the fact that the Palace of Festivals wasn't too crowded, he left the Lumiere Hall with a few of his friends. Yes, from the theater back to the hotel where I stayed, I had nothing to say to my friends along the way.

Because I don't know what to say, I can't find the right adjective...

This movie gave him a really shocking feeling, he was genuinely perverted and furious, every pore of the film released the breath of perverted rage, but it was so charming!

The first long shot of the whole film was shocking. The endless desert was shot with a sense of despair, because he just ran 250 kilometers in the Sahara desert last month, so he saw the endless yellow, and he was in a good mood The child was grasped.

The point is that those car chase scenes are unheard of, tyrannical, crazy, and hysterical, but there is a kind of beauty presented in the contrast of the protagonist's steel-like calm will, which makes him look stupid in the end...

His flapping palms felt a little sore. Jiang Xiaojun, who hadn't walked the red carpet at all, stopped applauding. He was sitting in an inconspicuous position and too far back, so few people noticed.

In fact, he didn't want to be noticed, because he didn't have any works to participate in this film festival, and he just came here to see the latest developments in the world film industry, not like those thick-skinned Bingbing of the Himalayas. Even without an invitation from the organizer, he brought a photography and planning team to come over to the red carpet in Cannes.

In particular, those who were slow-moving were chased away by the organizers, which really embarrassed their own filmmakers internationally...

No, the other party is not a filmmaker, she is not worthy of this title at all.

Thinking of this, Jiang Xiaojun threw away these messy thoughts, continued to look at the big screen, and stared at the exhausted subtitles in a daze.

If he were asked to comment on this film, two words would be most appropriate - Niubi!

Besides Niubi, what other words can describe Duke Rosenberg's film?

Everything in "Fury Road" left an extremely deep impression on Jiang Xiaojun, and he even felt that he would never forget it.

Sharp editing, tense atmosphere, hearty rhythm, sensual music, super textured pictures and clear narrative, make the whole movie viewing feel like sitting in the car driven by Charlize Theron. The truck, the whole journey is happy, the whole journey is exciting, and there is no urine point.

But what is more amazing than these movie techniques is that it has constructed a cruel and convincing doomsday world, and exported a certain kind of innovative worldview. (to be continued ~^~)

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