Mage Joan

Qiao An also knows that there are some spells activated with "destruction" characters that naturally come with Eoh runes.

So you will find that the power of these spells far exceeds the average level of spells at the same level. The most typical one is "dissociation", which is obviously only a 6th-level spell, but the upper limit of lethality is as high as 40 energy levels!

According to this empirical law, Qiao An later discovered several super-powerful spells with Eoh runes. For example, there are three of the 9th-level spells, namely "Smashing Palm", "Splitting Spell", and the one just copied today. "Meteor Burst".

It took nearly three hours for Qiao An to transcribe "Kollas's Giant Beast Art", "Imperial Art", "Unlock Art", "Creating Memory" and "Meteor Burst" into his spell book, and then left. Desk, walked to the floor-to-ceiling windows of the reading room, looking at the scenery outside the window, and resting his sore eyes by the way.

There was light snow outside the window, and after the howling wind was "filtered" by the Kolasberg fans, the wind was weakened by at least two levels, and it didn't look so fierce when blowing on the body.

During the break between classes, young college students walked out of the classroom in groups of three or five, took a walk in the snow-covered campus, or got together to make snowmen in a hurry.

From time to time, someone grabbed a handful of snow on the spot, threw it into a snowball to his companion, and then burst out a burst of hearty laughter, the invisible and ubiquitous youthful vigor, diluted the winter haze.

Looking at the young men and women outside the window, Qiao An couldn't help but recall his childhood school experience and the classmates he made on the university campus. He couldn't tell whether it was melancholy or nostalgia.

The class bell rang, and the young students returned to the classroom one after another. There were messy footprints remaining on the snowy ground again. There were also two embryonic snowmen looking at each other, looking a little funny.

Qiao An was also interrupted by the ringing tone. After returning to his senses, he couldn't help looking at the ugly snowman outside the window. He raised his hand to cast a spell to make the snowman more refined, but gave up the idea in the middle.

The fun of building a snowman lies in the process of "stacking". It is too horrible to directly cast and shape, so let the fun of the girls in the classroom.

When the school bell rang, the students must remember that there are two snowmen here quietly waiting for them to come back to continue the construction. Before the noon sun breaks through the shackles of the clouds and sprinkles the brilliant light of melting snow, they will give the snowmen a short time. But a complete life.

The young mage, with a faint smile on the corners of his lips, turned back to the desk and opened the last scroll to concentrate on reading.

The scroll records the skill of "casting spells without material". Although it is included in the "super magic" classics, the use of this skill does not directly enhance the spell, nor does it need to upgrade the level of the spell. The effect is to exempt some of it. Casting materials.

Don't be confused by the literal meaning of "casting free material", this skill is not as strong as it is in the literal sense, and it can only exempt certain types of casting materials.

Of course, Qiao An knows that the casting materials are divided into three categories according to their functions: "Magic Equipment", "Empowerment" and "Anchorage".

"Magic artifacts" are the most intuitive materials for casting spells, such as containers, instruments, and sacrifices.

For example, to cast the 8-level "Binding Dafa", you need to match a copper bottle or oil lamp as a container to imprison the subject's spirit. This is the first type of casting material.

Priests cannot perform divine arts without the assistance of "Holy Emblem". When performing "exploration", they must also use crystal balls, mirrors, water basins and other devices for projection. They are all typical "magic tools" casting materials. .

Cthulhu followers perform **** sacrificial rituals, and humans and animals killed as sacrifices are also the first type of spellcasting material.

The second type of spellcasting material can give extra energy to the spell, and its function is mainly to increase the upper limit of the magic power of the spell, so it is called the "empowerment" type of material.

The most typical of these materials is the black agate rich in negative energy, which is often used with necromantic spells.

To cast the "identification technique", you need to smash a large pearl and grind the powder, and cast the "stone skin technique" with diamond powder. The devil's blood can strengthen the summoning spells such as the "Pest Swarm". These are all "empowerment." Type of casting material.

The last type of spellcasting material itself does not contain any special energy, nor can it be used as a magic weapon. It is usually neither expensive nor rare, but without them when casting a spell, the effectiveness of the spell will become unpredictable.

This type of material that guides and regulates the effects of spells is the so-called "anchored" material.

For example, the second-level "cobweb art", if you only look at the structure of the spell, you will find that this spell has no relationship with the spider, so why can a large web of spider web be created in the end?

Just because a small group of spider silk is used as the casting material, the final effect of the spell will be anchored on the spider web.

If the spider silk is replaced with cotton thread when casting the spell, it will not be a spider web, but a large piece of cotton cloth, and the "spider web technique" will become the "spinning technique".

The casting material has changed, and the effect of the "anchored" spell will also change accordingly.

Another example is the series of spells such as "Power of Bull" and "Elegance of Cats", which need to be matched with corresponding animal hair as casting materials, which is actually for anchoring.

If you don't use cow hair when you use the "power of the cow", the mismatch becomes cat hair...the result can be imagined.

As far as Qiao An knows, most of the spells of the change school need to be matched with "anchor" type casting materials, such as "transfiguration" and "transfiguration". The flesh and hair of the transformed object must be obtained as the casting material. In fact, It is a reference, and then it can be ensured that it becomes as similar as possible to the other party.

The so-called "spellcasting free material" can only exempt the anchoring type spell material, but it cannot replace the "magic tool" and "accelerated" type casting material.

Without anchoring materials, casting a spell is like walking through a maze. Without the guidance of the signpost, how can you ensure that you can find the exit through the maze?

The cleverness of "casting spells without material" is reflected in solving the above problems in a clever way.

To put it simply, using this technique, as long as you concentrate on the effects of the thought technique when casting a spell, the magic net will respond instantly, automatically complete the anchoring process, and fully present the magic effect envisioned by the caster.

For example, if you plan to cast the "spider web technique", when you cast the spell, imagine creating a large sticky web. The magic web will extract the keyword "cobweb" from the caster's mind. It is determined that what you are going to create is a spider web. Instead of cotton cloth, the magic effect is directed to the spider web, which is to complete the anchoring process on the spiritual level.

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