Mage Joan

Joan scratched his head inexplicably and asked Hailar: "So you still have to go?"

"There are still some trivial matters in the family of relatives that I need to help deal with. The next few days may be very busy. I will try to find time to come and visit you. If I can't come, I will see you after the school starts."

Hailar sat on the edge of the bed, put on his boots, and got up to walk to Joan. He seemed hesitant to give him a goodbye hug. After all, he was still a little embarrassed. He shook his hand and went downstairs.

Joan followed Hailar with a candle holder, helped her light up the wooden stairs that were in disrepair, stepped on the creaky wooden stairs, and drove her out of the door all the time. She got on the rental carriage and waved goodbye before returning to the second floor.

Holden had just washed his head and walked out of the bathroom with his wet hair, and saw Joan alone in the living room, with an ambiguous smile on his lips.

"Tonight Sister Lucky" is sleeping in your room?"

"There is something wrong with her relative's family and she has to rush back to help."

"Hey! What's the hurry when you come back? The girl is thin-skinned, why don't you keep it?"

"Is this necessary?" Joanne thought he was making a fuss.

Holden patted his forehead with a helpless look: "Your kid is really simple... forget it, I'll do nothing more, so I don't want to do bad things with good intentions."

Joan didn't quite understand his intentions, and then thought about it, anyway, this is not a matter of importance, so he was too lazy to think about it.

...

Two teenagers of the same age, living under the same roof, get along well, but this does not mean that they are like-minded.

It's like Joan and Holden, who can't find common ground in character or interest.

Since renting the apartment near the university, Joan barely left home, digging into spells from morning till night, and occasionally feeling tired, he went downstairs to feed the landlord's cat.

Accompanying the cat to play is Joan's newly discovered decompression trick. The effect is surprisingly good, the principle is unknown.

The rhythm of Holden’s life is completely out of sync with Joan. He’s like a bat, and he often goes out at night to get up to eat at noon. He comes back late at night, and sometimes he doesn’t return all night.

If you ask him what he is busy with, the answer is nothing more than to attend various salon meetings in the literary and art circles, either to see art exhibitions or to listen to operas.

Qiao An believed that he lacked artistic talent. When Holden invited him to participate in literary and art activities, he always refused. He didn't want to delay his studies, and he really didn't appreciate it.

But he fully supports Holden to participate in such activities. After all, the artist needs such an atmosphere and environment to open his horizons, stimulate the spark of inspiration, and create excellent works.

In the blink of an eye, Joan had been in Midgard City for almost two weeks.

In these days, he spends most of his energy on one thing-creating a spell as a "knock brick" for applying to the Austrian Academy of Meadgard University.

As early as in Freeport, Joan started to develop new spells under the suggestion of Hailar. The idea was to use a mature spell as a prototype, modify its spell configuration, and derive a spell with completely new functions.

In order to achieve this goal, the first thing Joan needs to do is to determine the spell as a "prototype", and the follow-up work is nothing more than adding, deleting, and repairing based on the prototype.

After layer-by-layer selection, Joan finally decided to use "blind deafness" as a prototype spell.

This necromantic school 2 ring spell was copied from the spell book of "Mad Master" Firge. After the cast is successful, "negative energy" can be injected into a designated organism within a hundred feet away, destroying its physiological function, if the other party The physique is not strong enough to resist the erosion of negative energy, and will permanently lose hearing or become blind-the specific sensory damage caused is determined by the caster.

Joan had a doubt when he first started learning "blind deafness".

Since this spell can make the subject lose hearing or eyesight, why not add an option to make the subject dumb at the beginning of the design?

Was the inventor of the spell negligent, or thought that vision and hearing are more important than vocal ability?

This question puzzled Joan for a long time, until he made a detailed anatomy of the spell configuration of "blind deafness", and then he suddenly realized that this problem was more complicated than he thought.

The inventor of "blind deafness surgery" does not want to expand the "dumb" effect, but simply cannot!

People in the world often compare the three common disabilities of blindness, deafness and dumbness, but this classification is not reasonable.

"Blindness" is a problem with the organ that receives the visual signal (usually the eye), and "deafness" is that the organ that receives the sound signal (usually the ear) is malfunctioning. These two diseases can be classified as one.

But "dumb" is different.

As a vocal organ, "vocal cords" do not passively receive external signals like the eyes and ears, but tremble and actively transmit sonic signals to the outside world.

"Active" and "passive" correspond to two different spell configurations, so a spell can be compatible with "blindness" and "deafness", but it is difficult to be compatible with "muting". If you have to accommodate this alternative utility Come in, you have to pay a price-higher magic upper limit, higher spell level.

"Blindness and deafness" is already a 2 ring spell optimized to the extreme. Without increasing the level of the spell, it can't squeeze enough magic power to be compatible with the "dumb" effect.

After sufficient preparation, Qiao An established his own research and development subject, and named this expected new spell "Aphasia". Its effect is to make the subject lose the ability to speak, and it is reduced to a complete syllable. "Dumb".

Compared with "blindness deafness", "aphasia" seems to be very tasteless.

In actual combat, turning a powerful enemy into a blind or deaf person can effectively weaken the fighting power of the other party, but what is the point of turning a person into an unspeakable "dumb"?

It is true that closing a strong warrior's mouth will not prevent him from wielding his sword to kill, but Joan hasn't even considered this kind of character as his imaginary enemy.

He painstakingly invented "Aphasia", mainly used to target the caster!

In particular, arcane spellcasters such as "Mage" and "Warlock" are generally weaker and less resistant to "Aphasia". Once hit by this spell, they cannot chant chants unless the opponent is good at "spells" A super magic skill like "silent hair", otherwise it means that the ability to cast spells is completely abolished.

If his own research and development plan can be realized, Joan believes that "aphasia" can play a "forbidden magic" role in actual combat. This spell will be more practical than "blind deafness" at the same level.

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