Magic Tower Starry Sky

The signboard of the Demon Prince is indeed easier to use than imagined. From the second day on, the stubborn old housekeeper Aihanu no longer came to the door to urge someone to go to work.

On the contrary, the two masters who seemed to be interested in playing, drove the small broken car to the center to play from time to time, and they were the most competent test drivers. The main task is to cooperate with the special manufacturing team to modify the No. 2 and No. 3 cars to be more approachable.

Except for Azad and William Greco, no one can drive those two robot monsters. Some people try to drive with high gear and low speed all the way, but it is very easy to stall or rush, so it won't work if you don't change it.

Ignoring the group of people in the automobile manufacturing and R&D center, how anxious they are all day long, Lin himself has done nothing less about his own affairs. The two girls are responsible for restoring the operation of the silkworm house. Since most of the house was destroyed this time, they simply demolished it and rebuilt it. They had a lot of experience in sorting and breeding, and of course they had some ideas, so they planned and designed according to this new idea.

The house of the Jacquard workshop is the quickest to build, because only one shell is needed, and there are no compartments or various furniture inside, only a few chairs at most. The rest of the machines had to be repaired by someone, and the only assistant was the newly joined apprentice, Leonardo.

Although this Florentine kid doesn't like to use magic, he likes to tinker with machines, especially with his hands. Moreover, he not only helped a lot in dismantling and assembling, but also had a lot of ideas in improving the machine, so it can be said that he is the most suitable assistant for someone. If those two girls who have followed for a long time, although they are familiar with someone's work habits, their attitude towards machines is not as active and devoted as Leonardo.

However, Lin did not simply repair the Jacquard loom, but mixed in another research. Thanks to the suggestion (sarcasm?) of the previous demon prince Azad, Lin tried to create a tool based on the magic 'shaping technique', which required transforming this ring of apprentice-level magic into a magic circle.

The original usage of the shaping technique is to turn magic materials with various material characteristics into clay, and use both hands, power, and imagination to transform this piece of magic material into the appearance you want. However, in this way, there are still errors in industrial specifications. At this time, you must rely on a hammer and file to make final adjustments.

There are two ways to combine different magic materials using plastic surgery. One is the most commonly used, which is to combine two pieces of materials of different materials in a 'sticky' way.

The disadvantage is that it is very inconvenient to perfectly separate the two materials, and even many people cannot do it. This is also the reason why most of them are magic materials that are manufactured into finished products and cannot be recycled. And there are many materials with very different material properties that cannot be glued together in this way. For example, the combination of metal and non-metal, this method is mostly unworkable.

The other is to use a special structure to embed two magic materials of different materials together. For those magicians who have mastered this technique, it can be said to be the most important private inheritance, and it is rarely made public. Even in the knowledge recorded by the Association of Magicians, there is very little content about this technique, only some descriptions of the advantages and disadvantages of this method.

The advantage is that the utensils using this technology, in addition to the easy recovery of magic materials, the utensils can be separated and combined at any time. This is a rare benefit for the handling of large items. And there is no need to consider whether the material properties are similar, as long as it is a combination of solids and solids, this method can be done.

But the disadvantage is that magicians with poor skills will leave too much gap at the joint, causing the items to loosen and even be damaged. In addition, the joint surface is also prone to gaps due to lack of smoothness. For designs that require airtightness, it is difficult for this technology to achieve complete airtightness.

That is to say, this technology can be used without knowing it; it needs to be "sophisticated" before it can be used in the actual manufacture of items, otherwise it is better not to use it. If the two are similar in nature, embedded is not even as good as sticky in practical use.

Don't look at this technique as mysterious, it just happens to be the unique skill of the silver-bearded dwarves. At first, they even kept it secret. If it wasn't for the lack of fitting skills, many failed products were made when making the engine with high airtightness requirements, and I came to ask someone for advice, which exposed this skill.

If you haven't even seen the real thing, only the description in the book is fine. But after a few glances at the actual thing in front of Lin, he probably guessed that it belonged to the Midi version, a mortise and tenon structure used for magic materials. And it's still the one that doesn't need wedges for redundant fixation.

The trouble with this method is how to control two or more magic materials at the same time, so that one grows inward and the other grows outward on the flat surface invisible to the naked eye. In the end, the concave and convex parts of the two are tightly fitted with each other, and the shape cannot be a cone that is easy to loosen, but an inverted cone or other weird shapes that can hold two or more objects to be connected.

The threshold of this technique lies in how to use the shaping technique to control the invisible and intangible parts of magic materials and transform them into the desired appearance. This method is broken, but it is not difficult at all. Even any magician uses the same words and makes the same requirements when teaching his apprentices.

In the more magical version of Midi, if you don't pinch it with your hands, you are using your imagination in the process of casting the spell, and visualize what you want to be transformed into by the caster. As long as the imagination is richer and the imagination is more specific, the effect of plastic surgery will be better. To achieve internal fit, it is just to be able to imagine the specific shape of fit.

From today's point of view, Lin re-analyzed the magic of plastic surgery. The spell model of the plastic surgery is the most basic unit of power to trigger this magical effect. Treat this basic unit as a building block, and pile up the building blocks into whatever shape you want, then the object to be cast will gradually become the shape formed by the 'building blocks' while its mass remains the same.

How to combine plural objects together is not what Lin wants to do. What he really wanted to know was the principle of the stacking blocks. Now that you know the principle, you can find a way to transform it into a magic array to produce objects of a certain shape. A further step is to use programming language control to freely change the shape of the object.

The first generation of refining the magic circle is a new type of magic prop designed on the basis of such knowledge.

Its appearance is like a large plate, with eight fang-like protrusions symmetrically distributed on the eight sides of the plate. There are eight kinds of gemstones representing power at the tip of the protrusion. In addition to being used to control power, it also has a function similar to the arcane eye, which can scan and analyze the shape and physical characteristics of the objects on the plate, including density, volume, weight, etc. basic data.

In terms of programmed control, as long as the correct engineering drawing information is entered and enough materials are provided, the plate of refining the magic circle can change the materials placed inside into the desired shape and separate the redundant parts. Of course, the input information must abide by certain norms, instead of just giving a child's graffiti, it can also change into a real thing.

The most important point is that refining a magic circle can deal with multiple objects at once! It can even change the shape of its contents. In other words, you can directly use this thing to create an exquisite ball, or create an integrated engine including a crankshaft and a piston. It's just that the scale of the refining magic circle is not large enough, and the engines produced can only be used to assemble remote control model cars.

When Lin used the first generation of refining magic circles, he continued to repair the damaged lifting arm components. And when every component was truly up to the same industrial standard, he realized that he seemed to have made something extraordinary.

This is something more useful than the 3D printing technology of the earth. Not only is the speed much faster, but the precision depends on the engineering data provided. In theory, molecular level control can be achieved. But this cannot be verified.

For Leonardo, who came to help fix things, the emotion of seeing such a new toy was exciting. As long as he has free time, he will try to input the blueprint he drew into the refining magic circle, and then take a piece of magic material that is temporarily unused to actually forge the thing he drew. Anyway, such a process only consumes power and does not consume materials.

So during this period ~www.wuxiaspot.com~ the most common question Leonardo encounters after dinner is: "Master, why do the things I make become crooked again?"

The most commonly used answer is: "Take a look at the picture you drew." "What you want to draw is an engineering drawing, not an abstract picture, or a random sketch based on impression." "The inner diameter is 3 cm, What the **** is a cylinder with an outer diameter of 2 cm? Did you use dice to determine the size?" "Calculation! Calculation! Boy. Pictures can deceive people, eyes can be deceived, but mathematics can't!"

"Well, teacher, what is an abstract picture?"

Dare I waste so much saliva, you only pay attention to this point!

This guy is easily distracted, and it is also one of the most serious people Lin has ever met. Three sentences must digress!

"But teacher, why does it still make a mistake if it makes a mistake. Although it is very strange. But since it is wrong, why doesn't it just stop or display an error?"

One of the most admirable qualities of this kid is that although he can digress, it doesn't mean he doesn't care about the original topic. It will come back by itself.

...It means the most basic error condition handling, which I never thought of. I am too used to the IDE reporting errors directly, or the design that once an error occurs, the program will be interrupted. But the reality is something in progress. No matter whether the original intention is right or wrong, it will definitely have a result, but whether the result is good or bad is still unknown.

"Okay, you can help me try the machine first. I think about the part that will go wrong, how to verify it in advance, and give a warning. That's right, so that you can save power and waste it on making wrong things."

Knowing that he is only one of the mortals, Lin admits his mistakes very seriously. No matter who made the mistake, we should think about ways to remedy it.