Magic Tower Starry Sky

"The starry sky of the magic tower (!

Even the smartest scientists, can they master their own research 100%, make the process and results exactly in line with their own ideas, without any problems?

Of course not! The Manhattan Project started by Einstein and a group of outstanding scientists finally produced weapons that human beings can indeed destroy the earth. Is this really what this group of scientists want? Or what they like?

Even in the Marvel Cinematic Universe, Tony Stark created an uncontrolled intelligent life form like Ultron, which led to a series of disasters.

It can be said that a person who can guarantee that his work will be 100% error-free is not worthy of being called a scientist. Such a person is just a factory worker. Because the people in the factory will not have too much innovation and adjustment. Everyone follows the fixed steps, and it is clear what kind of results they will get in the end. If you don't make mistakes, it can only be regarded as your duty; if you make mistakes, it is surprising.

Then, what a certain transversal people need to do, is it something that scientists can do, or is it something that factory workers are doing?

Someone who thinks he is thinking carefully is actually just the best he can do under the consciousness of the earth that is used to silence. Not a perfect score, but on Earth, this is enough.

In Midi, what he did to assist the World Trees was actually tantamount to raising Midi's own rank. Therefore, the not-so-active lost consciousness also belonged to the side that supported him invisibly. This is one of the reasons why someone seems to be doing everything they can.

But what about the abyss?

Never having known the cloudy, moody shifts of the abyss, someone goes about his business ignorantly, thinking he won't get in the way of anyone or demons. As everyone knows, his deeds have already entered the eyes of some high-ranking beings. They watched quietly.

In the magic related to the law of causality, no one can fully grasp where a certain thread is connected in the chaotic thread of fate, even the goddess of fate. The difference is that ordinary people cannot see the thread, but the goddess can. So Lin didn't know what was involved in what he was doing.

Liz Dean's magic formation of the real technique is not difficult for Lin now. Even if this magic is not very familiar to him, it is not very scientific. But the difficulty is how to record the results that appear, because this part is a function that the original magic does not have.

After the original Liz Dean's Reality Technique is successfully cast, the target he sees will change to the appearance after losing his power. This change does not affect the target itself, nor can others see it. How to convert such results into information that can be recorded, but let someone rack their brains.

First of all, it is necessary to determine what the output result of Liz Dean's Reality Technique is.

If it manifests a result that others can observe, then that is the easiest, just record the final image. Some overbearing see-through magics will also break the illusion while seeing through. This is also enough to record the final result.

However, the result of Liz Dean's realism technique is to use a method that affects the perception of the caster, replacing the target in the caster's eyes with the appearance after excluding the effect of power. Such a result will last for a period of time, until the magic effect is interrupted, or the caster actively stops the magic.

For unskilled magicians, or situations where spellcasting is not successful, this new cognitive appearance may change, rather than being fixed as one. Even during the continuous effect of the magic effect, the appearance will constantly change.

The situation that the spellcasting may not be successful is due to the unclear understanding of the target, which leads to some necessary adjustments during the spellcasting process to make wrong changes, so it fails. Of course, such a situation cannot happen to someone who can thoroughly analyze magic based on mathematics and programming languages. So basically I'm ignoring possible failure scenarios.

However, in order to export this cognitive result into a form that other people can see, that is, for recording, the method is unexpectedly simple. Of course, this method was not thought of by someone; it was pointed out by his new apprentice, Leonardo, after several days of distress.

"Teacher, to put it simply, you want to find a way to turn what you imagined into something that everyone can see, isn't that right?"

At the dinner table, someone who didn't know what to eat nodded dully and said, "Simply put, that's right."

"Teacher, isn't that the whiteboard technique?"

"Ah." This was the voice of someone who was stunned, after the rice bowl fell on the table.

"Ah!" "Ah!" These were the voices of two young girls who suddenly realized after watching their teacher worry for several days and complaining that they couldn't help.

"Ah! Ah! Ah!"... This was the voice of a group of people joining in the fun.

Regardless of those who have nothing to do to join in the fun, Lin didn't care about eating, and came to the first coffin room in a flash. Although some simple homework can be done anywhere in this home, it requires a lot of water mirror screens, and even when calling up the enlarged complete magic array map, it still has to be done in the first coffin room, and there is enough space.

Looking at the map of the magic array, one is extremely huge and quite complicated, which belongs to Liz Dean's real magic;

The combination of the two magics is of course not as easy as Leonardo's reminder, the processing of real skills and the output of whiteboard pen skills. What he said actually ignored the role of people in it, or to put it more clearly, it is the key role of the brain in it.

What real art provides is to give people new cognition. Whiteboard pen art is to express the things imagined by people with light, shadow and lines, and people are the existence of bridges in it. Without anyone as a bridge, it is like knowing that the opposite bank is the destination, but there is no way to cross the river, and you can only look at the river and sigh.

But as long as you know where your destination is, you can always find a way to get there, right?

The more complicated method is to thoroughly study the input and output of these two magics, and make them a complete connection. In the true sense, the two magics are combined into one and become a new magic.

But it is conceivable that the workload of this approach will be quite astonishing. Because the data that someone wants to connect to is not usually using whiteboard pens, simply three or two lines, and leaving a large piece of blank space to express an object in a freehand way.

Lin's main purpose is to observe the astrology. The purpose of stargazing is to study the location of the abyss and whether it can be connected with the lost ground. If the abyss is really a planet in the same universe as he assumed.

If it is possible, then can we use the observation results of the abyss and the observation results of the lost ground to find a more accurate position of the earth by means of triangulation, and then find the precise parameters that can be used for the flashing technique.

If you want to do this, then the final result must be 100% faithfully presented, not just a few percent similar. Although in mathematics, information ambiguity has the practice of information ambiguity. But that requires a larger amount of data to find the corrected parameters and derive a result close to the correct answer.

It's not a good idea to parse two magics and do a full docking in order to get a usable result. So Lin intends to use another method, which is to design a repeater to replace people, that is, the role of the brain between these two magics.

Just doing this, there will be a small problem. That is, what role does the observer effect play here?

If the result of Liz Dean's real technique will be affected by the observer effect, that is, in the subjectivity of the performer, what he wants to see will affect the final imaging result. Then after losing this subjective consciousness, there will be two situations:

1. The magic goes wrong, so the casting of the spell is interrupted, and in severe cases, it will backlash the caster, causing serious injuries.

2. Without the interference of subjective consciousness, it is more able to present the correct result. All the best!

But no matter which possibility it is, the problem in the early stage must be solved first, that is, the relay setting that connects the two magics. Once this part is done, what kind of changes will happen after that will naturally have an answer.

As for the relay settings of these two magics, if it is a combination of pure magic, it may still be quite troublesome for Lin. But if it is to be made into a device, it is much simpler. Because there is one thing that does not need to be modified, and it has a shape similar to the nerve bundles of the brain.

This thing is the purple magic stone. It can be used to trick a truth spell into thinking that there is a brain and that a human being is watching. So Magic can safely hand over the final result. And strictly speaking, this is not a cheating mechanism, because the purple magic stone really has its own soul.

When Fen was reshaping her physical body, she sucked up the entire vein of magic stone, except for a small purple-level magic stone that remained untouched. This is not to prevent my group from entering Baoshan and returning empty-handed. But earlier, someone had mentioned that one of the flaws of undead creatures is that when they use other people's bodies, they will invisibly fuse too many incomplete souls.

In order to avoid irrelevant souls from interfering with one's consciousness, it is best not to even touch such incomplete things. It was this kind of warning that made Fen abandon the magic stone with high-purity power, the Purple Transformation Grade, during the remodeling process.

Originally, someone was dubious about the fact that there is a soul in the magic stone. But the core material ~www.wuxiaspot.com~ for the Silverbeard dwarves to make artificial souls will only be purple magic stones, there is no other substitute.

And from the artificial soul captured by him, that is, the guardian of the silver-bearded dwarves, Rubita, they learned that their existence was actually earlier than when the dwarves made artificial souls. It's just that at the beginning, they didn't have that much thought, and they didn't know that they could communicate with other creatures, or even find their own companions. These are all learned and taught by the silver-bearded dwarves.

Afterwards, the noisy box cut shows that anything is possible. The existence of mineral life is already a topic that does not need further discussion.

But before the soul in the purple magic stone has been taught to be crooked, especially the crooked one like Rubita, who spends all day trying to get rid of the group he guards, it needs to be used as a contact with Liz. ? The repeaters for Dean's Reality Art and Whiteboard Pen Art are more than enough.

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