Millennium director

In the endless cornfield, under the aerial camera, Max is running among the corn stalks that are taller than him.

One by one, he bent and discarded the thick corn stalks, and he used his strength to forcibly carve a path through the stretching cornfield.

In the sky, in a helicopter with the door removed, the photographer carried the lens and faithfully recorded Mads Mikkelsen's running scene.

Yes, in this era when drones are not yet capable of aerial photography, the cost of taking aerial footage is so high that you need to rent a helicopter to shoot!

The reason why the various national mountain and river documentaries are so shocking is because in the documentaries, a large number of aerial shots were taken from helicopters, and even high-altitude shots, which naturally have a majestic, majestic and shocking feeling.

In the current film industry, it has to be a true "blockbuster" to be able to shoot aerial shots.

Basically, as long as you can see a bird's-eye view of the aerial shots in the movie, it means that the movie has at least invested over 100 million yuan. Whether it is RMB or US dollars, this unit is absolutely right.

It will not be until professional drone aerial photography equipment such as DJI appears, and the stabilization level of these drones reaches the professional level for movies, that the nobility of aerial photography lenses will be downgraded. From the standard equipment of blockbusters, it will suddenly drop to that of major online movies. You can take aerial photos at will.

But now, the coolness of aerial photography is still there.

Wu Yuan sat behind the monitor and remotely directed the camera above his head. He shot the scene of Mads Mikkelsen running in the cornfield from multiple angles and shot it multiple times to create an aerial drama.

He knows very well that this scene can be regarded as one of the classic shots of "Interstellar". Its depth in the audience's memory is second only to the black hole made with computer special effects.

"Okay, thank you for your hard work, Max!"

"Run it again, let's take a set of shots that revolve around Max!"

"..."

A large pickup truck stopped at the door of a single-family wooden house next to a cornfield.

Mads Mikkelsen held the young daughter in the film and walked quickly from the car into the house. The flying sand and rocks made them unable to open their eyes, and their clothes were covered with grit and dust.

Wu Yuan looked at the scene in the camera and nodded with satisfaction.

The artificial sandstorm is quite effective.

Behind Mads Mikkelsen are several oversized blowers and a bunch of workers working hard to blow sand.

In theory, this scene can be solved with special effects. Using special effects to create the effect of a sandstorm is already possible with the current level of special effects.

In the sci-fi disaster film "2012", even the special effects of landslides and earth shattering can be made very realistic, not to mention special effects such as tornadoes and sandstorms. It can also capture real sandstorm scenes in reality, using long-range and close-up special effects. way to create a completely realistic effect.

However, after careful consideration, Wu Yuan decided to use "physical" methods to restore the sandstorm as much as possible.

Without him, the special effects would not be able to achieve the sense of sand and immersion he wanted, nor would Mads Mikkelsen be able to achieve a realistic expression when facing a sandstorm.

Like now, he couldn't open his eyes and his face was covered with "sand". He didn't need to act at all and could completely show the most realistic reaction, just like he had encountered a real sandstorm.

"Very good, well done!" Wu Yuan stuck his head out from behind the monitor and gave a thumbs up.

In this way, the crew's filming in the cornfield went very smoothly.

After filming the last few scenes of Anne Hathaway's experiments with her adult daughter in the study at home, and her invisible and intangible father interacting and sensing each other across time and space, the last few scenes of "Interstellar" were also filmed. It was considered a successful shoot.

On July 18, 2009, at the beginning of this hot summer, in the Okotoks area south of Calgary, Alberta, Canada, the crew of "Interstellar" finished filming in stages.

All the scenes of the main actors have been completed.

The crew only left some fragmentary scenes, such as the interviews with survivors at the beginning of the film, and some scenes of confrontation between the "rebels" and the government in the middle, depicting fragmented pictures of the earth's disaster.

Wu Yuan did not need to shoot these scenes himself. He only needed to arrange an assistant director and go back to Los Angeles to find some extras, and he could easily handle it.

"Happy filming!"

"Congratulations on finishing!"

With the cheers of the crew and crew, the crew of "Interstellar" disbanded on the spot.

Most of the crew will return to Los Angeles with the assistant director to complete the shooting of the last bits and pieces of footage.

Actors such as Anne Hathaway and Mads Mikkelsen went their separate ways to work on their next projects.

Wu Yuan and Liu Yifei also couldn't take time off.

Even Wu Yuan was unable to devote himself to the post-production of "Interstellar" immediately. Instead, he and Liu Yifei said goodbye to the crew and took a cross-country flight together, planning to return to China.

While "Interstellar" still has a little finishing time to shoot, the assistant director can take over. He and Liu Yifei have to return to China to deal with some things.

After several months of overtime production, "The Lonely and Brilliant God: Ghost" has completed post-production editing and special effects processing.

As the lead actor and company owner, Wu Yuan had to go back and take a look at the finished film. If he was not satisfied with anything, he had to call the post-production team to make changes immediately.

After all, when the TV series was in post-production, he was busy filming "Interstellar" and had no time to watch.

And this drama is extremely important to the development of the Asian market of Light and Shadow Express. There must be no mistakes. Wu Yuan also had to put down his work and return to China to deal with it.

"Brother, this is our first time playing a couple."

"When this drama is aired, it will definitely become a big hit in China!"

On the plane, Liu Yifei happily grabbed Wu Yuan's arm, and her little mouth never stopped all the way, helping Wu Yuan recall every detail of the filming of "Ghost".

For her, "Goblin" is definitely the most special drama she has filmed in her life, second only to "Your Name".

"Your Name" was Liu Yifei's first time starring in Wu Yuan's movie, and it was because of this movie that the two really developed a close relationship and finally came together.

As for "Ghost", it was her first time acting together with Wu Yuan, and they were playing a couple.

You know, she had been jealous of Gao Yuanyuan countless times before, just because Gao Yuanyuan and Wu Yuan had acted in emotional scenes.

Although the emotional scene between the two of them in "Seventeen-Year-Old Bicycle" is very "innocent", it is exactly the excitement of a boy or girl aged seventeen or eighteen.

But this is Wu Yuan’s only acting experience!

Liu Yifei understands very well that for men, "the only one" is such an unforgettable and unforgettable thing.

Well now, this one was destroyed and replaced by "Goblin".

Don't mention how happy Liu Yifei is!

“I can’t wait to see the finished film of ‘Goblin’.”

"It must look good!" (End of chapter)