Millennium director

The world is big and the boss is the biggest.

As the actual big boss of the Light and Shadow Era, Wu Yuan can still decide the start-up time of a crew of the company.

Li Xiaoping was quite willing to let the crew of "Life Events" wait a little longer. After all, Zhu Yilong is a member of the company, so the benefits can be maximized by letting him play the leading role.

As soon as the two company CEOs met, the matter was settled.

As for other things in the company, Li Xiaoping can decide most of them by herself and Wu Yuan does not need to worry about it.

After signing all the various documents and reports piled up in the office, Wu Yuan patted his butt, left the era of light and shadow, and took the elevator to the light and shadow broadcast upstairs.

When you come to the company, it is naturally impossible to deal only with matters of the light and shadow era.

As the company continues to expand, this entire building is now the site of the Light and Shadow Department. The headquarters of Light and Shadow Times, Light and Shadow Express, and Light Cinema Line are all here.

However, in terms of number of people, the staff of Guangying Kuaibo must be the largest. After all, this is a large video platform with great influence throughout Asia.

This side of the Light and Shadow Building is just a core headquarters, and even so there are hundreds of people working here.

Moreover, among the companies founded by Wu Yuan, Guangying Kuaibo is the one that best conforms to the appearance of a "listed company". After all, it is a large company that has experienced several rounds of financing. There are more than a dozen different venture capital companies holding seats on the board of directors alone. .

Of course, Wu Yuan, who holds nearly half of the shares, is still the company's largest shareholder, but now he can no longer achieve absolute control. Even he, the founder, has to discuss many things with the board of directors.

For example, the company's board of directors has been discussing the listing of the company recently, and Wu Yuan is quite willing to promote it.

After all, Guangying Kuaibo is a video platform. If you don’t go public and cut leeks, the income will be too low if you just invest money yourself.

It can be said that most Internet companies are like this. They must be listed and operated in order to "make money". If you really look at the company's operating statements, they are losing money every year, and they are not the kind of statements that deliberately make losses. They are really. Losing money.

After all, doing Internet is a costly science.

Like Wu Yuan’s peers, whether they are film and television companies Ai, Teng, You, or subculture Bilibili, they are losing money every year. The only one that can really make money is Mango TV, which is backed by a TV station and has one copyright and two uses. Coupled with the fact that I don’t have such big ambitions, I can make a lot of money every year by enclosing land.

In addition, since Guangying Qvod can achieve profitability, it is understandable that the company's board of directors is eager to go public.

Once Guangying Kuaibo is listed, it will become a blue chip stock among the blue chip stocks of domestic video websites!

The current decision is to list on Nasdaq and go to the U.S. stock market. After all, Guangying Kuaibo is not a video platform that only operates in China. It is the largest online streaming media platform in Asia. It will definitely be better to develop in the U.S. stock market than in China. Suitable for capital operation.

If nothing else happens, the IPO will start at the end of the year, and it will definitely ring the bell on Nasdaq smoothly next year.

However, Wu Yuan's shares should be diluted again by then, leaving only more than 30%. However, he has signed unanimous shareholder agreements with many venture capital companies. He can still direct the company and will not lose some founders. The tragic situation of people being kicked out after being listed on the market.

"Hey, here we come." Chen Dewei welcomed Wu Yuan into the office with a smile on his face and asked his secretary to make tea for them.

"Well, how is the company lately?" Wu Yuan asked casually, sitting on the sofa in the rest area.

Over the years, the CEO of Guangying Qvod has always been Chen Dewei. He is responsible for the company's operations, while Wang Xin is responsible for pure technology. The two have always worked well together.

Wang Xin also got rid of the tragic fate of being imprisoned for fast broadcasting in the original time and space, and his life took another path.

I can only say that the technology itself is indeed correct, but it depends on how the technology is used.

With Wu Yuan's guidance and Chen Dewei's helm in this life, Wang Xin was finally not sent to prison because of the abuse of technology.

Being a purely technical leader is more suitable for Wang Xin to use his talents.

And Chen Dewei also used his talent, leading Light and Shadow Quickcast to conquer cities and territories, and took root deeply throughout Asia. In the past two years, facing the crazy expansion of Netflix, he also defended his basic base and failed. Let Netflix break into Asia.

"Director Wu, although it may not be appropriate to say this, under the influence of the epidemic, the company's performance has continued to rise!" Chen Dewei had an indescribably strange expression on his face, but overall he said with joy: " In the past six months, the number of members of Guangying Kuaibo in the mainland has increased by 50%, directly catching up with Qiyi Video.”

"Overseas, our cooperation with local film and television companies is also very smooth, especially in South Korea, which now cooperates with us on dozens of TV series every year."

"Last year's "Others Are Hell" also became the broadcast champion on the Korean site of Light and Shadow Quick Broadcast."

"This year, there are many heavyweight Korean dramas in preparation, such as "Squid Game" and "Sweet Home"."

"These Korean dramas, which are co-operated with local Korean film and television companies, are not only very effective in broadcasting in South Korea, but are also very popular throughout Asia. However, it is difficult to introduce them to the mainland and can only be broadcast online in non-Chinese regions."

The markets that Light and Shadow Kuaibo attaches most importance to, besides the domestic market, are Japan and South Korea. After all, the entertainment industries in these two countries are very developed.

And South Korea is the top priority. After all, in the past 20 years, we must admit that Korean dramas have been the dominant force in Asia, and their influence cannot be ignored.

Under Wu Yuan's influence, Guangying Kuaibo completely followed Netflix's route in Korea, cooperating with local film and television companies, and then investing in producers, bypassing Korean TV stations, and making online exclusive TV series.

Taking Netflix's path, Netflix has nowhere to go.

Guangying Kuaibo, which was deployed almost five or six years earlier than Netflix, had already built a moat in Korea when Netflix wanted to go international. Most of the local Korean TV production companies have long been intertwined with Guangying Kuaibo's interests.

So those TV series that were supposed to cooperate with Netflix have become self-made dramas in cooperation with Guangying Kuaibo and South Korea in this time and space, and next year there will be a blockbuster "Squid Game".

If nothing unexpected happens, "Dark Glory", which will be popular in Asia in the future, will also be intercepted by Guangying Kuaibo and become the biggest weapon to conquer Asia again.

And Netflix, I'm afraid it can only develop in Europe and the United States, and Asia has been firmly controlled by Guangying Kuaibo.

The only drawback is that most of these Korean dramas cannot enter the mainland, even if the producer is changed from Netflix to China's own Guangying Kuaibo.

After all, the scale is too large. No matter how big Wu Yuan's face is in the General Administration, it is impossible for these dramas to pass the review and enter the mainland market. On the other hand, on Hong Kong and Taiwan sites, the broadcast volume of these Korean dramas is very good!

"For the domestic platform, we also need to make more high-quality self-made dramas to attract mainland audiences." Wu Yuan pursed his lips and said with his original intention: "Domestic audiences are our basic base!" (End of this chapter)