Millions Of Viewers Are Crying Watching My Anime

Monday, January 27.

When I woke up in the morning, the first thing Takagi Makoto did was to pick up his mobile phone and check the box office of the first week of "Magic Girl Madoka: The Rebellious Story".

It was released on Friday for three days, and the box office in the first week was 370 million yen.

Although it’s not even 400 million yen, it’s more than 20 million when converted into RMB, but as the theater version of late-night animation, this box office is already very strong, compared to the "Girls and Wars" two or three years ago. "Car" theatrical version is much more powerful.

This theatrical version also has a very high praise rate. Everywhere is shouting for a second brush, so there is no need to worry about the situation like driving high and low.

It's a pity that this is a theatrical version of late night animation after all. Even if you don't have to worry about driving high and driving low, the follow-up potential is limited.

On the one hand, people who haven't watched "Puella Magi Madoka Magica" TV will probably not go to this theatrical version, and for this theatrical version specially make up for the TV. Although such people are not unavailable, but there are not many.

In other words, as the theater version of TV animation, the potential audience group is limited.

On the other hand, "Magic Girl Madoka Magica" is a black and crippling magical girl animation. Children under the age of fifteen cannot watch this, which is equivalent to losing a part of the potential audience group, but children under the age of fifteen. Groups are very important.

I don’t want to watch it by myself. Sometimes, parents will accompany their children to the cinema to watch, so if it is an animation that children under 15 can also watch, it may be accompanied by their parents, which is equivalent to this group of people buying two copies. Tickets or even three tickets.

Another world’s "Demon Slayer: Blade" theatrical version, as the theatrical version of TV animation, why can it have a box office of tens of billions of yen, in addition to its own TV fire, the theater version is very well-produced, and the publicity operation is strong, there is this The reason is that many parents will take their children to see this.

"Puella Magi Madoka Magica" can't work, so even if Takagi, DOS, and Baige do their best in all aspects, the final box office cannot reach the height of the movie "Devil Slayer: Blade".

In any case, the box office in the first week was 370 million yen. This result is already very good. As long as nothing happens in the follow-up, it should be safe to break the box office record of the current late-night animation theater version.

As for the box office records of the non-late night animation theater version and the box office records of independent animated films, most of them cannot be broken, especially the latter, which has a box office record of more than 30 billion yen, and it is impossible to break it no matter what.

Makoto Takagi didn't dare to think that it was already very good to break the box office record of the late-night animation theater version, even though this box office record was 2.28 billion yen set by DOS's own "Girls and Tanks" theater version.

After understanding the relevant situation, Takagi Makoto exited the relevant page of the phone, got out of bed, dressed neatly, and left the room.

Someone in the kitchen is preparing breakfast, but it is not Esaka Noe, but a nanny invited from outside.

As for Esaka Noe, Makoto Takagi looked for it and found that she was playing with flowers and plants in the yard.

Takagi walked towards Esaka Noe, and said to her: ""Rebellious Story" came out at the box office in the first week, 370 million."

"I already know."

Esaka Noe said with a smile, "After all, this is the last anime I will be the production manager, so I must pay attention to it."

"Yeah." Takagi Makoto nodded.

He originally thought that this animation was related to Esaka Noe, and it was the last animation Esaka Noe participated in before leaving the company, so he specifically told Esaka Noe.

Now that Esaka Noe knew it, it was all right.

"husband."

"Um?"

"With this first week's box office, breaking the box office record of the movie "Girls and Tanks" shouldn't be a problem, right?"

"Of course, unless an unforgivable scandal is revealed in two days, I will not only break the record, but even lift the record up a lot."

"Unforgivable scandal? For example, dating a lace girl and then being photographed?"

"It’s impossible. You don’t know what kind of person I am. Every day I stay at home or go to the company, or the production site. I have never been to improper places. I am also very careful when I go out, no matter how scandals like this happen."

"That's true, anyway, congratulations first, and I will be able to score another record soon. I am indeed my favorite person."

"Congratulations to us."

Takagi Makoto corrected it.

After all, this theatrical version was also produced by Esaka Noe. As the last animation of Esaka Noe's career, it broke the box office record. Takagi thinks it should be congratulated, even though Esaka Noe is only a production manager.

The two were whispering in the yard. Suddenly, the nanny in the house walked out: "Mr. Takagi, Mrs. Takagi, breakfast is ready."

"OK."

Takagi Makoto nodded, and then said, "Thank you."

When the nanny returned to the house, Makoto Takagi raised his hand on Esaka Noe's head: "Mrs. Takagi, it's time to go back for breakfast."

"Wait, I'll do it one last time."

Esaka Noe replied, and fiddled with the flowers in front of her. She was almost satisfied, so she turned around and walked into the house with Makoto Takagi.

However, after walking a few steps, she stopped and turned to look at Takagi Makoto.

"What's the matter?" Gao Mucheng asked puzzledly.

"Did you just want to hit me on the head?" Esaka Noe squinted at Takagi Makoto.

"Just now? No! Nothing!" Takagi Makoto quickly denied.

It's purely a habitual movement. It's not that I want to do it in my heart. Rather, it's because I thought about it for a while, so I controlled this habitual movement.

Esaka Noe actually just asked casually. Seeing Takagi's denial, she didn't pursue it to the end, but said, "No? If that's the case, then I will reward you."

With that, she stood on tiptoe and kissed Takagi Makoto's cheek.

But, soon she heard Takagi Makoto say: "I haven't washed my face yet."

"what?"

Esaka Noe was stunned for a while, and soon he choked a few times: "You didn't say it earlier."

Takagi Makoto smiled: "It's okay, my face is not greasy, and besides, the dirtier parts of my body are...what's so disgusting for you."

Esaka Noe: (▼⊿▼)

Takagi Makoto only teased slightly.

Feeling the look in Esaka Noe's eyes, he no longer said more, and took Esaka Noe's hand and walked into the house.

After entering the house, he brushed his teeth, washed his face, and had breakfast. Then Makoto Takagi bid farewell to Esaka Noe and drove to H.A. to continue the production of the theater version of "The Gate of Destiny".

Thank you for reading this story at mtlarchive.com. Your support enables us to keep the site running!