Millions Of Viewers Are Crying Watching My Anime

March 9.

Because it was Sunday, Takagi Makoto gave himself a short vacation. After getting up, he stayed at home and at most went to the yard outside to see Esaka Noe who was playing with the flowers and plants. Anyway, he never left the yard. door.

Esaka Noe didn't know where he got the flowers and plants. They were pretty. It's just that Makoto Takagi didn't know much about the flowers and plants, so he basically couldn't recognize them and couldn't name them.

He didn't want to see flowers and plants more, he just wanted to chat with Esaka Noe.

The two of them were talking when the phone rang suddenly.

Makoto Takagi took out his cell phone and took a look, and found that it was Takimoto Tatsuhiko who was working on DOS.

Nowadays, DOS is small and scaled. Even if Makoto Takagi thinks his memory is not bad, it is impossible for everyone to remember it, but he can still remember this production called Takimoto Tatsuhiko.

First of all, although this person is not one of the first batch to enter DOS, he is not recruited recently, but has been in for a while.

Secondly, when Takagi Makoto did "Four Lies", this person was already a production team in the production team, and later "Puella Magi Madoka Magica" TV and the theater version of "Rebellious Monogatari", this person is also produced A member of the group.

Now "Rebellious Story" has been released for a month and a half, and the publicity is the Baige side. Basically, there is nothing to do with DOS. Just wait for the theater version to be released and divide the accounts.

Having said that, it’s not that there is nothing. Sometimes there are some things that need to be handled or communicated by production management. However, the production management of this theatrical version is not done by Esaka Noe. In this case, you have to find someone Temporarily replace the production management position of "The Rebellious Story".

Takimoto Tatsuhiko is this "production management". Although the current position is still “production in progress”, as long as she performs well, when Makoto Takagi makes new animations on DOS in the future, he will consider letting Takimoto Tatsuhiko immediately. Yan Lai is the production manager.

I don't know what happened to this guy who suddenly called.

Makoto Takagi frowned, connected to the phone, and soon heard Takimoto Tatsuhiko say: "President, "Rebellious Story" broke the record for the late-night animation theater version."

"Oh."

Takagi Makoto responded, appearing calmly.

"The previous record was our DOS's own "Girls and Tanks" theatrical version, 2.28 billion, our "Rebellious Story" last night exceeded this number, and now it is closer to 2.3 billion." Takimoto Tatsuhiko said again .

"Well, what then?"

"It has only been in theaters for a month and a half. With the results and praise rate of "Rebellious Story", it shouldn't be a problem to support it for another two or three months. By then, it will be 3 billion, or even 3.5 billion.

"you're right."

Takagi Makoto agreed, and then asked: "Anything else to say?"

"President, aren't you excited at all? Didn't you mean that your short-term goal is to make "Rebellious Story" break the record? Now it has broken the box office record for the late-night animation theater version."

"Calm down, I did say so, but it's nothing to be excited about. There is not much at the box office, not to mention that a part of the theater line has to be taken away, and other members of the production committee have to take away a part separately and put it in the hands of DOS. , Far less than a billion."

"Oh, that's true."

"This is just the beginning. There will be more animated movies with a box office of over 3.5 billion in the future. You have to get used to it and don't be surprised."

"..."

"Okay, I'll hang up if there is nothing else."

Takagi Makoto made one last sentence, seeing that Takimoto Tatsuhiko didn't say anything, so he hung up the phone directly.

Putting away the phone, he said to Esaka Noe: "The production is really going on now, it's just breaking a record. It's actually so exciting, too unseen."

After hearing this, Esaka Noe turned to look at Takagi Makoto, with a weird look in his heart, and thought to himself: "I don't know who has been staring at the box office results last night, just waiting to see the moment it breaks the record."

I thought so, but she quickly put on a proud expression: "That is, the current production ability and knowledge are not good enough. Compared with me at the beginning, I think that CL was the first. The volume sold 21 thousand in the first week, I was not excited, yes, I was not excited at all."

Takagi Makoto: "???"

Not excited at all?

seriously?

If I remember correctly, before the first week of sales of the first volume of CL, Noe Esaka was so nervous that all the cups in it turned over. After the sales came out, he was so excited that he almost cried on the spot. .

Now that you are not excited at all?

Shameless?

He stretched out his hand and pointed to the location of Esaka Noe's heart: "You touch it yourself, don't you feel pain in your conscience when you say this?"

"I don't think so, I'm just telling the truth."

"you sure?"

"Yes, very sure."

"Yes, your shameless look has the demeanor of mine back then."

Takagi Makoto shook his head, a little dumbfounded.

He talked to Esaka Noe for a while, and when he returned to the house, he turned on his computer and checked the "Late Night Animation Theater Box Office Record" on the Internet.

On a professional information query website, this information has been updated. Before it was "Girls and the Tanks: 2.28 billion yen", now it has become ""Magic Girl Madoka: Rebellious Monogatari": 2.29 billion yen (released middle)".

In a month and a half, it was close to 2.3 billion yen at the box office. Takagi Makoto is still very satisfied with this result, because just like Takimoto Tatsuhiko said, such a score of 3 billion is definitely not a problem, and even 3.5 billion is not impossible. After all, as long as an animated film with a better grade is here in the island country, the release time can last for several months or even half a year.

For example, the theatrical version of "Demon Slayer" has been in theaters for a long time, and the theater versions of popular animations such as "Girls and Tanks" and "Celestial Girls" were released for several months.

In another world, although the box office of "Puella Magi Madoka: Rebellious Story" exceeded 2 billion yen, it was far less than 3 billion. Now, seeing the box office of this theater version can reach more than 300 billion, no It's more satisfying than this.

It is estimated that even if the theater version of "lovelive" is released in the future, most of it will not be surpassed. We can only wait for the appearance of an animated theater version like "Demon Slayer: Infinite Train".

Of course, if the theater version of "lovelive" really surpasses "Rebellious Story" in the future, there is nothing to be unhappy. It must be better.

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