Friday, November 21.

In the evening, Makoto Takagi was watching TV while thinking about new animation projects.

H.A. has arranged it over there, so in the future, the focus will be shifted back to DOS.

For several production teams of DOS, Sakurako Takayama is preparing to make a novel adaptation. On Taro Komura’s side, the third chapter of the final chapter of "Girls and the Tank" has just been released, and the response is as good as ever, and preparations for the fourth chapter are already in progress. .

The production team of Asanuma Tetsuya is currently producing the theater version of "lovelive".

The rest is the production team of Shingo Kitagawa, which is also the main force of the new animation that Makoto Takagi needs to use.

I said it a long time ago, because TV animation has reached its peak, and there is no more TV animation than "Magic Girl Madoka", so the next thing I will do is animation movies.

There are quite a lot of animated films with tears, and which one to choose is a question.

If you want to be a little more melancholy, then "Five Centimeters Per Second", "Firefly Forest", "Penguin Highway", "The Soul Wants to Scream", "The One Who Knows The Sky Knows Blue", these are all pretty good .

"Five Centimeters Per Second" Xin Haicheng, needless to say, anyway, when the animation came out, many people wanted to blow up the train.

"Firefly Forest" is adapted from the manga of Yuki Midorikawa. Yuki Midorikawa is the author of "Natsume's Book of Friends". In addition, the production team of the two animations is the same, but "Natsume's Book of Friends" is the real one. Healing animation, and the ending of "Firefly Forest" is a little bit gloomy.

"Penguin Highway", this is another world, an animation that was only released in the island country in 18 years, supervised Ishida Yuyasu, and established Arai Yojiro. Although it seems not very famous, he has done a lot of animations. Short films, including "Blue Rain in the Sun".

Once Ikeda Azusa had just entered college and had not yet entered the industry. He wrote a script that was a bit similar to "Blue Rain in the Sun", but the ending of Ikeda Azusa's writing was even more gloomy.

Compared with "Blue Rain in the Sun", the ending of "Penguin Highway" is relatively depressing.

The two animations "The Soul Wants to Scream" and "The One Who Knows The Sky Knows Blue" are both supervised by Ryukyu Nagai, Mori Okada is in charge of the script, and Masaka Tanaka is the character design and chief painting supervisor. This The three-person team is also the core of "Unheard Flower Name".

These two animations are not enough to say how gloomy they are, but the heroine is not with the hero in the end, it will inevitably give people a more aggrieved feeling.

In short, if it is tearing + depression, there are still more animations to choose from.

But the current situation is that tears must be present, but depression is not very good, at least it can't bring about a gloomy ending in an open manner, even if there is a little bit of depression in the middle, it should not be too obvious.

No matter what, you have to provide yourself with defensible space, and if the ending itself is depressive, there is no way to defend it. After all, he said a few months ago that he didn't plan to make depressive animation.

"Five Centimeters Per Second" and so on, although they are very good, they can't do any of them, at least for the time being, they can't do it in the name of Makoto Takagi.

Have to do other animations.

In addition, the box office is also a factor that needs to be considered. Although another world animation, no one can say how much box office can get in this world, but the box office is too low, because the box office is too low, which means that the movie itself has various For such a problem, even if you change the world, you will probably not be able to turn around.

For high-grossing animations, such as "Weathering Son" and "Your Name", these two movies can be done, but these two box offices are too high, one is over 14 billion yen, and the other is 25 billion yen.

After all, I just stepped into the field of animated films, and it was not very suitable to get these two out at once.

The box office is not very high, but it will not be very low, tearing but not gloomy, at least the ending is not gloomy animation...

Takagi's thoughts and thoughts did not seem to be particularly suitable, which was a bit embarrassing.

He sighed, and when he turned his head to see Esaka Noe was knitting with a needle and thread, he stopped thinking, and asked Esaka Noe: "What did you knit?"

"Winter is here, so we can knit a little coat for the child, maybe we can use it sometime." Esaka Noe said without raising her head.

Makoto Takagi frowned: "I really need it, can I just buy one? It's faster."

"How can it be the same?"

Esaka Noe shook her head slightly, "I knit it myself, full of heart, and when my child grows up, I can tell him that when my child grows up, I can tell him that it was made by his mother with great difficulty. If everything depends on buying, Then there is no point at all. Besides, I don’t usually have much to do. Isn’t it good to knit things?"

Takagi Makoto: (⊙_⊙)

It made sense, he couldn't refute it.

only……

"With me up to now, I haven't seen you knit anything for me." He said in a sour tone.

When Esaka Noe heard this, he was immediately happy: "Husband, are you jealous?"

"Yes, I'm jealous." Takagi Makoto admitted happily.

Esaka Noe smiled, stopped working, raised his hand and patted Takagi Makoto's shoulder lightly, "Hey, don't be jealous, when I finish knitting, I will knit a scarf for you."

"At this time, you shouldn't directly take out a scarf from somewhere and tell me that it has already been knitted for me, but you just want to surprise me?" Gao Mucheng couldn't help but vomit.

"I also thought, but isn't it not there?" Esaka Noe was helpless.

Makoto Takagi tutted: "Takamuno-e, you have changed. Before, you always think of me for what you have to do. Now you think about your son first, and you don't care about me at all."

"No, I didn't, don't talk nonsense!"

Esaka Noe quickly denied, "Moreover, even if you really think about your son first, isn't it normal? This is called maternal love, and maternal love is such a great thing."

"Ha ha."

Takagi Makoto smiled and did not speak.

Of course, he was just making fun of him, not really jealous, nor angry.

Rather, this exchange with Esaka Noe has a small gain, because he thought of an animation-"The Flower of the Promise in the Time of Parting", which is the so-called "Asaka Oath in the Evening.

This animated film has a lot of depictions about maternal love. Although the box office is not very high, as the first independent animated film, it does not need how high the box office.

Moreover, the background of this animation is a fantasy world, or a fantasy world. It happens that the animation made by Makoto Takagi lacks this type, and even the entire DOS lacks this type of animation. Only WA has it, but WA only does planning. Not responsible for the specific production, can not be counted.

It is quite appropriate to make the animation "The Oath in the Morning and the Flower", which can make up for the shortcomings of DOS.

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