Millions Of Viewers Are Crying Watching My Anime

After the plan was finalized, Takagi Makoto summoned the staff to enter the initial production.

Twenty days passed in a flash, and it was almost at the end of December.

W.A.'s "Game of Life" and "Girls' Last Journey", which W.A. is in charge of, have been completed one after another, and both have received very high evaluations. Based on this, W.A.'s reputation has gradually improved.

Although not completely forgiven, more and more people feel that W.A. is not so frantic.

It is Shinichiro Sudo and IFK who have committed public outrage because of the fraudulent publicity of "Magic Girl Notes". However, despite the fact that the producer has been frantically complained, the animation of "Magic Girl Notes" has a pretty good reputation.

Although the popularity is not very high, it is not low, and it does not even lose the animation "Game of Life".

Some people regard it as a magical work because the animation is constantly reversed starting from the third chapter, making it difficult to guess the subsequent expansion.

Of course, the more evaluation of this animation on the rating website is: "The low-profile version of Puella Magi Madokazu."

The animation of "Magic Girl Madoka Magica" is also a variety of unexpected developments, but "Magic Circle" is not only an excellent script, but also an unexpected plot. The filming, painting, and music are also top-notch in these aspects.

"Magic Girl Notes" is far from reaching such a height. Although the constant reversal does give people a very powerful feeling, it is still far from "Magic Circle".

What's more, whether it is fraudulent propaganda or the three-character theorem, it is the leftovers of "Magic Circle". Turning a healing magical girl into a melancholy magical girl is also the first of its kind in "Magic Circle".

"The low-end version of "Magic Girl Madoka Magica"", this evaluation is really appropriate.

In any case, "Magic Girl Notes" is a successful animation.

Then, it is probably the Sanjo on the cony side that knows the taste of food, and I specifically went to Kawano Akino to say that there is a similar project, please do not hesitate to recommend it to cony.

Kawano Akino didn't hide it, and he recommended several depression animation projects to Sanjo Yumi in one go, but he didn't say that those depression animation projects were made by Makoto Takagi.

At the end of the month, because it is the end of the year, several companies of Takagi Makoto will have a holiday on the 27th.

The reason why it’s the 27th, not the 28th or the 29th, is because the 27th is Saturday, and the usual holiday is the 28th. But since it’s a weekend, it’s okay to take an extra day. Anyway, several companies are not busy recently. The sky is dim, and the one that is not allowed for a day is added.

Takagi Makoto himself didn't go to the company since the 27th, and then stayed at home for several days.

On the 31st, he drove himself and took Esaka Noe and Takagisuke to Aomori.

Chinese New Year is celebrated in Aomori.

In a blink of an eye, 15 years have arrived.

The Takagi Makoto family returned to Tokyo on January 2.

On Monday, January 5th, DOS, H.A., and W.A. all resumed work, and Makoto Takagi also returned to the production routine of "Early Flower and Evening Oath".

The theater version of H.A.'s "Stone of Destiny" was released on January 30, but as early as December, various publicity activities had already begun.

In January, the publicity increased a lot, and even the supervising "Xin Haixuan" was asked to receive a related interview.

After all, this is not the first interview, so there is nothing to say. Anyway, it is still an online interview conducted through the Internet, and it is still an interview done by Animation Weekly.

This theater version, the box office will not be too high, anyway, it is far from the height of the theater version of "Puella Magi Madoka Magica". Although it is definitely profitable, it is mainly for filling the hole and for the integrity of this ip. .

From a general or strategic perspective, this theatrical version does not have much significance to Takagi Makoto. Therefore, don't see this theatrical version is about to be released, he is more concerned about the new animation of Takayama Sakurako.

Takayama Sakurako's new animation is called "A Wonderful Journey under the Moonlight", which is adapted from a popular novel by DOS's Thunderstrike Library.

Because Sakurako Takayama said before that he would adapt this, Makoto Takagi specially found this novel and saw the latest volume from the beginning.

As far as the subject matter is concerned, it belongs to the urban ghost story series, but it is different from other urban ghost stories. The monsters in it are all good.

In addition, there is no male protagonist in this novel, only the female protagonist and the female partner. The main story is about a shop that only opens at night to connect the human world and the monster world. The female protagonist strayed into this shop and became the owner An employee completes one task after another and gets all kinds of wonderful experiences.

The urban ghost story itself is a big selling point, and another selling point is healing. Every mission of the heroine is a story, a story of healing.

There are no male protagonists, only female protagonists and female counterparts, which is also a major attraction for some readers.

"Strange talk + healing" gives people a feeling of "Natsume Friends' Account", but in terms of the main structure of the story, it is more like "This Flower Pavilion", "the heroine completes the task + the healing story", and there is another one. A little bit of the charm of "Violet Evergarden".

The novel is very good, otherwise it will not become a popular novel in the Thunderstruck Library, but no one can say how the animation is made. Even if Takagi Makoto believes in Takayama Sakurako, he can't guarantee that this animation will not hit the streets.

In this animation, Makoto Takagi didn't intervene at all. Not only did he not participate in the character design, music, etc., even the producer was not him, but Uchida Okiichi.

The original Uchida Okichi was production management, but for this anime, Takagi Makoto raised his authority, and introduced a new production management during the several productions on D-1.

In short, it gave D-1 considerable autonomy.

In terms of production costs, it is also quite tolerant, much more than other animations.

If this animation can succeed, it will naturally be of great significance to the development of DOS, and if this animation fails, it will undoubtedly be a small blow to DOS.

I can't help Takagi Makoto not pay attention.

Fortunately, Takayama Sakurako did not let him down. The animation was really excellent, even more colorful than the original. The characters, storyboards, and music are all very good, and the style of painting is also very beautiful.

Not only has Takagi Makoto's expectations greatly exceeded, even the author of the novel can't help but publish a post on social platforms to tout this animation.

The popularity of the animation is also very high. After the first episode was broadcast, it won the top of the new fan popularity list, and after going up, it will not go down.

Scoring websites, forums, and major communities all mention this animation to tout, and in terms of the degree of discussion alone, it also leaves other animations in the same period far behind.

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