Millions Of Viewers Are Crying Watching My Anime

Simply spend a year, and then 2016 has arrived.

On January 5, DOS resumed work.

At around nine in the morning, Makoto Takagi arrived at the company.

When it was ten o'clock, he called some people into the conference room for a meeting.

"Oath in the Morning and Evening" has been finished, just waiting to be released. Although you can enter the production of the new animation right away, you are not in a hurry, at least Takagi Makoto's own new animation is not in a hurry.

He disbanded the production team, and let Kitagawa Shingo and the others go back to do the fifth season of "Natsume's Book of Friends".

However, this time is not the production meeting for the fifth season of "Natsume's Book of Friends", but the production meeting for the new animation.

As for why to make a new animation, on the one hand, Takagi Makoto himself felt it necessary to do it, on the other hand, he found that some people were too idle, such as-Taro Komura.

Taro Komura is the supervisor of the "Girls and the Tank" series, and now the final chapter of "Girls and the Tank" has entered the production of the fifth chapter.

Because the final chapter is a theater version of ova, it basically comes out every year, but it only lasts about an hour, sometimes even less than an hour.

It took a whole year to make less than an hour of animation. Although it is good to work slowly and carefully, and there are not many people in this production team, it takes almost this long, but it is still a bit wasteful.

Of course, the main reason is that recently Taro Komura often chirps in Takagi Makoto's ear, saying that he has been working on the "Girls and the Tank" series, which is too monotonous, and I hope to make new animations.

Takagi Makoto is a good president and a conscientious president, and employees take the initiative to increase the workload. Of course, he must be satisfied.

When the participants sat down, Takagi Makoto asked people to help distribute the relevant materials of the new animation.

Everyone was a little stunned at the beginning, but after reading the relevant information, they became even more stunned.

Yukimura Taro couldn't help asking, "President, what's going on?"

"The new animation project, what else can it be?" Takagi Makoto said naturally.

Naturally, Taro Yukimura knew that it was a new animation project. He squeezed his chin and asked: "Your new animation, asked me to have a production meeting? Is this asking me to be the deputy supervisor?"

"No, there is no deputy supervisor. You are the supervisor. I don't do anything except write scripts, be a producer, and be in charge of the main roles."

"But I'm already the supervisor of the final chapter of "Girls and Tanks"."

"I know, but didn't you always say that you want to make a new animation? I am satisfying you."

"That was when the fifth chapter of the final chapter of "Girls and Tanks" had not yet started production. Now that the fifth chapter has already been produced, how can I make a new animation?"

"It's okay. Time is like a sponge. There is always a squeeze. Besides, the new animation will be broadcast next year. It’s not so in a hurry. If it’s okay, you should finish the fifth chapter of the final chapter of "Girls and the Tank" soon. Come and do this new animation, so it is too late."

"I……"

Yukimura Taro suddenly felt aggrieved.

Before he could complain, Takagi Makoto said again: "You don’t want to do it, but if you don’t do it, the fifth chapter of the final chapter of "Girls and the Tank" is finished, so you can only continue with the sixth chapter. Only after Chapter 6 can we consider new animations, there may not be such a good plan at that time."

Hearing this, Taro Yukimura lowered his head and looked at the draft plan in his hand.

The animation is called "White Box", which tells some things in the animation industry, and is a story about dreams.

I don't know if it can be popular, but this is indeed a very good project.

"Do! I do!" he gritted his teeth.

Takagi Makoto: "???"

Obviously, according to the normal rhythm, how can it be broadcast next year, how many times is it going to the small black room?

Didn’t start making this yet, you already considered that you would paddle and fish?

Taro Yukimura, you deserve it!

In any case, Taro Komura is willing to serve as a supervisor, which is a good thing, otherwise I am afraid that Takagi Makoto can only do it himself.

It’s not impossible to do it by yourself, but Makoto Takagi still hopes to continue to engage in animation movies for new animations. After all, animation movies are released directly after one time. Compared with TV animations that are done and broadcast, it is much cooler.

He is a person with a family now, not the bachelor he was back then. TV animation should be avoided as much as possible.

After the supervision was confirmed, Takagi Makoto looked at others: "Do you have any questions?"

"President."

Akane Ishikawa among the participants raised his hand, "The main role is set up, what about the other roles?"

"For other characters, look for prototypes that correspond to reality. If you have them, you can draw them directly according to the prototypes. If you don’t have them, you can find someone to be the prototype of the character image. Of course, you need to get the consent of others in advance. I will fix this. ."

Takagi Makoto explained, "For a simple example, there is a character named Takanashi Taro. I drew Yukimura as a prototype. The producer Watanabe Hayabusa, although not entirely based on me, has ten of me. One part handsome."

In the past, Makoto Takagi tried to restore any animations as much as possible. The higher the degree of reproduction, the better.

This time is different, because some of the prototypes in the animation "White Box" cannot be found in the world where Takagi Makoto lives.

The script is definitely not changeable, but the character set can be changed accordingly, from the character prototype of another world to the character prototype of this world.

Even if you change the world, some of the characters in it can still find the corresponding people in reality. After all, this animation is originally a reflection of the various aspects of the animation industry.

Of course, there are cases where you can't find a corresponding person, but the problem is not big. Even if you can't find a corresponding personality or deeds, you can at least look at it.

This animation is to let people find the prototype, in order to give people a sense of reality, and to touch the audience more. If it is copied all over, it will fall behind.

Of course, the protagonist Miya Senkui and her four little sisters, the five people's character set Takagi Makoto is 100% reserved, after all, this is the protagonist, not a supporting role.

For this animation, Makoto Takagi wants Akane Ishikawa to serve as the chief painting supervisor. This is set up. Except for the part that Makoto Takagi has completed, Akane Ishikawa is responsible for the rest.

If it was Akane Ishikawa ten years ago, it would be a bit difficult to be responsible for both parts at the same time, but Akane Ishikawa now has a different level of painting. As long as the explanation is clear, the problem is not big.

She nodded and said nothing.

On the contrary, Taro Komura, after hearing the example cited by Takagi Makoto, couldn't help but said: "President, isn't Takanita Taro a small production in progress? If you want to use me as a prototype, it must not be the supervisor in the animation?"

"The image of the supervision is relatively fat in the setting, you can't, but you can rest assured that a certain part of the supervision is a bit like you." Takagi Makoto explained.

"A certain part is a bit like me? Is it a genius like me?" Taro Yukimura asked quickly.

"no."

Makoto Takagi shook his head slightly, "I like to drag storyboards like you, and I have been locked up in a small black room like you."

Yukimura Taro: "..."

Thank you for reading this story at mtlarchive.com. Your support enables us to keep the site running!