The next plot revolves around the hostess and the child she found.

Newborn children need breast milk, but the hostess herself is just a ignorant girl, she doesn't have this thing at all.

She can only take her child to a farm and let the child drink goat milk secretly.

For the cowardly heroine, this is undoubtedly a very bold move.

Of course it was discovered.

Fortunately, the farmer is also a very good person. She didn’t care about the hostess stealing goat’s milk. She also helped to get food, took in the hostess, helped the hostess find a job of weaving, so that the hostess could Relying on one's own ability to make ends meet.

The farmer had two children, a dog, and her husband, according to her, was killed by a dragon with pink eye.

It is inevitable that the identity of the hostess Ioluf was discovered. The farmer helped the hostess dye her hair from golden yellow to brown, the same hair color as a child.

Time passed day by day.

The child named Ariel also grows up little by little, learns to walk, learns to call "mother", life is simple but happy.

On the other hand, Lelia, the heroine's friend, was caught in the palace and placed under house arrest.

The cheerful and lively girl who used to be no longer lively, and no smile can be seen on her face.

Compared with the heroine, the situation of the two is almost turned over.

Time passed quickly, and Ariel gradually grew up, learned to play, and learned to weave.

However, because he was too close to the hostess, he was ridiculed by friends in the village.

The child king Tita also said: "Ariel, you are very strange, a boy who likes his mother is strange."

"It's not surprising, people..."

Ariel defended, but probably only defended, and said directly: "I hate you, I hate Tita!" With that, he turned and ran.

Although Tita is the king of children, she is actually just an ordinary girl.

When Ariel said that, her tears suddenly couldn't help it.

On the other side, the hostess got a piece of Sibiol. Through this piece of cloth, she learned a news that the prince of Mezart will marry Lelia.

Lelia was forced, there is no doubt about it, and the heroine also knows the affection between Lelia and Klim.

After learning the news, she had the idea of ​​leaving the village, heading to Mezart City, and looking for Lelia.

However, Ariel is a problem. It will be very hard if you bring him around and travel far and wide.

The farmer Mido persuaded the hostess to keep Ariel, saying that he could help take care of him, but the hostess did not immediately agree.

In the evening, the farm dog Honora died.

This dog had been there when Miduo got married, and he had been on the farm for more than ten years. For Miduo and her two sons, the relationship was not so deep.

Mido's two sons, the eldest son Lange was responsible for digging the pit, and the second son was holding the dog's body and crying constantly.

After the pit was dug, the dog's body was put in, and then Mido and Lange kept filling the pit with soil.

The young Ariel moved towards Mido, grabbed Mido's clothes, and whispered: "Cover the soil and you will never see it again."

"You can come here to watch it at any time." Mido replied.

"You can't play together if you cover it with dirt," Ariel said again.

"Then praise it."

As Mido continued to fill the soil, he said, "It was painless when it left, and it was very peaceful. Sooner or later, everyone will have this day. Honora was only born to usher in this day sooner."

The heroine was only sad because of Honora's death at first, but after hearing what Mido said, she broke the defense directly.

She is a member of the parting clan and has a long lifespan, while Ariel and the others are ordinary humans, who are destined to usher in death earlier than her.

Thinking of this, she turned and ran away crying.

Lange hurriedly chased after seeing this.

Ariel didn't chase him. He still clutched Mido's clothes and asked, "Will everyone die?"

"Yes." Mido replied.

"Does mother do too?" Ariel asked again.

"Um."

Mido said, continuing to fill.

On the other side, Lange called the hostess twice, and then the two stopped on a wooden bridge.

The hostess turned her back to Lange, crying and said: "Ariel, and everyone, will usher in this day... earlier than me..."

"Machia." Lange, who also turned his back to the heroine, looked back at the heroine.

"It's not that I don't understand, I knew it from the beginning, but..." the hostess continued to cry.

Lange said: "It doesn't matter who comes first and who comes later."

"do not Cry."

As he said, he walked to the hostess and grabbed the shoulders of the hostess: "You are Ariel's mother, right? Being a mother...you can't cry, my mother doesn't cry, so I firmly believe in being Mom's people don't cry."

...

Before the big screen, Kazuo Luga was only infected by the sad atmosphere at first, and felt very sad. When the words "being a mother can't cry" came out, it was his turn to break the defense.

Suddenly, the eye sockets were a little wet.

But soon he discovered that there was a slight sniffing noise beside him.

Turning his head and glanced, Nagasawa Rumi seemed to be crying too, and crying harder.

"It's worthy of the animation of the old thief Takagi." He couldn't help muttering secretly.

In fact, although this animation mainly wants to express "the story of encounter and parting woven by the communication between people", it can be said that the depiction of maternal love occupies most of it.

The heroine was originally just a cowardly girl, but as a mother, she must become strong.

At the same time, the hostess is a parting clan, and what she met outside were ordinary humans, including the child Ariel she picked up.

Ariel’s appearance filled her heart and made her no longer lonely, but the gap in lifespan meant that Ariel as a child would die earlier than her as a mother in the future.

I feel sad, but as a mother, I can’t cry, at least I can’t cry in front of my children, and show my strong side to my children.

To put it in one sentence: "Women are weak by nature, but they are strong when they are mothers."

Parting itself is sad and a teardrop, but what is more touching is the portrayal of maternal love, which makes it easier for people to break defenses.

This is just the first wave of tears in this animation, and the subsequent plots are also teary in several places.

Kazuo Luga has watched all kinds of tear-gas animations. He chased him all the way from Makoto Takagi’s CL. The tear point is relatively high, but not everyone who watches this movie has tears as high as him. point.

In the entire projection hall, I don't know how many people are watching and crying, and the sound of sniffing sounds from time to time.

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