Saturday, April 8.

At eleven o'clock in the evening, the animation "White Box" finally started.

At the beginning of the first chapter, when the hostess Aoi Miyamori was in high school, together with her four little sisters Ema Yasahara, Shizuka Sakaki, Misa Fujido, and Midori Imai, they vowed with donuts that they would make commercial animations together in the future. .

Of course, this is just a short paragraph at the beginning.

This short period ends, and the time jumps to two and a half years later.

The heroine Gong Senkui became a production, holding the steering wheel, in order to grab a parking space, racing with other companies' productions, and running around in order to collect the original drawings.

At first glance, she has already joined an animation company, but the nature of the production process seems to her to be no different from that of a social animal who has no dreams.

Successfully recovered the original drawing and returned to the company. The hostess looked around and found that everyone had disappeared. She was surprised to open the door of the meeting room and found that everyone was eating and chatting in the meeting room while waiting for the company's animation to start.

In this process, some people in the company and the various positions involved in animation production can be considered as general explanations. There are production management Honda Toys, production is carried out by Takanashi Taro, 3D supervision by Yuichiro Yanagi, animation inspection Domoto Chiemi, and chief painting supervision assistance Iguchi Yumi, Chief Painting Supervisor Ogasawara Runko, Photography Supervision Sakura Yoshiki, Supervision Kinoshita Seiichi...

This also includes Ema Yasahara, who is the original painter, a friend of the heroine in high school, and she is in the same company as the heroine.

The company's name is "Musashino Animation". The president is a person who likes to cook. The curry that the people in the meeting room are eating is made by him.

Seeing the heroine reclaimed the original painting, he called the heroine to eat together.

After that, the animation started on time and it was a film called "EXODUS! "Animation.

...

In the first chapter, the first half is mainly about the heroine and the Musashino animation where the heroine is located. The second half is about the small problems encountered by the production team in the company and how to do How the protagonist of the production can help solve the problem, even if it is forced.

At first glance, they seem to be sparse and ordinary things, and there is no high-energy development, but as an animation of the workplace, the rhythm can be said to be very well controlled.

And although it is a workplace theme, it is very interesting to make, and it does not make people look drowsy.

In addition, this animation was supervised by Taro Komura, the script was written by Makoto Takagi, the chief painting supervisor was Akane Ishikawa, and the character set was Makoto Takagi and Akane Ishikawa each. It was expected before the broadcast...

After the first episode was broadcast, the audience began to discuss:

"It's a very interesting animation. I didn't expect this theme to be so interesting. It's a DOS animation, and it's a combination of Taro Komura + Makoto Takagi + Akane Ishikawa."

"It turns out that there are so many positions in an animation company. I used to watch animation. Although op and ed would usually watch it, I rarely paid attention to the list of producers. Now I have a long experience."

"It is said that many people in the industry have appeared in this animation, and even the supervisor of the game Taro Komura has a corresponding role. So? Who is it corresponding to?"

"Since it is a supervisor, should the counterpart be a supervisor? However, supervisor Yukimura is so fat?"

"That's Taro Takanashi? One is called Takanashi Taro, and the other is called Komura Taro. The names are the same, only the last name is different, and I have seen photos of Director Yukimura on the Internet, which are really similar to this Takanashi Taro."

"Is Takanashi Taro the Supervisor Yukimura? How did the production go on? Or does it correspond to his appearance when he first entered DOS? But I think this character named Takanashi is very unreliable."

"Chief painting supervisor Ogasawara Runko, is that by Mr. Ishikawa? Or is it that Mr. Ishikawa, Ema Yasahara in the protagonist group?"

"Is it true that the old thief Takagi didn't appear in it? It's all anime-themed animations. Wouldn't it be a pity not to appear in it?"

...

The animation is well done, which in itself is a point worth discussing.

There are a lot of animation-related information in the animation of the animation theme, and it is easy to cause discussion among the audience watching the animation, because this information happens to be of interest to everyone, but is not very familiar. At least most people will pay attention to the supervision. , Scripts, voice actors, general painting supervision related information, and other information, only a small number of people will pay attention.

Takagi Makoto posted a post before, saying that many people in the industry have been invited to star in this animation, and even the animation supervisor Taro Komura has a corresponding role in the animation, which is more likely to cause discussion.

In short, although it is only the first story, the discussion is very high.

However, this animation is not just being watched by ordinary audiences. During the discussion, many people in the industry are also paying attention to this animation. After the first episode of this animation was broadcast, those in the industry also followed up and discussed:

"It's too real. I was also an animation company full of dreams at the beginning, but now, I feel that I have already lost my dream."

"The necessary skills for production-driving and poor driving skills are not qualified for production."

"The production is going on at the same time, and I feel like I can see my shadow in the hostess."

"Is the president of Musashino Animation played by Masaji Tomaru, president of Creazyanimation? It looks exactly the same, even the name is the same."

"That supervisor, Seiichi Kinoshita, should be played by Supervisor Tada? Both face shape and body shape are similar."

"It's really real. Every time our company does animation, there are also various problems."

"'Everything is done!" Our company's production management also likes to talk about this sentence. Every time something goes wrong, he will call out ‘Everything will be done’ first, even though the problem will always be solved in the end."

"Anything that can be solved is considered good, like our company, I don't want to say anything."

...

For ordinary viewers, this animation is not only good-looking, but also satisfies their curiosity about the animation industry.

For people in the animation industry, there is no curiosity. The biggest feeling is real, or maybe they feel a little kind, because some of the roles in the animation may be their own positions, in the animation Maybe they have also experienced what the production team of the heroine is in.

After all, it is an animation depicting the animation industry, which makes these people in the industry feel real and cordial. This is natural. However, this is only an animation anyway. As an animation, there will definitely be artistic processing.

The problems encountered by the people in the animation must be resolved in the end to promote the continued development of the story, but in reality, not all problems encountered can be properly resolved.

Therefore, it is actually true but not necessarily true.

In any case, the degree of discussion of this animation is really very high. In this case, the popularity is naturally also very high. Just after the broadcast, it rushed to the top of the new popular list.

Thank you for reading this story at mtlarchive.com. Your support enables us to keep the site running!

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like