My Daily Cultivation Life with a Clumsy Female Disciple

\u003cins\u003e\u003c/ins\u003e

Chinese. Chinese domain name one-click access\u003c/p\u003e

Ah! Finished. \u003c/p\u003e

I stumbled, confused, and even limped to write more than one million words. So I can say that I have "finally" finished it. \u003c/p\u003e

The first time I wrote more than one million words, I felt like a teenager with his head covered, rushing into the world of martial arts with a foolish head. I was too young and underestimated the difficulty of writing. It was the same as Qin Lu rushing into the world of martial arts with a sword and 103 copper coins. So during the writing process, I often felt like squeezing toothpaste, and most of the time it was painful. \u003c/p\u003e

The process was painful. But when I finished writing, I was reluctant to give up, and I still felt that I had not finished it, and I still felt that there were many things to write. In fact, this was because of my lack of experience. I didn't think of these things when I was planning. At the end, I found that the characters in life could be given a better stage and a better story. \u003c/p\u003e

But why didn't I continue writing? \u003c/p\u003e

One is that in the previous layout, the world structure, story system and practice system have been broken by me, I can't write anymore, I am at a loss; \u003c/p\u003e

The other is that I don't like the way of writing that stacks boxes, one box on top of another, endlessly, no matter what, when the force value goes up, it's all about the avenue, the master of the universe, the long river of time, and the competition between the universes. \u003c/p\u003e

... Of course, there is also the reason that I don't know how to stack boxes. After all, I can't write such a simple force system. So I'm jealous. \u003c/p\u003e

Hahahaha...\u003c/p\u003e

Speaking of stacking boxes, there are several that left a deep impression on me. Many years ago, when I watched "Snow Eagle Lord", Tomato was stacking one box on top of another, endlessly, which made my head hurt and my heart tired. \u003c/p\u003e

When I watched "Perfect World" at the same time, it was also a box. The lower world of Perfect World was originally perfect (I think), but it went to the upper world, and kept pursuing the world view. It was bigger and bigger, and the world view collapsed, and the combat power also collapsed. At that time, Chen Dong had a description of combat power that left a deep impression on me, "Sweeping the falling stars", which appeared many times. I don't know how many stars there are in that world for them to sweep. \u003c/p\u003e

At the same time, there is also a "Full-time Mage", the story takes place in China, on Earth, but Luan is written in a grand and epic sense. \u003c/p\u003e

Compared with Chen Dong's "God's Tomb", there is no stacking of boxes, but it is also written in a grand, epic, and tragic way. \u003c/p\u003e

It can be seen that you don't need to stack boxes to write a grand narrative. \u003c/p\u003e

... It may also be that I haven't reached their level yet and don't understand stacking boxes. \u003c/p\u003e

I originally thought I would be like Yu Hua, who leaves pain to readers and happiness to himself. Unfortunately, I am not. I don't end it easily. I feel very complicated. In general, I am a person who is slow to get emotional but very rich, so it can be predicted that I will be very uncomfortable in the next few days. \u003c/p\u003e

That's the problem. I used to think I was a certain kind of person, but through writing this, I proved that I am not. \u003c/p\u003e

For example, I thought I was a heartless person who could kill a character without frowning, but it was not the case. I felt uncomfortable when I killed a character that I had spent a lot of time and effort to describe. Another example was that I thought I would be very comfortable and relaxed when writing a cold-blooded protagonist, but it was not the case. I created a "saint" Shiyin and a "licker" Qin Ran. \u003c/p\u003e

There should be quite a few readers who would say, "This story has just begun! How come it ends?", "There is still a lot to write? Isn't this a bad ending?", "The author probably doesn't want to write anymore!", "The story is not explained clearly!", "The author dug one pit after another and didn't fill it! The author is a pit." and so on. \u003c/p\u003e

Continuing from the above, let me make two more quibbles here. \u003c/p\u003e

One is, "This is not a story about killing monsters and leveling up from the beginning." What I want to write is the daily life between the master and the apprentice, and then insert major events between the daily life, and in the major events, the relationship between the master and the apprentice improves. The so-called major events are the Devouring Demon Willow, the sect competition, the crisis of Beichu, the crisis of Daojianmen, and the "Yuan" organization. The corresponding relationship progress is getting to know each other, knowing each other, falling in love, getting married, and having children. When it was one million words long, I said that "it should be over when the hero and heroine get married." In fact, it is true. If I hadn't had a brain twitch when I was writing, it would have been over at that time. It would have been a relatively pure daily life series. \u003c/p\u003e

The reason why it was not finished at that time was: \u003c/p\u003e

Because it was my first time writing, I didn't care about the specific content of the major events, the mutual influence of events and the world; I didn't care that when I was writing, I would have a flash of inspiration or a brain twitch, and the story line would be deviated to one side. \u003c/p\u003e

Let me give you two examples. One is the Devouring Demon Willow. I never thought about the specific impact of such a level nine demon beast that has lasted for thousands of years on the world, so I didn’t expect the reactions of various sects and countries to it. I didn’t think it through and had no concept, so the section about the Devouring Demon Willow was written very ugly; another example is the story line of Xuan Qin. I was quite confused here. It was originally a story about the male and female protagonists going down the mountain to show off. It was very simple, but I suddenly thought of the Immortal Dynasty, suddenly thought of Zhao Zheng, and suddenly thought of the male protagonist’s clone assisting, ah, the story was instantly distorted. In fact, the "Yuan" organization was also distorted. \u003c/p\u003e

Another sentence is a sophistry, "This is an everyday story." \u003c/p\u003e

Look at the title of this book, it's about daily life! A friend told me, "Daily life means extracting a part of the story from a normal world and writing it. When you write this part of the story, the world is still running. The world does not revolve around the protagonist." I think it makes sense. So I prefer the way of writing that the protagonist triggers the event, rather than the way of writing that the story leads the protagonist. \u003c/p\u003e

The story of Qin Ran and Shiyin is just a part of this world. I separated the story of "Qin Ran and Shiyin falling in love" for everyone to see, but this world is not affected. They later fought monsters and upgraded to become immortals, but I did not separate it. Similarly, Long Qiqi, Tushan Youyou, Tian Wenjin, Lu Junxing, etc., they have their own stories, and I did not continue to write them. The story buried one "pit" after another for them, but that was not a pit, it was an explanation for their follow-up. What will happen to them after they are separated from the story of Qin Ran and Shiyin. \u003c/p\u003e

... There is also a reason why I can't write about fighting monsters and upgrading. \u003c/p\u003e

I didn't continue to write this story. On the one hand, it was the various reasons mentioned above, and on the other hand, it was obviously a problem of ability. \u003c/p\u003e

I have many deficiencies, and I believe that everyone can see them. Here I will list a few of them:\u003c/p\u003e

The first is that the battle power collapse is very obvious in this book.\u003c/p\u003e

I thought about the reasons carefully and there are two reasons.\u003c/p\u003e

One is that I did not sort out the battle power system clearly. I have some understanding of the practice system, but I did not understand the specific battle power performance of the practice system.\u003c/p\u003e

For example, what kind of battle power will be obtained after practicing Qi, how will the battle power change from practicing Qi to Jindan, and what is the difference between the battle power of Yuanying and Jindan.\u003c/p\u003e

Also, the specific differences between various professions are not written clearly. This led to my original intention to write many professions and enrich the world view, but in the end I only wrote about sword cultivation and elixir cultivation, and even Qi cultivation and formation cultivation were not written clearly; it also led to Qin Ran's cheating in the formation becoming bigger and bigger, so big that it was inexplicable.\u003c/p\u003e

Another reason is that I did not understand the enemy clearly. People will not project emotions on people they don't know. Take the example of the knife man. A knife for a character that no one cares about is useless. Only a knife for a character that everyone likes is useful. The same is true for fighting. Everyone needs to know the protagonist and have enough knowledge of the protagonist. They also need to know the enemy and have enough knowledge of the enemy. Only in this way can they feel the real fight. Otherwise, why do people always say that the villain is as important as the protagonist? In this way, the reasons and feelings of whether the protagonist wins or loses will be clear. I didn't figure it out, so the combat power was vague. \u003c/p\u003e

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An example is when Shiyin fought Yuanying for the first time. What I wanted to express was that Shiyin was good at fighting and fearless, and the enemy was good at saving his life and not good at fighting. When they fought, Shiyin would win one or two rounds, but not the final victory. But I didn't express it clearly, neither side did, and there was no follow-up in the battle. So it created the illusion that the foundation-building battle defeated the Yuanying. \u003c/p\u003e

I thought of two solutions to the combat power problem. One is to go hard and rush in, and then write after the combat power system is sorted out; the other is to abandon the combat power system, either not to write about fighting, or to write about superpowers. \u003c/p\u003e

The second problem is the character creation. \u003c/p\u003e

The most regrettable and unparalleled character creation problem in this book is that I did not create Shiyin well, which made many people dislike her. I feel very sorry for her. \u003c/p\u003e

In my imagination, Shiyin is a lively, cute, cheerful, generous, brave, clear-cut, (I dare not say kind) girl. Even if you don't like her, you will never hate her. It's a pity that I didn't write it well. \u003c/p\u003e

I feel that many people did not notice that a sixteen-year-old girl followed Qin Ran up and down the mountain for four hours without complaining about the hardship; nor did they notice that a beautiful girl went to dig a mud pit when Qin Ran asked her to dig a mud pit. There is also confusion, where is the heroine's family background reflected? \u003c/p\u003e

And the character creation that I am most satisfied with is actually Zhuifeng. \u003c/p\u003e

I feel that I have written the changes of the little tiger from infancy, childhood, youth, and youth. When he was a child, he was timid and silly, and he was also smart and brave when he grew up. It goes without saying that he is brave, and he is also smart. He showed his smart side when he led Li An to grab the blood of the unicorn and the battle between the sects. \u003c/p\u003e

However, character creation, character core, and specific performance are a long way to go and need to be explored slowly. \u003c/p\u003e

The third problem is the rhythm of the story. \u003c/p\u003e

When writing this story, I always feel very anxious. It's not the kind of urgency that the rhythm is fast, but the urgency of not making things clear. \u003c/p\u003e

In fact, it is the same problem as the combat system. The events and characters are written vaguely and not written in depth, which leads to the story chasing the outline. The story is not a story, but a task. If the story is written in an expanded way, and the characters and events of all parties are clearly laid out, it will be much better. \u003c/p\u003e

This is the big problem I think of. But when I look at myself, I always subconsciously beautify it. And you, as readers, always see it more clearly than me. \u003c/p\u003e

If you see my problems, please feel free to give me advice. \u003c/p\u003e

If you see my strengths, tell me and I will keep it up. \u003c/p\u003e

Help me grow, so that I can write better stories to give back to you. Hahaha... (dog head) \u003c/p\u003e

Next is the crowdfunding time. \u003c/p\u003e

Some people asked me about the new book? When will the next one be released? You don’t understand, I don’t have the ability to write whatever I want to write. I am still in the novice stage, and what I write depends on what the editor says. \u003c/p\u003e

In fact, I have written four beginnings for the editor (one traditional cultivation, one LOL fan fiction, one campus sweet pet, and one weird fairy), but only the weird fairy received the reply of "write two chapters and see". \u003c/p\u003e

So I want to ask everyone, if you have anything you want to see and think I can write, you can reply to me here. \u003c/p\u003e

Maybe one day when I become a god, I will write the ideas you gave me? Hahaha... (dog head*3) \u003c/p\u003e

(serious face) I will take advantage of the Spring Festival to work hard to write the beginning. If I am lucky, I can release a new book after the Spring Festival. \u003c/p\u003e

And it is foreseeable that my next book will be very good. Because I feel that I am an author in the rising period of ability (smug face). It is worth your attention. \u003c/p\u003e

ok! \u003c/p\u003e

I have said a lot, but it seems that I haven’t made it clear, but I will stop here. \u003c/p\u003e

Finally, thank you all for your company and tolerance! \u003c/p\u003e

We have a long way to go, and we will meet again if we are destined! (Fist) \u003c/p\u003e

I wish you all a happy new year!!! (Salute) \u003c/p\u003e

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