My Magic Age

For the Green people, the Yero indigenous tribe is full of mystery. They live in tree houses, wear clothes made of bark, hunt wild animals in the jungle and collect wild fruits in the forest. They live a primitive life in a very primitive environment.

They have their own language. They communicate in Yero, but there is no corresponding text.

They also have their own beliefs. They believe in the King of the Forest and believe that the ancient war tree in the Black Forest is their patron saint, but the King of the Forest they believe in is not a real god.

In the Yero indigenous tribe, the most mysterious thing for the Green Empire people is their spiritual leader - the witch.

In the Black Forest, the Great Witch has always been the spiritual leader of the Yero indigenous people. The Great Witch, the tribal leader and the tribal elders together form the core leadership of the indigenous tribe. They each have their own duties in the tribe. The Great Witch's duties in the indigenous tribe are divination and sacrifice. They also control life and death.

The indigenous people believe that every indigenous baby born into this world is a gift from the King of the Forest.

The Great Witch will personally deliver babies for every woman in the tribe.

After the death of an indigenous person, the Great Witch needs to personally guide the soul of the deceased.

The indigenous people believe that when a person dies, the soul will be trapped in the flesh. Only through the ritual of the dead soul can the soul of the deceased attach to the branches of the soul tree, absorb the nutrients of the soul tree and produce soul fruits. Each soul fruit is a new life. The King of the Forest will give these soul fruits to its devout believers.

This is the reincarnation of life and death of the Yero indigenous people, so it can be said that the Great Witch is in charge of the life and death of the indigenous people.

The elders of the indigenous tribe are responsible for the daily management of the tribe. They are the real power holders of the indigenous tribe. The most powerful one is the great elder of the tribe. The leaders of the indigenous tribe are responsible for the war and hunting in the tribe. They are generally the most brave indigenous people in the tribe.

The Great Witch in the indigenous tribe is generally female. Each Great Witch will train several female disciples in his life, but the one who can finally become a Great Witch in the tribe can only be the best of these disciples.

The two indigenous beauties sent to me by Elder Singer, Puyaka, who has learned the language of the tribe since childhood, is the granddaughter of an elder of the tribe, and Connie, who has learned witchcraft since childhood, is the female disciple of the great witch of the indigenous tribe. They both have a high social status in the indigenous tribe.

As for other aspects of the two of them, I don’t know much. I only know that Puyaka can understand the language of the Green Empire, and Connie can communicate with plants.

Alia and Betty had praised the lifelike tattoos on the back of the indigenous girl Connie before. When Connie was in the Yelo plane, I thought it was a decoration of some vines when she wore a bark dress. When I heard Betty praise those tattoos for being beautiful, I realized that those vines were tattooed on Connie’s back.

…

I know very little about wood magic. When I saw the tattoo on Connie’s back flashing with magic light, I didn’t know what it was. I thought it was an exquisite magic pattern structure, so I called the two indigenous girls upstairs from the bedroom terrace, hoping to understand the structure of this magic pattern structure.

The two indigenous girls heard my call and immediately ran from the pool to the terrace.

They stood barefoot on the marble floor of the terrace, covered only with a few cool pieces of cloth, with their hair simply tied behind their heads, and a trace of panic on their faces.

Little Ella thought they had made a mistake by swimming in the backyard without permission, and thought I would punish the two indigenous girls, so she followed the indigenous girls upstairs to find me.

Ella took all the responsibilities on herself and ran upstairs. She specifically told me that the idea of ​​swimming in the backyard pool was hers, and she also asked the two indigenous girls to play with her in the water. The two indigenous girls were not at fault, etc., and told me a lot.

I walked to little Ella speechlessly, and saw the water from her body dripping on the velvet carpet. I wanted to kick her from the terrace upstairs into the pool below.

Little Ella's beautiful little face was covered with crystal water droplets. She stood in front of the two indigenous girls to block me.

I reached out and patted Ella's face, motioning her to go aside.

Catalina was very considerate and took out three towels from the closet and handed them to the three of them, asking them to dry their wet bodies.

Then I took them to the sofa in the living room and sat down. I asked Connie what kind of magic pattern was tattooed on her back.

Although Connie has been cramming Green Empire language recently, she is far from being able to communicate independently. Fortunately, with Puyaka by her side to translate, she understood my question.

She sat on the sofa carefully and wanted to turn her head to look at the tattoo on her back, but found that she couldn't see it at all, and her face was a little embarrassed.

"It's not a tattoo, it's my most loyal partner!" Connie's voice was very sweet.

She is introverted and rarely speaks.

When she saw that I was interested in the magic pattern on her back, she stood up and walked to the center of the living room. Her legs looked thin and straight. When she walked, she touched the ground with her toes. The curved arch of her foot was very slender, and the five round toes were as crystal as jade.

After she stood up straight, her hands kept making some strange hand seals as if performing some kind of ritual, and she chanted a ballad in an ancient accent, or it could be regarded as a long spell, obscure and difficult to understand.

Then her body kept making some movements, just like some kind of war dance of the orc tribe.

The tattoo on her back gradually faded at this time, and as she danced, a huge and clear magic pattern slowly emerged under Connie's feet.

We were all watching her dance attentively, but we didn't expect that the next second, an ancient vine with a bowl-sized thickness and covered with thorns rushed out from the lifelike pattern under her feet, which scared several people present.

I subconsciously glanced at the intact carpet. It seemed that this big guy slipped out of the painting under Connie's feet.

There were no branches and leaves on this ancient vine. The bark of the ancient vine was covered with thorns like thorns, which were like a giant python wrapped around Connie's feet.

I walked towards Connie, and the ancient vine seemed a little restless.

Connie stepped on the vine that wanted to probe over, and she was not afraid of the thorns on the ancient vine at all. These thorns that seemed as hard as iron were like soft fluff under Connie's feet.

At this time, I found that the magic pattern on Connie's back had disappeared.

No wonder Connie said that it was not a tattoo on her back, but her fighting partner. It turned out to be a vine several dozen meters long.

Then we talked about this strange tattoo, and Connie told us some things about the witch in the indigenous tribe.

…

In the indigenous tribe, not all indigenous girls can learn witchcraft.

The indigenous tribe also has its own "magic awakening ceremony". The great witches use an ancient method to refine a special potion. A small number of indigenous girls can gain the ability to communicate with plants after drinking this ancient potion. Such girls can almost be said to be one in a million in the indigenous tribe. Their special physique is also called psychic physique.

Only indigenous girls with psychic physique can become the apprentice of the witch and follow the great witch of the tribe to learn witchcraft.

Before the girls decide to become the apprentice of the witch, they must go through an initiation ceremony.

In this ceremony, these ‘heirs of witches’ will have a symbiotic partner, which is a very magical parasitic vine, called ‘ghost corpse vine’ by the indigenous people.

These ghost vines can not only parasitize on the bodies of plants to absorb their nutrients and thrive, but also parasitize on the bodies of indigenous girls with psychic physiques through witchcraft.

When they parasitize on the bodies of indigenous girls, they are hidden in the bodies of indigenous girls like tattoos. They continue to grow under the nourishment of the essence and blood in the bodies of indigenous girls. Generally, it takes more than ten years of growth cycle to awaken in the bodies of indigenous girls and become the strongest helpers of these ‘heirs of witches’.

Almost every female disciple of a witch has to raise such a parasitic vine in her body. Once this ‘ghost corpse vine’ awakens, it will become the partner of the indigenous girl, just like Moraya’s contracted plant monster ‘fierce poisonous flower vine’, but these ‘ghost corpse vines’ are not in a ‘master-slave’ relationship with the indigenous girls, but a contractual partnership, and the indigenous girls are the weaker party in the contract.

The tattoo on Connie's back is a newly grown 'ghost corpse vine'. Connie is its host, and it parasitizes in Connie's body.

This 'ghost corpse vine' and Connie live and die together, and as it continues to grow, it will continue to become stronger.

I asked the indigenous girl Connie: "Why is this ancient vine called a ghost corpse vine?"

Connie looked down at the ghost corpse vine that seemed unusually docile, pointed to the texture on the ancient vine and said to me: "We call all these messy textures ghost patterns. As for why it is called 'ghost corpse vine', I don't know too much, it's all inherited."

...

I think the 'ghost corpse vine' on Connie is very similar to Moraya's 'poisonous flower vine', at least they are both plant-based monsters.

Moraya's father Moras is a very famous wood scholar in the imperial capital. Moraya is also influenced by Moras and is proficient in many factions of wood magic.

So I decided not to go to the Yelo plane for the time being, and took Connie and Puyaka directly to Morayaer's residence.

Morayaer's residence is located at No. 59 Yulin Street. It was originally the private residence of a noble earl. However, after the plane war broke out, the earl participated in a plane war and died unfortunately. The earl's wife lost her source of livelihood, so she had to sell the house here and return to the territory with her family.

In order to facilitate a private meeting with me, Morayaer did not live at home. She found a real estate company and bought a small villa near the Royal Magic Academy.

This trip to the wilderness gave her a lot of money, so she bought a property in the imperial capital without any care.

Morayaer happened to be at home. She opened the door and saw three beauties following me. She looked a little strange, or a little contemptuous.

"Didn't you say you had something to do in the afternoon?" Morayaer invited us into the living room and said to me.

While pouring tea for us, she glanced at Catalina, and Catalina was also looking at her very seriously.

"Oh, this is Moraya, the wood magician, and also my teacher at the War Magic Academy in El City. This is Catalina, my follower. These two are indigenous people from Yero..." After I introduced Catalina and the indigenous girl to Moraya, I explained my purpose.

Moraya did not expect that the Hierro natives would know this kind of alternative wood magic, so she asked Corny to unbutton her shirt and reveal the magic pattern array on her back.

Corny was lying on the dining table covered with a layer of white tablecloth, her back was almost completely covered with an extremely clear picture of 'Ghost Corpse Vine' printed on it, and a faint magical halo was on these magic lines. Stop flowing.

Molayar's fingernails gradually scratched the skin of Kony's back, causing the indigenous girl to twist her body slightly uneasily.

Moraya held down Kony's shoulders hard and slapped Kony's back twice. She checked for a while and then said to me seriously: "This should be a kind of elementary psychic technique, but look... It seems that she did not have the ability to open the door to another dimension of time and space, so she allowed the ancient vine to parasitize her body. By letting the ancient vine suck the essence and blood of her body, she further assimilated the ancient vine, which could make this grumpy 'Ghost Corpse Vine' become Be gentle."

Then she muttered to herself: "However, fostering such a large parasitic vine will be a huge burden on the body. It seems that these magic patterns should play a vital role."

While Morayar kept nagging, she carefully examined the magic patterns on Kony's body.

"Let me see what is holding their bodies up," she said.

She took out several thick magic books from her magic pocket and found several magic patterns in them to compare them one by one, but unfortunately she could not find the answer.

Just when Moraya was a little frustrated and wanted to give up, her eyes suddenly brightened and she said to me: "I know, this pattern is the 'Magic Pattern of Life' contained in the bark texture of the ghost corpse vine. '."

"Life magic pattern?" I repeated her words.

Moraya said in an extremely positive tone: "Yes, this should be a 'life magic pattern' contained in the body of the ghost corpse vine."

"Like the magic pattern of life on the fish skin hood?" I asked Moraya.

"What is a fish skin hood?" Moraya asked me with a confused look on her face.

She had not experienced the turmoil in the Imperial Capital, and she did not know about fish skin hoods.

I said to her: "Well... I don't think I've mentioned this to you yet. I'll explain it to you later. In short, I discovered a life magic pattern on the fish-man leather that can increase spiritual power. You will understand if I give you a fish skin hood another day."

Moraya readily agreed: "Okay! I think the Yerluo natives also master the method of drawing this kind of life magic pattern. This kind of life magic pattern should be understood from the 'Ghost Corpse Vine'. Let me see What kind of magic pattern is this?”

As she said that, she began to take out a thick magic pattern manual, and then compared it with the wood magic patterns on it, and began to look for a magic pattern circle similar to that on Coni's back, but in the end she found nothing.

Moraya said to me: "I guess it must be a wood healing magic pattern of life. In order to make up for the damage caused by the ancient vine sucking the body, the indigenous people actually discovered a magic pattern of life from the ghost corpse vine. This indigenous tribe In Hierro?”

She stood up and said to me excitedly: "Jigga, I have decided, I will go to Hierro in a few days!"