My movie scared the global audience to tears

"Before today, I have never seen any director dare to make fun of religion in his work, analyze human nature in this way, satirize politics in this way, and also make personal heroism so dark that it makes people laugh.

But I have to admit that Song Qi's rational and even cold-blooded views when doing this really shocked me.

It can be seen from his views in the movie that he is a supporter of the theory of sexual evil.

Actually, so am I.

As the saying goes, the likes and dislikes, joy and anger, sorrow and joy of nature are called emotions; emotion is the quality of nature.

Food, sex, joy, anger, likes and dislikes, and desires for profit are all innate human desires. There is no distinction between good and evil desires, but uncontrolled desires will breed evil thoughts.

However, few people explore these grand propositions in commercial movies, because they will weaken the atmosphere of the movie, make the audience feel bored, and make the audience feel bored.

But Song Qi not only explored these propositions in this movie, but also gave all viewers a heavy blow with a ending that was like a hammer.

I see that many viewers on the Internet have disputes about this ending, but whether they like it or not, the vast majority of viewers have a common understanding of this ending, that is, this ending completely negates the entire movie and gives

A loud slap in the face for myself and all the viewers.

This slap made many viewers unhappy, but it also made many viewers realize that someone would actually slap them in the face?

In my opinion, this ending is not intended to make the audience unhappy, but to mock some inherent concepts in this way.

Why will the protagonist of the movie be rescued?

Why do kids in movies never die?

Why are ordinary people in movies innocent?

Why is it that everyone in the movie, except for the villains, are kind, bottom-lined, and upright people?

Why is everyone black and white?

What is true humanity?

Can the disgusting things happening around us really make us believe in the beauty described in movies?

Many people are not aware of these issues. Instead, they take them for granted. They are deep-rooted ideological imprints and traditional concepts since ancient times.

Song Qi used this film to answer these questions and give his own understanding.

In fact, I have been paying attention to Song Qi's posts in recent years. It can be seen from his posts that he has shifted the focus of his creation from making money to the artistic development and ideological exploration of films.

Starting from "Alien", Song Qi has shown his thinking about film aesthetics in movies.

The alien spacecraft and the aliens themselves in that movie are both filled with a strong industrial aesthetic.

Especially the aliens, which perfectly integrate the sense of power and mechanics.

Last year's "Movie Science" had a ranking of all the monsters that have appeared in movies in the past two decades.

The alien defeated King Kong and Godzilla and became the number one monster.

At that time, many people questioned it and thought that the result was untrue and inaccurate, but I thought there was nothing wrong with it.

Alien can be said to be the most perfectly designed screen monster. It is powerful enough, agile enough, and smart enough. In terms of appearance, it is also more designed than Song Qi's other behemoths.

To put it simply, whether King Kong or Godzilla, they all have prototypes.

King Kong is a giant gorilla, and Godzilla is a giant mutant dinosaur or giant lizard.

But Alien is different. It does not have a prototype, but a terrifying monster completely fictionalized through design.

Its image perfectly interprets the coexistence of fear and beauty. It will arouse fear deep in your heart at the first sight.

But if you look at it for a long time, you will feel that it is a perfect creature specially designed for killing.

It was built for killing from head to toe, and from this angle, it was breathtakingly beautiful.

It's a bit far-fetched, but Song Qi did show unparalleled aesthetic design in "Alien". The scene where the vice-captain and the others boarded the alien spacecraft control console for the first time is still on my computer desktop to this day.

In my opinion, that scene can already be selected as one of the top ten most memorable scenes in the entire history of science fiction movies.

In "The Mist", Song Qi further demonstrated a more radical aesthetic design than that in "Alien".

If the facehuggers and aliens in "Alien" are both derived from fertility worship and have some origins, then the alien monsters in "The Mist" are purely evil itself.

Whether they are smooth tentacles with sharp mouths and sharp claws, or strange insects with human faces, even though they look very similar to real creatures.

But if you look carefully, you will realize that they are not just about making real creatures huge and weird.

The most important feature is the weird sound they make when they appear.

Those weird screams made me almost throw up in the theater, several times.

I suspect that Song Qi added low-frequency sound waves in the sound design, otherwise there would never be this effect.

Moreover, in terms of image design, these monsters are also full of evil and weirdness, especially the huge monster hidden in the thick fog. It can be said to have concentrated all the elements that can make people have nightmares, but at a sudden glance

, but it makes people feel a strange beauty of power.

This is another pioneering innovation by Song Qi in aesthetics, but it is not the focus of this movie.

The focus of this movie is that Song Qi publicly discussed the issue of faith for the first time in a movie, and completely blackmailed a certain group of people.

But he did not completely deny faith, he just mocked those ignorant people and pointed out their harmfulness.

Fortunately, there are not many such people in China, but there are quite a few abroad. It is estimated that Song Qi's movie may not do well at the box office abroad.

But it's worth it. If a director keeps pleasing everyone, he will never become a great director.

I am very fortunate that Song Qi is on the road to becoming a great director.

He is not fooled by money, but is working hard in the right direction.

With his current financial resources, there is indeed no need for him to pursue more wealth, so I think it is time for him to explore his limits.

After all, if you upgrade your professional title, you are now the king of box office. Do you feel embarrassed to still have the title of third-level director?"

…

Ouyang Yu's film reviews have always been relatively in-depth, and most netizens just watched them for fun, but his film review resonated with many netizens.

"I can't refute this last sentence. Song Qi is really too lazy. He didn't even know how to get a promotion in the two years he went out to play. He created a little Zhenzhen in two years and didn't do anything serious at all."

"If Song Qi had taken the professional title examination step by step from the beginning, he would probably be a first-level director by now, right?"

"Song Qi has just turned 30 this year, right? It's a pity that if the professional title could be raised, he would probably be the youngest special director."

However, many netizens do not agree with this view.

"What professional title should I take? With Song Qi's ability, does he still need an actor's certificate?"

"What about the super directors? Which super director's box office has not been rubbed on the ground by Song Qi? Is it useful?"

"The youngest special director × the strongest third-level director in history√"