National Tide 1980

Product description, the correct way to read this book - on mainline and hydrological issues

In recent chapters, many voices with opinions have emerged.

It is said that this book has no main plot and is full of popular science and the environment of the times. The writing is wrong.

Others said they didn’t understand why they moved on to other aspects if they didn’t finish writing one thing.

I didn't bother paying attention to it, because I always believed that literacy can be taught, but reading cannot.

Since you have done your best, you have a clear conscience and don't need to care.

But considering that "Return to 1977" and "National Tide 1980" started with writing a book.

Every time I write to a certain extent, this kind of opinion keeps popping up.

Some people even set the pace with malicious intent, which is really annoying.

And there are also some readers out of well-intentioned considerations, fearing that the book will collapse, or because they really don’t understand (I have already replied separately), so they think it is better to explain the relevant situation.

In my opinion, online novels are just novels that are a communication channel, rather than stereotyped articles like eight-legged essays.

In my opinion, with this kind of communication method, any novel written in any form is an online novel.

This does not mean that only a mode that focuses on the rapid advancement of the plot and the protagonist Long Aotian can be called an online novel.

Is it right? Like many people, they insist on distinguishing between online novels and traditional novels. I am completely speechless...

In fact, there is a kind of novel called custom novel.

Just like "Four Generations Under One Roof" and "The Whip".

The main characteristics of the "Beijing School" represented by Lao She are attention to life, keeping a distance from politics, and an aesthetic consciousness based on the basic principles of "harmony," "temperance," and "appropriateness."

This kind of novel tends to be poetic, prose, with a little realism and romanticism.

The basic requirement for writing novels about Beijing is, of course, that Beijingers write about Beijing.

Another kind of novel is the novel about worldly affairs.

The most familiar ones are "Jin Ping Mei" and "A Dream of Red Mansions".

This is a type of Chinese classical vernacular novel, also known as human love novels, worldly love letters, etc.

It is a type of novel with the main characteristics of "extremely imitating the differences between human feelings and the world, and preparing to write about the joys and sorrows of separation and reunion".

The essence of my book is based on the local customs novels and world affairs novels of Rebirth Goldfinger.

Why should I write such a novel?

It’s because I like rebirth novels but can’t stand them anymore.

Nowadays, the Internet is full of rebirth articles, especially those about Beijing, which are full of errors and omissions. No one understands what Beijing was like in the past, and no one cares about the objective conditions of the era.

So those books are no longer realistic, of course they are very childish.

What is written is all about Guan Gong's battle with Qin Qiong. It is all about a made-up Beijing and an imaginary era.

What the protagonist does is completely inappropriate in the context of the time.

That is also historical nihilism.

I wrote the book to avoid this situation. Even if my level is limited and the special effects are 50 cents, I am trying my best to restore the characteristics of the era and write about the true customs and past of Beijing.

I write what everyone considers urban literature as a historical novel.

Therefore, the plot of this book is based on the timeline and advances against the background of the times.

Do whatever you want, whenever you want. If the time is not up, of course I can’t write the rest.

Why does the protagonist work for someone else? Why not start a company? Why not buy a house?

Even the order of collection, the answer lies in time.

As for Beijing’s customs and world conditions, are they necessary? Is it unnecessary water? Just for the sake of popularizing science, there are no details.

of course not!

This book is called "National Tide 1980", and the earliest introduction also stated the theme of the book.

It's just that most people don't take it seriously. My voice is hoarse from shouting, why do you just turn a blind eye!

So the main plot is that the protagonist with opportunist instincts returns to the 1980s and experiences the wisdom of the predecessors and the charm of traditional culture.

Then, with the help of the accumulation of our traditional civilization, we can grow, conquer all directions in the business field, and achieve success in our careers.

So this protagonist is always learning, summarizing traditional culture, harvesting, and transforming.

Just like the few chapters I wrote recently about Western food, it seems like a casual chat, but in fact, what the protagonist learns from it is the magic weapon for success in the business in the future. This is not the main line. What is the main line?

If I don't write this, how can I achieve crushing when it's time to really face off with the foreigners?

How to make the protagonist accomplish achievements that don't exist in real life? There is no basis.

Therefore, this book never contains any unnecessary description of local customs. Many things need to be compared before and after.

It is by no means a "chronological article" or "daily article" that can be simply and qualitatively summarized.

The pace of the plot is indeed slow, but it is laid out step by step and layer upon layer.

The advantage is that these detailed descriptions are a kind of fun and knowledge in themselves, are closely related to real life, and have certain practical significance.

In other novels, the protagonist upgrades and fights monsters, just for everyone to watch.

In this book, everyone grows and wins and upgrades together with the protagonist.

Maybe you can really gain something and be of some help to your life and work.

At least I hope that everyone will find it helpful to open the book.

The disadvantage is that the real main plot is clearly written, but many people just can't see it.

That’s all.

Put it this way, if you are unhappy after reading this book, maybe the problem does not lie with me, but with you?

Maybe you have wrong expectations and wrong way of appreciation.

For example, you can't expect the streets to be filled with fast food restaurants.

You can't just go to Cheeseline and get hamburgers and French fries.

You can't look at a little clay pot of beef stew and say, "Where's the beef? Where's the beef? Why put a urinal on me?"

In fact, as long as you crack the bread seal on the jar, you can pour out the beef.

Some people may insist on being more serious and say that you can't consider public taste? Why are you being so mysterious and making so many twists and turns?

Wouldn't it be better if you just go straight? Do you have a grudge against money? Isn’t it okay to write it in a way that people like to hear and see?

Regarding this matter, all I can do is to write it as popularly and humorously as possible.

My writing cannot be divorced from the essence of novels about local customs and world affairs. That is to use euphemism as beauty, which requires mental reading.

And I explain this truth clearly in my book.

If Keshilin wanted to make quick money and sold hamburgers and French fries, it would be close to bankruptcy.

Well, this is considered a product manual.

Finally, how about I also learn to be coquettish in a way that is popular with the public?

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