On the stage, the singing was lingering, and the monk's figure faded away as the lights dimmed.

When the lights came on again, the old monk reappeared.

The young monk pulled the old monk and kept asking: "Master, Master, what happened later? What happened to Miss Xiu and the young monk?"

But the old monk didn't say anything, and the whole person fell into deep thought.

After a long while, the old monk spoke faintly.

"Later, Miss Xiu married far away and never came back. The young monk became an old monk and was telling his disciples the story of the Three Refuges."

On the screen, the young monk was still chanting in the hall, but his mind was not on the Buddhist scriptures at all.

He looked at the huge Buddhist hall, sighed, got up and went outside.

He walked out of the door and came to the old tree where he had spent countless days with Miss Xiu.

He looked up, the old tree was lush and leafy, and the sunlight shone through the leaves, sprinkling on his bald head.

He lowered his head again, and a phantom green jade finger was tracing across his palm, and a clear voice sounded in his ears.

"Little monk, recite with me."

"Take refuge in the Buddha."

"Take refuge in the Buddha!"

"Take refuge in the Dharma."

"Take refuge in the Dharma!"

"Take refuge in Miss Xiu."

"Take refuge in... Miss Xiu!"

The young monk's voice gradually became choked.

"Take refuge in... Miss Xiu!"

Tears dripped into his palm, and the lines on the young monk's palm gradually became wrinkled as the tears dripped.

When he looked up again, he looked like an old monk.

He glanced at the little monk who was dozing beside him, and chanted softly by moving the rosary beads.

"Take refuge in... Miss Xiu."

The big screen on the stage gradually dimmed, and the song also ended here.

But it was not over yet, and the sound of knocking wooden fish suddenly came from the speakers.

"Dong, Dong, Dong."

Along with the sound of the wooden fish, an old voice was chanting.

"When Avalokitesvara Bodhisattva practiced the deep Prajna Paramita, he saw that the five aggregates were empty and overcame all suffering. Shariputra, color is not different from emptiness, emptiness is not different from color, color is emptiness, emptiness is color."

This is the beginning of the story, when the young monk came to find the young monk, the young monk recited the scriptures.

The monk who chanted the scriptures at the end was still the same monk, but his voice was extremely old.

The old monk seemed to be whispering, and seemed to be using the scriptures to calm his mind.

And on the big screen, large brush characters appeared one by one.

"I once worried that my love would damage my Buddhist practice,

I was afraid that I would leave the city when I entered the mountains,

How can I have both in this world,

I will not let down the Tathagata and you."

As the poem appeared, the sound of the old monk knocking on the wooden fish gradually became faster, and then with a dong, the sound of the wooden fish stopped abruptly.

Only a lamenting Buddhist chant echoed throughout the venue.

"Amitabha."

Everyone at the scene was reciting this poem in a low voice. After reciting it, they thought of the whole story. The last loud wooden fish sound seemed to hit their hearts hard.

When the lights on the entire stage came on, 8 people stood at the front of the stage.

Qiao Sheng then discovered that many audiences under the stage and in the audience were secretly wiping tears, and those emotional audiences had already cried.

In the mentor seat, Huang Yushu and Shi Jing were also wiping tears with tissues, and the other men were also covering their cheeks with their palms.

Qiao Sheng knew that this story similar to an MV was very tear-jerking, but he didn't expect that it would work so well after being paired with "Galan Rain".

"Galan Rain", in fact, "Fireworks are Easy to Cool", is another name for this song.

In order to match the story, he simply used the name "Galan Rain".

The original story background of this song is the story described in "Luoyang Jialan Ji" during the Northern Wei Dynasty.

The story is about a royal general in Luoyang City who met a woman by chance. The two fell in love at first sight and decided to spend their lives together.

At this time, the general was recruited by the court to fight on the border. In the years of war and chaos, the imperial capital Luoyang had become a ruin and was in ruins.

In the end, the woman waited hard, but she never waited for her lover to return, and finally became a nun.

When the general returned after going through hardships and found the ancient temple where the woman became a nun, she had already passed away.

Later, the people told the general that there was a woman waiting for him here.

Milk Tea Lun used this background story as the material to create the song "Fireworks are Easy to Cool".

The story used by Qiao Sheng comes from an online game on Earth, which is the well-known "Jian Wang 3".

The monk and the girl in the story are actually disciples of two sects in the game-Shaolin Temple and Qixiufang.

It is also because of this story that the official certified Buddhist CP was born in the game.

But don't worry too much, because almost every twoPlayers have arranged CPs between all sects.

This is already a relatively normal CP.

Qiao Sheng still remembers that when he saw this MV made by players, he cried so hard.

This is also the only MV that made Qiao Sheng cry like a fool among all the MVs he has seen so far.

In the team formation stage, when he heard the unregulated stage, this story appeared in his mind.

So there was today's stage.

Listening to the song in the story, the song and the story will complement each other, bursting out with the effect of one plus one greater than one.

The audience is equivalent to watching the story with the song, which makes it easier to watch and listen to it.

Whether the song creates an artistic conception for the story, or the story adds sadness to the song, anyway, the tears of the audience have already said it all.

Qiao Sheng looked around, and then waved to the back of the stage.

Seeing that his call had no effect, he simply trotted over and invited a few people over.

It was the three monks and the show girl in the plot story.

Seeing these people come on stage, the audience gave them warm cheers and applause.

Qiao Sheng began to introduce them one by one.

The actor who plays the old monk is Shang Tianqi, a powerful old actor.

Although he is not very famous, he can be seen in many film and television dramas.

The actor who plays the young monk is his grandson.

The actors who play the young monk and the girl Xiu are Pu Tianzhu and Song Yiqing, respectively. Both are new actors and have not officially debuted.

These actors were found by Xie Haoran.

After introducing several people, it was time for the mentor to evaluate.

"Qiao... Qin Sheng, the song is well written, but I think your story that matches the song is not good."

As soon as he came on stage, Wang Liang frowned and denied the entire stage.

As soon as Wang Liang finished speaking, the audience behind him was in an uproar, and then they whispered and talked.

"No way, I think this stage story is very good."

"It shouldn't be. Wang Liang and Qin Sheng worked together so happily the last two times, how come they suddenly changed their attitude?"

"Wang Liang, you know nothing. I'm crying like this, and you dare to say it's not good?!"

"Oh?" Qiao Sheng looked at Wang Liang, flashing a dangerous light.

Wang Liang suddenly felt like a thorn in his back. He originally wanted to keep it a secret, but Qiao Sheng and the audience made him give up this idea and simply said: "I think the whole temple is a bit empty. Apart from Teacher Shang and the young couple, how can there be no other monks."

"You should have found the four of us earlier. The four of us can play the role of martial monks. Ku Ku, stand there. When the time comes, let alone Miss Xiu leaving, even if she marries far away, we will tie her back!"

Wang Liang was obviously here to make jokes.

As soon as he finished speaking, Shi Jing snatched the microphone from his hand and said, "Qin Sheng, you don't have to pay attention to him. He just feels aggrieved that you didn't invite him to the stage this time."

"I like your songs and stage design very much, especially the songs, which continue your style from the first performance to now. I hope that you can still surprise me on the next stage like now."

Shi Jing actually had some resistance to commenting on Qiao Sheng.

The program team asked her to comment on Qiao Sheng, what's the difference between asking a primary school student to comment on a university professor.

And in terms of Qiao Sheng's actual identity, he is the boss of the Raptors!

How do you want Shi Jing to comment?

Wang Liang and his friends are familiar with Qiao Sheng on weekdays, and they often quarrel with each other like good friends when they talk.

That's why Wang Liang and his friends always let Shi Jing speak on their behalf.

Shi Jing has high emotional intelligence and speaks well. If she speaks, the probability of offending Qiao Sheng is basically zero.

If Wang Liang came to comment, Qiao Sheng would probably come over and have a real 1v1 battle with him as soon as the show was recorded.

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