North American Gunslinger Detective

Peter: "Yesterday morning, the staff of the gallery discovered the theft and reported it. The NYPD conducted a preliminary on-site investigation of the case. Later, it was transferred to our side because of the art crime. Now the scene has been blocked by the NYPD. We need to leave immediately and do it again.

On-site investigation. Disband. Jimmy, please stay here for a while."

After everyone else had left, Peter said to Jimmy, "Did you report your spare gun this morning?"

Jimmy: "Not yet, I'll go over and report it right away."

Peter: "Well, go now and complete the report as soon as possible to avoid trouble from the NYPD."

Jimmy walked out with the folder. To report the spare gun, all he had to do was contact Tim in the administrative department. After Jimmy reported it, the administrative department would handle it together.

When Jimmy came back, Peter and a middle-aged blonde beauty were chatting in the conference room. When Peter saw Jimmy, he stretched out his right hand and hooked his fingers, and Jimmy also entered the conference room.

By the way, people like the FBI really like to use their index and middle fingers to hook their fingers together. When they were in the FBI academy, the instructors also did this, and even Jimmy is now used to hooking his fingers with both fingers.

Peter: "This is Dr. Mary Walter from the bureau. Please don't go out with us today. Dr. Walter will talk to you later."

Jimmy frowned, tilted his head and motioned for Peter to follow him outside. Peter looked at Jimmy, turned to Dr. Mary and said "Wait a minute", followed Jimmy out of the conference room, and Jimmy closed the door behind him.

Jimmy: "Peter, is Dr. Walter a psychiatrist? Do you need psychological intervention because I shot yesterday?"

Peter: "Of course, if you shoot on your first day as an agent, if one of you is killed and the other injured, you will definitely have to arrange psychological intervention."

Jimmy: "It's not necessary. Really, I've done a lot of shooting. Let's go handle the case first."

Peter: "What do you mean?"

Jimmy: "Peter, have you seen my file? It's not the FBI academy file, it's my previous job, when I was a police officer."

Peter frowned and looked at Jimmy, nodded, then walked into his office and worked on the computer.

Jimmy didn't move, just standing at the door of the conference room. Peter's office was connected to the conference room. The outside was covered with glass, so his operations could be seen clearly.

Below, Diana and Jones were standing next to their desks. They had packed up and were waiting for Peter and Jimmy to come downstairs and set off.

Peter watched for a while, then entered the conference room directly through the door behind his office. He said a few words to Dr. Mary Walter, and then shook hands with Dr. Mary to leave.

Peter didn't say anything and took Jimmy, Diana and Jones downstairs. Jimmy took Peter's car, and Jones and Diana took a car.

On the way, Peter did not speak, but the expression on his face was not very peaceful, and he occasionally frowned. Jimmy sat in the passenger seat and occasionally looked at Peter with his peripheral vision. He had no idea what Peter was thinking.

Coming to Denley Gallery, Jimmy's eyes were opened, because he had been wandering around lower Manhattan for the past two days, and all he saw was the scene in the business district. This was only a few kilometers away, and the style of painting suddenly changed.

Lower Manhattan is a prosperous business district, while Chelsea is mainly a cultural and artistic atmosphere. Jimmy can see many art exhibitions nearby, or pseudo-arts, many of which are displayed on the roadside. Some are displayed on the roadside.

They were normal displays of paintings and sculptures, and some were so-called exhibits made of scraps. They looked very weird. Jimmy couldn't understand how these artists' brains grew.

The structure of Denley Gallery is very simple, with two entrances at the front and back. The front is the exhibition hall entrance, and the back is the employee entrance. After entering the employee entrance, there is a staff lounge, but there is a partition in the middle to separate the men and women.

The decoration of the front exhibition hall is still very good, with milky white walls and some square tables against the wall, which is convenient for placing artworks on them. Art exhibitions are usually hung directly on the wall. The exhibition hall is just a hall, not like those large

Galleries also arrange partition walls in the middle of the exhibition hall.

The gallery's surveillance system only has two monitors in the opposite corners of the exhibition hall, and it is not like other large exhibition halls with all-round surveillance. As for the silent alarm device, I'm sorry, for cost reasons, they didn't install it at all. This is just a small gallery, not

It has the security level required for high-value art exhibitions.

This Rachel Homan exhibition has a total of 10 paintings, 4 on the left and 4 on the left, and 2 on the wall inside. Because the gallery does not allow photography, there are no other photos except some photos that Rachel took when setting up the exhibition.

For reference, these photos only captured the locations of a few paintings and did not include the details of the paintings, so Peter and the others did not have complete photos for reference.

Peter: "Diana, go talk to Rachel and see if she has clear photos of the 10 paintings or other surveillance. Also check her network.

Jones, go investigate the gallery’s staff and management.”

Peter did not arrange for Jimmy, so Jimmy followed Peter in the exhibition hall and continued to check the details. Peter put on disposable gloves and began to check the traces on the wall. Then he compared the movement tracks of the two thieves in the surveillance camera to check whether there were any traces on the ground and moving direction.

What clues are left behind?

Because the gallery floor is paved with tiles, it is difficult to locate footprints and the like on such a floor. In addition, there are many people coming and going during the exhibition. If there are no specific relics left behind, it is basically useless.

Peter took Jimmy outside the gallery and looked around. Peter said, "Jimmy, go to the left and check where there is a surveillance camera." Then Peter went to the right and Jimmy to the left to check the surveillance cameras.

Jimmy started looking forward along the left side. The gallery was in the middle, quite far away from the intersection. There was no need to think about the traffic cameras. He would definitely not be able to see anything. The key was whether there were any right sights on the storefronts and apartment buildings on the roadside.

The camera is pointing in that direction.

Jimmy asked around and found out that the surveillance of several stores here were all internal surveillance, and there was no external surveillance. After twenty minutes, Jimmy finally gave up. Because of the problems of the times, in this era, the cost of surveillance is still

Very high, these people only care about themselves and don't care about others. There are no surveillance cameras installed outside the store, all are controlled internally. Even if the outside is photographed, it is only a small area at the entrance, and even the cars on the road cannot be photographed.

Jimmy returned across the road, and when he was approaching the gallery, he suddenly discovered something that might have a video, an ATM machine embedded in the wall.

Jimmy came to the ATM and looked in the direction of the gallery. It was not directly facing him, but if the camera had a slightly wider shooting range, he might be able to see a little bit.