Old-time musicians

Chapter 30: Unimaginable

"Haha, Poglieri, you may not have thought clearly about one issue."

"No matter what method you want to use, you can take control of the evaluation power of the promotion of the Adepts, and let all the high-level officials who are promoted later carry the mark of "supported by you". The subjects of those promotions will always be the artists themselves, and this matter will always be a matter of "art category." "

"And the changing trend of art schools, the evaluation system of artistic value, and what kind of artists can achieve faster promotion in different eras, this is always based on the Bologna School and my Holy Sun Church. It is impossible for you to keep up with the Special Patrol Office."

In the office, the incandescent light outside surrounded the desk like a dark vortex, and Yaning XIX wrote a reply with a burning feather pen.

"My church basically agrees with the president's views and cooperation plan."

"In fact, since Fanning brought up the impressionist trend, a vigorous new art movement has emerged in my St. Perto art world since last year. This group of people calls themselves the "Perto Secession."

"They dismantled all the composition and line relationships in realistic works, and refined the elements into geometric properties, using techniques such as "repeated composition", "special deformation", "deconstruction and reorganization" to form an abstract, concise, bright and powerful plane expression effect , its representatives include Klimt, Mosset, Olbrich, etc., among whom there are some knowledgeable people who have studied "key" "

"In addition, "Expressionism" which has a strong relationship with "candle", "Cubism" related to "key" and "derivation", "Fauvism" related to "exhaustion" and "pool" are also worthy of attention from official organizations. They not only expand the boundaries of art, but also expand the boundaries of the application of mysticism. "

"The wave of contemporary art has been clearly presented in front of the field of vision, but they will no longer be like in the past, one style and one style The styles are arranged in succession, and there may be a very complicated coexistence situation afterwards. "

"Now the position of the master of Romanticism has not been determined, and Impressionism is still at the forefront. In fact, the sound of the works of late Romanticism is also avant-garde enough, with both impressionistic colors and many tonality processing methods. In addition, it should be realized that "avant-garde music" is just a general term, and there are now signs of various subdivisions."

"Discovery and support need to be carried out in several steps. At present, the creations of these people are limited to some small works. The ears of more artists or the public cannot adapt to such radical auditory effects. The first step can be to use some secondary occasions to launch several avant-garde "Boethius Artist" nominations, or to discover and encourage "bold sound fragments" in the music of some Romantic masters."

"But personally, I think the most critical issue is how to find a theoretical basis for these new techniques. The role of inspiration in the creation of avant-garde music is no longer the traditional form that ordinary people imagine."

"Theoretical basis" The Pope cast his eyes on a pile of books immersed in darkness.

Nine books to be exact. They are the two volumes of "Harmony", "Counterpoint", "Form Analysis" and "Instrumentation" that the former Director Fan Ning taught after the "Introduction". There is also a book "Choral Teaching and Conducting" which records the "Ning-style teaching method".

His "style" is already on the way to the "new moon". In addition to his works, these theoretical textbooks can now be found on the desks of almost every school and every person who studies music.

Some scholars can't help but think: Since Fan Ning can refine the creative theories of the past few music periods, can he refine the creative theories of avant-garde works?

Many people are arguing endlessly.

Some say yes, some say no - the "atonalism" in the avant-garde is originally the "harmony and counterpoint rules" after breaking the traditional 24 major and minor system, so how can we summarize the new "Harmony" and "Counterpoint"?

There is also a view that has gained more support, that is, even if Fanning can come up with a new theory to explain avant-garde works in the future, this theory will certainly not be compatible with the traditional theory of explaining "pleasant to the ear". It will not be a continuation or an innovation, but only "adding new things to explain new things".

So the overall conclusion is pessimistic. Atonal music is still more often called "chaos" or "emotional catharsis". There are conservatives who reject this "chaos", there are innovative people who embrace this "chaos", and there are people who use "chaos" to achieve more mysterious ambitions.

Of course, everyone also admits that if you want to put this "chaos" under the rules of rationality, at least Fanning himself is the most likely to do it. Now that he is missing, the rest of the people may not have to dream about it.

This is the reason why the top leaders of the academic and church schools are still in the stage of secret discussion on avant-garde music, even though this is a powerful "bend" to snatch the discourse power of the Special Patrol Office in art evaluation.

"In general, the most important 'main road' interest at the moment is still the question of when and where the 'torch bearer' of the Romantic period will be born."

"Fanning in the North Continent has almost become a new symbol. There are also geniuses like Scheler in the South Continent. I wonder when my West Continent will find such a musician? He may not be born yet, he may still be learning, or he may be one of the unknown "moths" or "bridegrooms" today, but I believe that such a person will not fall into the territory of Lydia's gang. He will definitely appear in the sacred land of my Janus."

Janine IX shook his head when he thought of this. As the reply was sent out, the two-level differentiated light and darkness gradually returned to balance, and the office returned to normal.

The "dong dong" sound of knocking on the door sounded again.

"Come in."

"Your Holiness, a new work has just been delivered. It was handed over by Bishop Tucville on behalf of Lavoisier."

"Oh, he also delivered it? Bring it and have a look." The Pope's eyes lit up.

Lavoisier was once the gospel preached by old Bishop Sessler. Strictly speaking, his main profession should be an organist.

Only three pieces have been selected for the "small mass" before the baptism. If Lavoisier can offer an excellent organ piece, he will be very happy to add more.

"What kind of music is this? How many copies are there? Are you sure there is only one? Is it for him alone?"

The Pope couldn't help but frowned when he saw the priest who came in with two briefcases in each hand.

"It should be, anyway, these are what Bishop Toqueville sent."

The priest's tone was not very sure, and he arranged the score books one by one on the table in order.

"Mass in B minor?"

"Why didn't this man write organ music? It seems that he wrote a complete mass? It takes a lot of effort to write such a large religious genre. I wonder if it can reach the level of Anton Konar's ""

Janinger XIX, who opened the first page of the "Misericorium", suddenly stopped talking and shook slightly!

With such power as this Pope, it is hard to imagine what kind of inner hearing these opening written notes formed in his mind!

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