Old-time musicians

"Deviant, simply deviant!"

"How on earth did Scheler come up with the idea of ​​developing these heterogeneous timbres!?"

Opponents are scolding, admirers are admiring.

Let’s not talk about such obscure things as ancient times, let’s talk about wind instruments that everyone is familiar with – installing a mute on a wind instrument is of course intended to obtain a weaker volume and make it softer and hazy, right? But in "The Rite of Spring", the playing is played with great intensity!

Play with fff intensity, but install a mute! ?

How come I, a person who has been playing orchestration for 20 to 30 years, never thought of this?

The tearing timbre is superimposed on the strings, bringing a more urgent and tense auditory experience.

"It's just a dance performed by the grass troupe."

Looking at the dancers who were physically exhausted, many opponents criticized and ridiculed them mercilessly.

"No! The actors are performing their exhaustion! Moreover, the whole dance drama really makes them exhausted, and the audience can feel it directly!"

"Exhausted from performing? Do you still need to 'perform' when you are exhausted? Haha, this can also be 'washed', so just forcefully 'wash' it."

There are always people looking for new points of attack, and there are always people who counterattack in an instant, and then the two sides clash with each other again. In some emotionally charged situations, accompanying physical conflicts become inevitable.

"Why isn't it a performance? The dancers did not hide their fatigue behind smiling masks, but clearly expressed it through a series of details such as heavy breathing and trembling limbs! An unrestrained body, practicing The process of intense conflict and excitement demonstrates this dance drama in a very 'physical' way: knowledge about origin and vitality, knowledge about senses, and knowledge about endlessness. Almost everyone present has a secret knowledge of the metaphors in it. Personal experience!”

"See such 'wonderful discussions' again. Haha, this may be the sophistry of 'modern art' in common. It always needs to be deconstructed, always needs to be explained, and is always accompanied by a bunch of made-up nouns and accompanying The iterative interpretations that came later described the clumsy display of cowardice as a carefully designed 'intentional act'."

"Sophistry? Maybe. That's because every time something new appears in history, a group of defenders will always attack it! If you don't organize your thoughts and express your opinions to defend your ideas, you will be criticized. You are strangled in the cradle!”

"Although it hurts, let's tell the truth! Some pedantic old-fashioned people shouldn't talk about art today! Art is a bridge between imagination and reality. It discusses the future! It's all kinds of possibilities!!"

"ah!!"

"Stop talking so much, beat the hell out of me!!"

Body and body are in conflict, and the harmonic tension is finally pushed to the dangerous level of chaos in "Sacrificial Dance". Certain chord structures that in a traditional context should be only temporary and minor are here. Became the main factor that continued to appear for a long time!

A large number of overlapping chords appear like a storm, whether they are the original traditional progression of 1-4-6-5, or they are only related by a semitone, or they are separated by an augmented fourth "devil interval" Well, it can all be stacked at this moment! Directly stacked together regardless of the ups and downs! Become a violent collective!

"Bang!" "Bang!"

Amidst the increasingly rough music, Su Luo, who played the role of the "chosen girl", collapsed from exhaustion!

The extremely fast descending chromatic scale and percussion sounds in the last sentence overlapped with the sound of her falling to the ground.

Then the background of the "Fauvist" painting dissolves, the scenery disappears, and the lights go out.

The scene is fixed on a group of dancers lifting Sulotto who fell to the ground, Scheele and the musicians in the orchestra pit raising the batons or instruments they can, and looking at the "chosen girl" from a distance. A scene of greeting!

The curtain is drawn!

"Bravo!!!" "Foolish!!!"

The audience praised it as wonderful and denounced it as stupid.

But for the actors behind the curtain that isolates them from the outside world, they seem to be unable to get further feedback.

"Is this gone?"

"Why isn't this curtain drawn?"

"What's going on? Didn't the conductor take anyone with him for the curtain call?"

The audience looked at each other.

Whether you are preparing to pay tribute to Scheler or waiting for him to come up in person and then denounce him, you always have the thought of "looking forward to the curtain call on stage."

But this

Isn't this too free and easy?

Is it because he is afraid of being scolded?

The audience at the premiere of the Southern Continent was shocked, and the audiences around the world whose "broadcast projections" were "clicked" were also shocked! !

Of course, the cassette in the brain is a cassette, and those desires to "vomit" have nowhere to vent, and they will definitely not be extinguished!

Now there is no worry about "being on stage". The etiquette that was a little bit instinctively worried before is now completely gone.

After being stunned for half a minute to two or three minutes, the audience began to spray each other with greater passion!

Even the most restrained place - the salon banquet hall where Marquess MacAdam was sitting at the moment - started to erupt with small but fierce arguments one after another!

According to the salon arrangement, after the performances of "Adagio" and "The Rite of Spring", isn't it supposed to be a "discussion" session on the topic of modern art in the main film?

Just right, just right!

"Carlon, I feel, uh, the situation is not good." Xilan looked around worriedly.

It seemed that in a corner, in a crowd, a guest had suddenly slapped his hand on the table, knocking over the wine glasses.

Moreover, not many people noticed his actions, because similar things might happen in other groups.

Shilan looked at Fanning first, but seeing Fanning acted as if nothing had happened, he could only turn to Roy and say, "Senior, uh, your salon should not have had any fights, right?"

"That's a good question." Roy's face also had an expression of "I've never seen anything like this before". She sighed and said, "Before, if someone in our salon had a little quarrel, it would have been on the news. But now, there has been a fight at the Turner Art Theater's concert, and it will be on the headlines the next day, not tonight. Then if there is another fight in the McAdam family's salon, at best it will only be ranked in the second line of the news column."

"Sir, Madam, please stop quarreling!"

Sure enough, as soon as Roy finished speaking, a loyal and conscientious servant in the family issued a dissuasion that had no effect.

"It's not a question of quarreling or not. You know what? If I don't make things clear with him today, I won't go back!"

"No, the third line." Fanning suddenly said.

"Huh?" Roy turned his head in surprise.

This guy's recent performance is not only lazy, but also has a very strange brain circuit and a very long reaction arc.

"The third line of the news column." Fanning said again.

"Oh," Roy, holding a wine glass, couldn't help but feel a little funny, "This is your prediction. The fight at the "Rite of Spring" concert is the first line, and the fight in my salon is the third line. Well, then what do you say, what is the second line?"

"That's not clear." Fanning took the initiative to pass the water cup far away and gently bumped it into Roy's hand.

"Ding——"

Fanning's way of expressing himself was a little strange: "The Harvest Art Festival is bound to produce a few talented people. There are hidden dragons and crouching tigers, and everyone wants to make a big news. This "Rite of Spring" is relatively big, but it's hard to say whether it can occupy the first place in all major news sections."