Old-time musicians

"Some kind of peculiar sound series system? The ending sound of each group is the same as the starting sound of the next group. Although each has a different shape, after several semitone transpositions, it cannot be transposed again, because the It’s exactly the same sequence of notes as before. In other words, it only takes a shorter step of transposition to return to itself?”

Many musicians, music critics, or people who study mysteries prick up their ears and stare at the sequences of notes and chords they have written down on paper.

"This property is not possessed by any mode in the past! No matter it is seven tones or five tones, no matter which nation, no matter religious or secular, it always needs to be transposed 12 times in a row before it can return. This is not called a return. Under the 12-tone equal temperament This is true in itself, and they only need 6, 5 or even 4 times to complete a true comeback! Yes, the impressionist music of previous years! The diatonic scale played by musicians seems to have similar properties. After transposing it twice, it becomes the same. But the diatonic scale is an extremely special existence after all! And Father Lavoisier here seems to have developed six or seven in total! There are different modes, and each mode has three to six shifting forms, thus forming a wonderful and huge unique religious vocabulary!"

"Is there some kind of unique rhythm system? Master Lavoisier seems to have found inspiration from the 'Tala Rhythm' and 'Iambic' theories developed by the ancient Janus sages. Using the precise principles of expansion and reduction, I have recorded at least more than 120 variations!"

"No, there is a more important principle - no matter whether these rhythms are performed in upright or reverse position, the same result will be obtained. In other words, reverse position is meaningless! This is an 'irretrograde' 's rhythm'! It seems to be praising the absolute authoritative and unblasphemable divine power of 'Unfallen Fire' and 'Endless Fugue'. To achieve this level of metaphor, it is simply impossible to be promoted by the invisible power invoked by faith. It’s not surprising anymore!”

Song 14, "Angel's Gaze", a horn-like melody burst out from under Fan Ning's fingertips. The tone was full, powerful and powerful. The songs of birds resounded through the night sky, and the angels' surprise gradually grew.

No. 15, "Kiss of the Holy Infant", the longest slow movement, has five sections: "Sleep", "Garden", "Love's Tender Embrace", "Kiss" and "Kiss's Shadow". First, there is a gentle swing based on the "Heavenly Father Theme", and then the same sound repeatedly imitates the sound of distant bells, and the texture flows lightly, with numerous dazzling brilliance constantly bursting out from it.

No. 16, "The Gaze of the Prophets, Shepherds and Wise Men", the strange music, the performance of gongs and oboes, demonstrates the stubborn rhythmicity of Eastern snake charmers, and the magnificent music is blended into a prophetic temperament. Nasal timbre.

Song 17, "Silent Gaze", everything is peaceful. On the altar dotted with stars, the sound produced by Fan Ning's hands falling on the keys is like the colorful confetti flying during the festival, and more like the gathering of delicate and small gems. , emit light when they touch each other.

"It's an impossible harmonic charm!"

"Who said only the rhythm of The Rite of Spring is magical?"

A group of musicians who came from seminaries in various places continued to chant from the bottom of their hearts.

Because they discovered that what Master Lavoisier taught was a set of extremely important modern religious music composition techniques!

It should be said that with the exploration of major avant-garde schools in recent years, they have already begun to sprout. Some are not just explored in seminaries.

But it was not a system before, but now Fan Ning has exemplified a complete set of procedures that can be directly applied in the practice of religious composition.

The corresponding church mysteries will also be expanded and applied!

"The two fields, harmony and rhythm, correspond to 'limited displacement mode' and 'irretrograde rhythm' respectively!" There was light flowing in the pope's eyes, as early as the rest time before the beginning of "Silent Gaze" He gave instructions, "Let the major seminaries organize it into a volume and include it as one of the upper-level study courses. Well, we will organize it first. We will also look for opportunities for Master Lavoisier to have the final check."

The bishops behind the scenes were also engaged in heated discussions.

"Limited shift mode and irreversible rhythm are the important means used by Father Lavoisier to achieve the 'impossible charm'. They will surely lead me to the rainbow of theology!"

"A variant of the modern scale system? If Judge Melaldine strictly defines it this way, that's fine, but it's best not to simply regard it as a scale!"

"That's right, 'limited shift mode' is by no means a scale, but a color group of harmony! I admire Cardinal Richelieu's adjective just now - the theological rainbow!"

"Well, it's very strange. They seem to be in the atmosphere of several tones at the same time - but they are not polytonal. Once a composer masters this technique, he can freely give one of the tones temporary dominance. status, or simply let the inspiration wander."

At the end of "Silent Gaze", the decorative descending sound patterns played by Fan Ning slowly fell like scattered pearls, slowing down the forward momentum of the music.

As if the mist in the early morning has not dissipated, covering the green mountains after the rain, the music echoes with the overflowing gospel and mystery.

At this late stage of the performance, the development direction of the Holy Sun Church in modern religious music creation was initially pointed out.

What is impressionism? What is a mystery chord? What is the twelve-tone system? What is holistic serialism?

Clergymen who believe in "Eternal Fire" and "Endless Fugue" should write modern religious music in this era, just like Father Lavoisier, using "limited displacement mode" and "irreversible rhythm"!

Many people have been inspired by this and have begun to conceive their next works.

"The sermon itinerary should change direction, right? Master Lavoisier will go east next, not along the river anymore." A bishop said.

"Well, the next stations are quite sparse, and we will reach the Holy City in a few stations. We must prepare as soon as possible. There is another very important thing, I must first ask the saint for his opinion. Um, Master Lavoisier is coming." Pope Janing XIX nodded and reminded him.

After answering questions from the local priests at this stop, Fanning did not leave alone, but walked towards the direction of the senior staff in the shadows.

Melaltin, who had been greeted in advance, greeted the Pope respectfully after speaking with him.

"Your Excellency, I sent you to investigate the whereabouts of the Gentile Vincent Van Nin that day. How did you complete this task?"

Fan Nin's tone was gentle and polite.

"Master Lavoisier sent us to investigate Vincent in detail, and we must complete this task with our hands."

Since he was told about this matter at the end of the previous stop, Melaltin immediately used all the church's power to investigate, without any prior probing or asking for reasons.

"After Vincent came to Janus in 909 of the new calendar, all the whereabouts we can find are listed above." Melaltin took out a dark golden envelope from his lapel.

After reading the correct version one by one!

After Fan Nin took it, he read it calmly.

During the period, his eyes briefly stopped on several sentences to think.

After a while, he finally raised his head and spoke, explaining a temporary trip that was not planned:

"Tonight, you send a few people to follow me to the upper reaches of the Hedgewell River."