Public Executions From King Duma

In the light screen image, when people in the real world were shocked by the existence of the Grand Assassin, the Grand Assassin also gave the answer after hearing the boy's question.

"Even if it is just an illusion of the past, I am still your sharp blade. Contractor, the sword here will cut off all enemies with my immortal will."

The implication is that no matter what the boy wants to do, this crowned Assassin will overcome all obstacles for him.

Hearing this, the boy smiled: "Ah, even if we are all phantoms of the past, not everyone can be fooled."

"Then, let's take a closer look at who is behind this!"

"If there are really stupid people who want to do something unforgivable, then let's use the power we have to deal with them!"

"Even though the timeline is different and the world has changed, our past achievements will eventually be forgotten."

"I am still the last master of mankind - Fujimaru Ritsuka!"

————

Real world, Fujimaru Ritsuka: "!!!"

The girl Fujimaru Ritsuka showed a look of astonishment. She never expected that the boy's name was exactly the same as hers.

Could it be that the boy was actually her previous life and changed her gender after reincarnation?

No, no.

The girl sleeping on the bed who looked exactly like her when she was a child was her past life.

By the way, in the last light screen image, the mysterious boy mentioned the name of the sleeping girl...

It seems to be called...

Tachibana?

Could it be...

Fujimaru Tachibana?

If that's the case, then in my previous life, my name was Fujimaru Tachibana?

But why is he called Fujimaru Ritsuka in this life?

What is used is...

Brother's name?

what is going on?

In the real world, Fujimaru Ritsuka was shocked and confused, unable to understand what was going on.

To other people in the real world, the young man named Fujimaru Ritsuka in the light screen image calls himself astonishing.

The forgotten, last master of mankind?

Could this last Master refer to the Master who summoned and controlled the heroic spirits to fight? Master of the Holy Grail War?

Moreover, the boy also mentioned the issue of timeline reshaping. Does that mean that the boy actually comes from an earlier timeline?

for example……

Like Shinji Matou, he comes from the first timeline of humanity.

This identity and background are terrifying to think about.

Although he looks only seven or eight years old, the amount of information revealed by this boy named Fujimaru Ritsuka is too great, and his background is huge. Even if he is just a child, he already has the potential to be a big boss.

What's more, this child is very likely not as young as it appears. It is very likely that like Aizen Tokiomi, he retained the memory of his previous life and was reincarnated.

————

On the plane, Arturia looked at the boy calling himself Fujimaru Ritsuka in the light screen image and couldn't help but fall into deep thought.

For some reason, she felt like she had seen each other before, and there was a feeling of familiarity.

Her strong intuition also sensed this, constantly reminding her in a metaphysical way that what she felt was right.

After thinking for a moment, another figure involuntarily appeared in my mind.

Su Yun!

Yes, it’s Su Yun!

For some reason, Artoria felt that the little boy named Fujimaru Ritsuka was very similar to Su Yun.

Obviously the two of them look completely different, but they still have this strange feeling.

"Why...why?"

A puzzled question murmured from Artoria's mouth.

————

The light screen image, the picture belonging to Fujimaru Ritsuka's side, ended.

The scene shifted to Emiya's mansion.

By this time, dinner had been finished, and Sakura Matou was sent home by Shirou Emiya.

Mordred, who was watching TV out of boredom, sensed the fighting at Ryudou Temple and told Shirou Emiya who had just returned home.

However, since Mordred didn't know the specific location, he just said that there were heroic spirits fighting in that direction.

With these words, Shirou Emiya, who had gone through a day's daily routine, and his spirit had entered a daily state, immediately pulled his thoughts back to the Holy Grail War.

The boy couldn't help but become worried and asked Mordred if he could sense more.

After Mordred sensed it for a while, he said to Shirou Emiya: "One of them should be Archer."

Emiya Shirou was shocked: "Archer? Is Tohsaka fighting? No, Saber, let's go over there and check the situation!"

Mordred grinned: "Hey, Master, do you want to get involved too? It's just what I want!"

After saying that, he went out with Shirou Emiya, and then gave Shirou Emiya a princess hug directly. After saying that it would be faster, he held Shirou Emiya in this very manly posture and walked quickly through the night.

This naturally made Emiya Shirou blush, and he subconsciously wanted to struggle - such as changing his posture or something.

However, Mordred said that changing postures was troublesome and there were no other postures that were easy to use. This posture was the safest and most useful, so he unilaterally rejected Emiya Shirou's request to change postures.

This made the young man helpless and could only accept the situation with a blush.

To be honest, although I felt a little ashamed at first, once I accepted all this, I have to say that the princess hug was quite comfortable.

Especially when the person being hugged by the princess is a heroic and wild girl, it has a unique flavor.

The boy who was hugged by the princess said that he couldn't refuse at all.

After the scene between Emiya Shirou and Mordred ended here, the scene shifted to the Matou Residence.

Here, as expected, Matou Shinji sent out black technology animals to investigate, and assigned a new task to Matou Sakura.

"Sakura, ask Rider to follow my clone. I'm going to visit Ryudou Temple."

Matou Sakura was stunned when she heard this, and then nodded quickly: "Okay, brother. Please, Rider." The following words were said to the empty person beside her.

Following Matou Sakura's words, blue light particles suddenly appeared next to Matou Sakura.

The next moment, she was wearing a purple short skirt and tights. She was over 1.7 meters tall, had purple waist-long hair, a fully enclosed eye mask on her face, two pairs of purple pantyhose and high heels, and a figure as good as three Artolis. A mysterious woman who is inferior to Yadu appears.

What sounded out of her mouth was a calm female voice: "Yes, Master."

Following these words, it was seen that Matou Sakura was actually speaking to the door of the mysterious study room in Matou's house, and next to her, Matou Shinji came out.

That was Matou Shinji who was in contact with Red A during the day and night today.

Originally, people thought that this Matou Shinji was a real person.

But now, according to Matou Shinji himself, this should be just a clone of Matou Shinji.

It's just a clone!

What happened to the real Matou Shinji?

What is the current posture of Matou Shinji?

The questions came again, and there were more.

As for the clone, Matou Shinji called out "Rider, let's go" and then left the Matou residence with Rider.

Matou Sakura looked at the two people walking away, with a look of worry in her eyes.

Then, in the room, Matou Shinji's electronic synthesizer sounded: "Don't worry! Sakura, although that guy Shirou also participated in the Holy Grail War, we will never become a real enemy with him."

Obviously, he knew what Matou Sakura was worried about, so he said this.

After hearing this, Matou Sakura breathed a sigh of relief, showed gratitude, and expressed her gratitude to Matou Shinji in the room.

Obviously, this sister with her elbows turned out is very aware of how powerful her brother is, so she is worried about the 'senpai' she likes.

Similarly, because she knows how powerful her brother is, she has nothing to worry about. In a sense, Matou Sakura has relatively blind confidence in Matou Shinji's strength.

Matou Shinji naturally understands this, and he will not say much about it, let alone the tacit understanding reached between him and Red A.

Sometimes, to deal with powerful enemies hiding in the dark, you must first conduct strategic deception on your own people.