Public Executions From King Duma

The light curtain image, the sky was completely dark.

Merlin used illusion to construct an enchantment to prevent being discovered. Everyone lit a fire and began to rest.

Although Fujimaru Tachibana felt that he could continue on his way, Merlin said with a smile that in this age of the gods, he needs to keep full at all times, otherwise it would be bad if he was really in danger.

Merlin: "Xiao Lixiang, here, you have to rest when you should rest, and fight when you should fight. What you have to experience is definitely not something that will end in a short time."

"Today, you have experienced enough, you should take a good rest! Don't worry, although I am not good at fighting, the illusion barrier I constructed is still very reliable."

In this way, Fujimaru Tachibana also accepted.

Moreover, during the break, he also showed his communication skills again, chatting with Merlin about many things.

Of course, Anna was not forgotten, trying to build a good relationship with Anna.

It's just that Fujimaru Tachibana was deflated this time, and his communication ability, which was invincible in the face of followers, failed.

Anna expressed resistance, and even didn't even want to go to Uruk at first, but finally agreed, it was also based on her own considerations.

To Fujimaru Tachibana, the attitude of this girl who has been wearing a cloak from beginning to end is 'ugly rejection'.

Of course, this is a funny way of saying it. In fact, he just doesn't like to be in contact with others and tells Fujimaru Tachibana not to approach her.

What it showed was 'I'm lonely and just want to be alone, please don't have any contact with me, thank you'.

It can be seen that Anna is a girl with a story, and there are many things she cares about in her heart, and she refuses to contact other people, which shows a "loneliness".

However, that was all. In terms of walking with everyone, Anna was very cooperative.

Faced with these, Fujimaru Tachibana didn't say anything, and wasn't even angry, just smiled to express his understanding.

Obviously, the girl thought that if they could get along more in the future, everyone's relationship would definitely improve. Although Anna doesn't like to approach others or be approached by others, she is a good and obedient child.

Girls who keep on sarcasm and dislike Merlin will often do it immediately when Merlin needs her to do something, and the dissatisfaction in her mouth does not affect her quickness in action.

It looks a bit tsundere, but in fact it is much better than most tsundere girls, because tsundere girls always have all kinds of entanglements and hesitation, and even deliberately oppose them while they are disliking their integrity.

Anna is the standard, although her mouth is indifferent, her actions are reassuring.

So, just like that, everyone fell into a deep sleep around the campfire in the wild.

That is to say, with such a scene, the screen switched.

It was more than a dozen people who appeared again.

They are refugees of this era, all of them are dressed in tatters, and their faces are sallow and emaciated, making them look very bad.

During this night, more than a dozen people were hiding at the back of the mountain and were moving cautiously. They seemed to want to use the night to go south to the last fortress of mankind.

Among them, there were two soldiers, but their costumes were somewhat different from those of Uruk. They were also in tattered clothes, and each held a bone gun, which was made of the bones of some unknown creature.

This group of people moved very fast at night, completely unaffected by the night, without any problem of night blindness, and moved very fast, even those with yellow and thin skin.

There is no doubt that this is very unscientific, because in the case of refugees like that, there are definitely night blindness, and they can't see anything at night. How can it be possible to move at night so easily?

So, is this the quality of human beings in the Age of Gods?

All of a sudden, regardless of the East and the West, a theory came to mind, and it was all related to mythology.

The West thinks of human beings in the golden age. In the Greek mythology system, which is generally the foundation of Western mythology, there is a state of distinguishing ages at the beginning of human birth.

The human beings in the golden age refer to the most primitive human beings, who are superior to modern human beings in all aspects of quality, and are generally believed to have various extraordinary powers and belong to perfect human beings.

Then came the humans of the Silver Age, referring to the descendants of the golden humans, who generally inherited the abilities of the golden humans, but they began to lose control of their emotions and were no longer perfect, and thus angered the gods, were punished by the gods, and eventually turned into devils .

Then came the Bronze Age and the Iron Age.

Among them, the Iron Age refers to modern humans, and they are also the weakest humans.

These distinctions are filled with a feature that is more ancient and stronger.

There is also this kind of cognition, and there are also oriental myths, which also regard human beings in ancient times as being much stronger than modern humans, and this kind of setting is also used in various novels, showing that the older the more powerful .

Apparently, the performances of the gods and humans in the light curtain image really proved this theory and made it clear to people that myths are not just myths, but real facts.

However, that's all.

Humans in the age of gods were very strong and could easily beat modern humans violently. Even refugees could easily beat well-trained fighters.

However, when the monsters attacked, that's all a dozen people could do, they just screamed in horror, screamed, and then were torn apart and taken away.

Yes, these refugees met hell very quickly.

A group of monsters rushed out.

Even at night, the monsters didn't rest, or they didn't all rest.

Although a large number of monsters are sleeping on the ground, there are also some monsters patrolling.

These monsters are not pure beasts, but 'familiars' who act according to a certain will.

As a result, the dozen or so people who wanted to escape to the south of Gilgamesh's territory at night were brutally murdered.

Many people couldn't bear to look at the horrible scene, and felt uncomfortable and angry.

After all, those who are full of hope have really tried their best, but the final result is just despair.

The road of hope to the south is actually an impossible moat, even if you try everything, it will not help.

The scene of despair is so contagious that many people can't bear it.

Even, because of this, some people began to blame Uruk and Gilgamesh, thinking that the south should send people to rescue the remaining people in the north.

Of course, the person who said this was immediately sprayed back.

Because the light curtain image has shown very clearly, even the hero king Gilgamesh, all he can do is to establish an absolute battle line of monsters, and use all the power of Uruk to block the enemy from outside the line of defense.

This is the limit. Regarding the situation in the north, it is only sending servants like Merlin to investigate.

There is no way, this human disaster is caused by the completely unequal strength of the two sides.

What humans can do is just struggle to survive.

There is no doubt that this is the background of the age of gods, and it is also a veritable doomsday background, and Uruk is the doomsday fortress of mankind under the disaster brought by the gods!

In the image of the light curtain, some of the dozen or so refugees were directly eaten, and some were seriously injured and taken away.

It is impossible to understand why the monsters still want to keep alive people, but no one feels that this is a good thing, but it is very likely that even greater terror is behind.

that's the truth.

With the switching of the screen, the monsters brought the seriously injured survivors to a cave.

It was a place full of purple flesh and blood distortions. There were many cocoon-like bulging things here, emitting a purple halo, and something seemed to be conceived inside.

Some cocoons were broken, and those monsters crawled out of them.

Moreover, after breaking out of the cocoon, these monsters quickly grew up under the infusion of high-concentration purple magic power all over the place, and grew to adult size in almost ten seconds.

Then, accompanied by a roar, he walked out along the passage by himself.

Afterwards, those human beings who were brought here soon suffered a tragic tragedy. The flesh and blood deformed all over the earth was like a living thing, swallowing those people, making a terrifying sound of flesh and blood squeezing. All those people could do was Scream in pain and die.

After devouring these people, those broken cocoons were injected with new life, and then recovered and swelled up, and new monsters began to be bred inside.

Obviously, that's how the innumerable monsters outside the absolute monster front came from.

The horrible scene made many people feel sick and want to vomit, and it is difficult to accept such a picture.

The essence of Warcraft is originally created by the flesh and blood life and even the soul of those human beings. In other words, this is another sense of transforming human beings into monsters.

Changing the background of the world, it is a scene similar to the biochemical crisis in the legend.

In the same situation, accompanied by the terrifying BGM, there was a sound of friction, which was the sound of snakes crawling on the ground.

Moreover, the camera also switched, and it was seen that in the center of the cave, a huge snake body was moving here.

Because of the purple magic halo, the snake's body was also stained purple.

Then, a hoarse voice sounded: "Very well, another group of children has been born."

"That's it, that's it, more, more, give me more human flesh and blood!"

"Now, the north has been completely swallowed by me, and it is only a matter of time before I destroy the hateful barrier in the south."

"My child, Jin Gu, you think so too, don't you?"

Along with this voice, Jin Gu's white figure appeared.

Standing in this pain, facing the owner of the huge snake body, and at this moment, the picture gave some detailed descriptions of the owner of the huge snake body.

I saw several purple-black tongues that seemed to be made of hair opened their mouths, showing a hideous look.

He also saw a huge human female body emerging from the shadow. It was obvious that the upper half of the owner of the snake body was a human body, at least in human form.

In addition, the long purple hair and huge wings can be vaguely seen. When the camera unfolds the picture looking up from behind Jin Gu, it gives people who see this picture a great sense of oppression.

What followed was...

This...is Tiamat?

This... also deserves to be called Tiamat?

This...is really Tiamat?

Countless people felt surprised and unbelievable at this moment, and felt deep doubts about it.