If he had told the truth at that time and pointed out that there was something in this painting, he might have made this big guy look at him differently.

But now, that opportunity is gone.

"In that case, let's show the true face of this painting in front of everyone's eyes."

Ma Wenjing gave up his position and made an inviting gesture to Gu Feng and said.

"Ma Lao, then I'll get an axe in the banmen, you're welcome."

Gu Feng bowed and said.

Saying that, Gu Feng came to his painting shaft and said loudly to the service staff on the scene: "Is there a paper cutter?" Bring one! The

service staff dared to snub, and after nodding repeatedly, he trotted all the way to get the paper cutter.

After a while, a paper cutter was handed over to Gu Feng's hand.

Gu Feng picked up the knife and looked at it, nodding slightly.

This paper cutter is a paper cutter of rice paper, which is made of ox bone, which is exactly what Gu Feng wants.

I saw that Gu Feng did not hesitate, and directly cut the shafts on both sides with a paper cutter, leaving only the part of the painting.

Then I saw Gu Feng carefully looking for it on the painting, and from time to time he touched here and there on the painting axis, as if he was looking for something.

Finally, when Gu Feng's hand touched a certain place on the edge of the scroll, his eyes suddenly lit up.

Holding the paper cutter, Gu Feng gently fiddled with the edge of the rice paper somewhere, and after a while, the rice paper changed from one layer to two layers.

"It turned out to be a mezzanine painting! No wonder Ma Lao said that there was Qiankun inside, it turned out to mean this! Someone

at the scene immediately realized it.

Mezzanine paintings are not new in the world of antiques, and the ancients often used this method to preserve paintings.

First, the calligraphy and painting on paper are very fragile, and there is no way to compare with those porcelain bronzes, and the paintings can be preserved in this way without the erosion of time.

There is also to hide the treasure, in order not to let their treasure be coveted by others, hide the real painting in an ordinary painting, so that the painting can be well hidden.

When you really need it, just remove the mezzanine and reveal the painting as it is.

"Okay, can you be quiet? What's the use of you knowing now? Why didn't you see it just now? Someone

immediately said dissatisfied.

Everyone was concentrating on watching Feng fiddle with the painting, and of course they were dissatisfied with such a loud shout.

The man also knew that he was not doing it right, so he quickly shrunk his head, closed his mouth and stopped talking.

Gu Feng did not pay attention to everyone, but carefully probed the paper cutter gently through the layer.

During the whole process, Gu Feng seemed very careful, for fear that he would break the painting.

The people at the scene widened their eyes, watching Gu Feng's movements without turning their eyes, and they didn't dare to come out of the atmosphere.

Gu Feng used a paper cutter to separate the paintings along the edges of the paintings slowly.

The paper painting was too fragile, and a slight mistake could hurt the painting, and Gu Feng did not dare to be careless.

It took more than ten minutes for Gu Feng to completely separate the mezzanine painting.

After doing all this, Gu Feng exhaled a long breath, but the expression on his face was very happy.

Gu Feng actually didn't do this kind of thing, and every step he took just now, he was operating according to the introduction of the original novel.

This has to thank the author of the original work, the description of this paragraph is quite detailed, otherwise Gu Feng would definitely not have done it himself.

Now it seems that this result is not bad, and with some effort, the mezzanine painting was finally completely separated, and it did not hurt the real painting.

At this point, the painting is far from revealing its true face, and the only last step left is to remove the layer of paper on it.

Gu Feng took a long breath, and in front of everyone's eyes, gently uncovered the layer of rice paper on it.

A picture of thick ink and green mountains and green water appeared in front of everyone.

When they saw this painting, everyone couldn't help but gasp.

Let's not talk about who the author of this painting is, just by looking at the charm of this painting, you can see that this painting is destined to be extraordinary.

"This... Could this be Qiu Ying's painting?

Ma Wenjing looked at the painting in front of him and said excitedly.

Taking out the magnifying glass and gloves again, Ma Wenjing began to watch carefully with a heavy gasp.

Even if he had seen many treasures, everyone could see from his trembling hands how excited this big man in the cultural relics world was at this moment.

"If it is true that as Ma Lao said, this painting is really the work of the great painter Qiu Ying of the Ming Dynasty, then the value of this painting is simply immeasurable!"

Lu Tianming on the side sighed and said.

"If nothing else, this painting should be Qiu Ying's work "Songxi Spring Mountain Picture"."

Gu Feng said calmly.

For Gu Feng, he didn't need to look at it at all, because he already knew the result, which was why he was so sure.

"Hmm! Gu Xiaoyou's judgment is very accurate, this is indeed Qiu Ying's "Songxi Spring Mountain Map".

Ma Wenjing also finished reading it at this time, he took a deep breath, tried to use a calm tone, and said slowly.

Receiving Ma Wenjing's affirmation, all the people at the scene widened their eyes.

Everyone knows that the great painter of the Ming Dynasty, Qiu Ying, has very few heirloom works, and he can count them on both hands.

In addition to most of it being collected by the National Museum, there is a small part that is not known to be in the hands of which large collector.

Therefore, the value of the painting in front of you cannot be measured by money at all, and it is not an exaggeration to say that it is a priceless treasure.

Chu Fei on the side saw this painting, and his intestines were about to regret.

Although he had long known that there were things in this painting, what he never expected was that there was such a rare treasure hidden in such a broken painting.

Knowing that this was the case, he should not have let the old lady go. If the old lady is not let go, then this painting should be your own now.

Throwing away the opportunity to get acquainted with Ma Wenjing, the value of this painting alone is enough to make him the focus of the entire antique world.

And now, all this has nothing to do with him, and he has become a complete outsider.

"Alas... Lao Immortal has been dealing with antiques all his life, especially calligraphy and painting, but this Qiu Ying painting, Lao Immortal has never owned one.

"Gu Xiaoyou, your luck is really good, so good that I can't make this old man jealous!"

Ma Wenjing looked at the painting in front of him, and his face was full of envy.

Everyone around also looked at Gu Feng with envy and jealousy.

No one would have thought that such a loser would actually go through shit luck and really pick up a treasure.

Everyone was thinking in their hearts, why didn't such a good thing happen to themselves, but let this Gu Feng encounter it?

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like