Rebirth of the Ultimate Mad Dragon

writing materials

How to write a good novel

In today's era of overflowing novels, more and more novels are gradually neglecting creative skills, blindly pursuing pleasure, venting, and filling in the blanks.

No matter how good the writing is, no matter how gorgeous the sentences, no matter how exaggerated the plot, it's all just superficial, just like a handsome boy or a beautiful woman. This type of novel may be attractive at first, but then it depends on the author whether he can retain those readers.

The real skill.

I think the article cannot be separated from human nature. As far as I know, the most popular and popular animations today are often those works with average painting skills but fascinating stories, especially works that successfully portray human nature; and those paintings

There are many works that have reached the "master" level, but have been relegated to the sidelines because the story cannot meet the readers' requirements. For example, the more successful works

Gong's animated work "Gundam" mainly describes the nature of war - is war brought about by powerful power or is power needed to maintain peace because peace is needed? Whether war is right or wrong has always been a question that everyone is looking for. It puts

The description of war is vivid and vivid, and it uses war to highlight the multi-faceted phenomenon of human nature. Therefore, the animation of Japan's "Gundam" series has always been at the top of the list.

Now let’s discuss novel writing techniques:

The plot of the novel has a sense of rhythm. It is like a piano music. Its melody is light, heavy, urgent, and slow. When the music is gentle and docile, or when it is passionate and high, it must be carefully designed.

It can be done. A piece with a weak melody will sound very comfortable and moving. But if the piece is messy and disharmonious, it will sound particularly harsh and uncomfortable, and you don’t know what it is trying to express. If the piece has cadences, then

The structure of the story is the same.

1. Characterization of personality

1. The elements of character expression are:

a, unique expression

b. Habitual actions

c, commonly used dialogues

d, thoughts

y, thoughts and desires

f, weaknesses and flaws

g, the character’s likes and dislikes

2. Application of these elements:

The above elements can be used as creative tools. These tools must be used well. You can list these settings and mark the parts that are expressed. The more important personality parts should be expressed repeatedly.

To deepen the reader's impression of the character.

2. The use and foil of supporting roles

There is a joke that handsome men and beautiful women always like to stay with people who are uglier or shorter than themselves, because that is the foil. The same goes for story creation, which also requires this kind of foil, especially the foil of supporting characters. Supporting characters are constantly used to foil the protagonist.

, try your best to shape your protagonist into an idol. Therefore, all supporting characters are set up to set off the protagonist.

1. Type of supporting role:

Positive - mentor type, adoring type, assisting type

Uncertain - Mysterious, Competitive, Harlequin

Negative - frame-up type

2. Assisting type: an essential character who often appears inseparable from the protagonist, sharing difficulties and sharing wealth.

Mentor type: A auxiliary character who gives the protagonist correct knowledge and concepts. Admiring type: The protagonist's crush is usually the (male) heroine. It has a great influence on the protagonist's state of mind and is an important role that affects the changes in the entire plot.

Mysterious type: It will have an obvious positive or negative impact on the protagonist. He will never name himself. Usually he will be deified.

Competitive type: The strength will definitely not give the protagonist an advantage, but they will be excited or afraid of the protagonist's hidden strength. It will not hinder the protagonist's progress, but will promote the protagonist's growth and become an opponent who can compete with themselves.

Framing type: Usually in order to get something owned by the protagonist, or because they dislike the protagonist for different reasons, they often go against the protagonist. They are also an indispensable role in the plot.

Harlequin type: A character who often pulls people back, does idiotic and ridiculous things, and does it just for the sake of being funny.

3. Each character has its necessary functions. Just like online games, you must constantly create a balance and then break the balance in your plot. Therefore, the interaction between characters is correspondingly important. The positive power is too

When it is strong, it means that the sense of crisis is insufficient; when the negative force is too strong, it means that the protagonist's status will collapse. Under such a stack, high tides are constantly created.

3. The performance and setting of the bridge section

1. Contrast method: In terms of the positioning of the protagonist, arrange another paragraph to contrast the jealousy with the protagonist's setting. This method can easily give readers a standard of measurement and highlight the differences of the protagonist.

.

For example: a desperate prodigal meets a protagonist who is impoverished but full of hope for the future. There is a great contrast between the two, which can set off the protagonist and shape his image.

2. Stacking method bridge section: Arrange the layout of the bridge section to a certain height in advance, and then stack the protagonist at this height. Naturally, the protagonist will reach the highest position effortlessly.

For example: There is a legendary swordsman who is very skilled in swordsmanship. No one is his opponent. Some who challenge him are killed within three moves. But the strange thing is that when he faced an inconspicuous middle-aged homeless man,

He was defeated by a single blow, and when everyone was worshiping him, a boy of seventeen or eighteen years old appeared, and the tramp called him master.

This example shows that the young man may be a more powerful character, and there may be a lot of room for imagination behind it. It seems that we have raised this young man's ability and status level to an extraordinary high point by using the power of others.

3. Trap method: Use the plot to slowly push the protagonist into a desperate situation, so that the readers are always worried about the protagonist's crisis, and then make a big change, so that the protagonist's position is reversed, creating a huge gap, and finally

Highlight the protagonist's abilities. The principle is to set up a continuous low-tide segment so that the transformation process quickly becomes a high tide, so that the protagonist's abilities are doubled.

For example: the protagonist who was originally in a predicament of being bullied did not let the readers know until the end that it was the protagonist who had always been "wise and foolish", which made the enemy suddenly at a disadvantage in the later stage.

Fourth, make good use of foreshadowing

Foreshadowing is a technique in which the author sets up relevant plot points or hints in order to express an important plot, and then echoes the plot points or hints after the story has progressed to a certain extent.

Foreshadowing is like a hidden bomb, which brings more changes to the plot. It may be expressed in a scene that only appears once, or it may be an inadvertent passage, or even a line of dialogue; the laying of foreshadowing should not be

Being separated from the echo of foreshadowing for too long,

In this way, the reader's memory may disappear and lose the meaning of foreshadowing; the description of foreshadowing can also be continuous, laying down fragments of foreshadowing in paragraphs, and finally combining them all. In this way, the foreshadowing can be

The embodied time continues to extend backward.

1. Foreshadowing cannot be separated from the theme. This is an unchanging principle. There is only one focus of the story. All factors must be generated based on this principle. The content of foreshadowing should not be irrelevant to the theme, otherwise it will not only fail to achieve the effect, but may also weaken it.

The power of stories.

2. Don’t use too much foreshadowing. Too many different foreshadowings will make readers confused about the situation and lose the meaning of the foreshadowing. Unless it is a coherent foreshadowing and a continuous setting; excessive foreshadowing will also

It will make the theme of the story unclear.

3. The purpose of the foreshadowing design that becomes the power of transformation and the breaking point of the climax is to surprise the readers. This kind of design is also a way of transformation in the plot. The timing of the reveal and response of the foreshadowing is very important.

This also involves the rhythm of the plot. If we can make good use of foreshadowing and explode at the climax, this is the best way to express it.

4. Remember that we must be very clear about the foreshadowing at the end, otherwise it will become anticlimactic, and it will suddenly end without a clear explanation at the end; there are several restorations hidden in the front, but in the end, several foreshadowings must echo each other.

If our plot is too complicated, it is recommended that we take notes and constantly remind ourselves during the writing process to avoid missing anything after the plot is over.

Five, the rhythm of the plot

1. The Roller Coaster Principle We say that a dull drama may not arouse the interest of readers, but a drama with high tide will also make readers overly nervous and become paralyzed. Assuming that the level of the plot is like an ups and downs curve, we can

A principle has been analyzed, that is, the greater the ups and downs of the plot, the more amazing the effect will be, just like a roller coaster in an amusement park. The greater the height difference, the more miserable the screams of the passengers, and the more exciting the process.

High. We can call this principle the roller coaster principle.

2. The beat of the plot, but here we also need to add the rhythm. If the ups and downs are the y-axis on the coordinates, then the part on the x-axis can be said to be the beat; a measure in music can be one beat or one-half beat,

It can also be as fast as one-eighth beat; the speed of the rhythm relatively affects people's emotional ups and downs. A slow beat gives people a stable mood, while a faster beat makes people nervous. This principle is also

It applies to the structure of the plot.

Here, everyone should notice why art is said to have the same principle. This rhythm can also be reflected in art works, calligraphy, colors and symbols, etc., it is the same principle.

3. Use the combination of speed and slowness to control readers’ emotions.

a, a smooth plot with a slow pace

b, impactful plot and fast pace

Sixth, whet the reader’s appetite

A common mistake that many newcomers make when writing stories is that they go all the way to the end and say whatever they want. Many good ideas are acted out before they have even been brewed. A lot of stimulation has been mentioned above, and the purpose is

We are increasing the ways we can perform, brewing the key points we want to express until the best time to burst out. To put it clearly, the novel is like a battle of wits between the writer and the reader. When we arrange the plot, it has already been understood by the reader from the beginning.

If the ending is known, will readers still want to read on?

1. Keep readers hooked

In fact, the author is the master of the story. You are God and can decide the fate of any character in the play. Similarly, you can also decide when your most exciting idea will appear. As long as it is the answer that readers want to know most, you can

You definitely can’t let readers know too early, but each process reveals a little bit of information, making readers eager to know, but unable to know, and then slowly being led by your plot.

2. The secret of the best time is revealed

Let readers know the timing of the answer, just like fishing. The time of pulling the rod must be accurate. When the fish takes the bait, pull it too early and the bait has not entered the fish's mouth, and the fish will run away; pull it too late.

, the bait has been eaten, and the fish will run away. Tell the answer too early, read

If the reader's needs for you have not yet been formed, the effect will be compromised; if you tell the answer too late, the reader will lose patience and run away. You must master the time between opening and closing. If you are not confident, you might as well let a few more friends read it.

Take a look and give some comments as a reference for your corrections.

7. Master the topic

The most important principle of a novel should be to master the theme. When we are creating, no matter how good the idea is, the highest principle should be to not deviate from the theme.

It is incorrect to add whatever you think is good, and to constantly come up with other ideas if you don’t have any ideas. I have seen many novels deviate from the theme, often because of a sudden inspiration, or maybe there is no

If a good idea cannot be compiled, a lot of things that are irrelevant to the theme will be added, which violates the theme.

1. How not to go off topic

If it is an inspiration that can add points, it is something you can only ask for and must be added. If there is no possibility of combining it, then please save this idea. Maybe it can be used as an idea for the next work. If it is true,

If you can't think of any ideas, I suggest you go back to the starting point and look at your previous settings. As long as you have done enough work before, you will definitely be able to find a direction from it.

Yes, you can also look at the completed plot to see if there is anything you forgot to explain or that can be extended. From the perspective of a reader, repeatedly observing your work to find a direction that can be continued is also a method.

; Otherwise, you should put down your pen, leave your work, do other things, and relax yourself, because you may have got into a bull's horn and cannot extricate yourself.

2. Principles of using multi-line architecture

Sometimes we will also use a more difficult multi-line structure. Such screenwriting techniques require more skilled experience. For long-form plots, multi-line structure also becomes necessary, because more and more characters appear, and there are more stories to tell.

It will not be limited to one story. The key points of the multi-line structure are roughly as follows: a. Echoing back and forth: the main structure of the story is fixed, and there will be branch plots in the plot, but remember, the branch plots must finally be attributed to the theme.

, otherwise it will become impossible to finish.

b. Clear priority: after the branch architecture appears, the theme is gradually replaced by the branch architecture, and the branch architecture becomes the main architecture. This is the deviation of the theme, which is also our most careful taboo. Therefore, we must distinguish the master and slave of the architecture.

system, so as not to end up compiling and then opening the master.

c. Know how to cut corners: As mentioned before, sometimes we have too many ideas and wish we could squeeze them all into one work. In fact, when our plot is already quite solid, we don’t need to add any more superfluous ideas. This will

To paralyze the reader or make it difficult to read

Reading. Plots that are too complex are usually not easily accepted by the public. After all, novels are a popular commodity, and the target audience we want to meet is also the general reader. Therefore, sometimes it is necessary to give up and retain some good ideas.

, a theme that makes flaws long-lasting.

8. Create high tide

A plain plot is not a form of expression. If you can tell a story in a plain yet touching way, then your skill is extraordinary; in fact, the plain technique also hides high tide, but it is hidden very well.

So as not to be seen

Well, for new creatives, plots with ups and downs will be much easier to handle than dull plots. We must first learn how to create climaxes, and after gaining experience, we can slowly learn how to hide climaxes in the plot.

middle.

When readers read your works, they are always looking forward to the climax you create. Your careful planning and long management are all in order to express the most exciting parts of the plot in a profound way, move the readers' hearts, and make them feel happy.

Readers will cry for you and laugh for you. But if the performance is not good, the work will actually be considered a failure.

1. Concentrate all our efforts for the climax: When the plot progresses smoothly, we must concentrate all our attention to create the climax in the plot. We should concentrate all our skills and explode at the key climax point, so that

The plot will be deeply rooted in people's hearts.

The so-called skills, such as: flow of time, rhythm, appetite, creativity, main line, characters, scenes, foreshadowing, etc.

2. More is worse than better: Don’t place the climax of the plot in an insignificant place in terms of structure. In fact, it is equivalent to not deviating from the main line. It is equivalent to not deviating from the theme of all previous operations. Only in this way can the effect be presented in a down-to-earth manner.

3. Surprise: In addition, I hope that the expression methods of high tide will not be too formulaic. The various expression methods we have seen in the past can be used as a reference, but it is best for us to put more thought into the changes, and the virtual will be the real.

In short, if you think more about it, you will be different.

4. Continuous high tide: Is the continuous high tide a taboo? If we want to be different, we must break away from the framework. Sometimes, the use of taboos is also an extraordinary means, which can achieve extraordinary results. If we use it in the early stage

The accumulated energy is enough to reach the second or even third high tide, so it is not a bad idea for us to use the continuous high tide.

However, when using continuous high tide, you must be aware that the irritation to readers will cause numbness. Therefore, you should stop it when it is time to stop it, and stop it in moderation.

9. Humanity is the heart of the story

Here we use comics as the theme to explain this principle.

There are many works with superb painting skills, but they are not the most popular works, and some popular works are quite mediocre in painting skills. The reason is actually simple. The picture is just the element that attracts the reader's first impression. Just like what we see on the street.

Just like when you see a handsome guy, you usually glance at him unconsciously and can only say that you like him. But if you want to truly fall in love with him, even for the rest of your life, then you will consider his inner self. If

If it looks like a wooden person, you may find it an eyesore even if it is placed next to you for a week. Therefore, in addition to attracting readers at first glance, how to retain readers to read your work completely without feeling bored is the decisive factor.

The key point is, think about how those comic masterpieces serialized in dozens of volumes have retained the hearts of readers for more than ten years, and they are even more crazy about them.

(Writing this, I suddenly remembered that a few years ago, during the period when the comic book "Soul of Chess" was very popular, the Chinese Go Association came here. I don't know what it was called. I forgot its name. I only know that it enjoyed a high reputation in the Chinese Go community.

He is very well-known, but in his new Go novel, he plagiarized a lot of the work "Soul of Go". As a result, he was criticized a lot of "Soul of Go" during the autograph session in Shanghai.

Fans scolded him, and some people teared up his novel in front of him in tears. How sad this is! Chinese celebrities have plagiarized Japanese works. As a reader who is a fan of "Soul of the Game" (including most of the comics

Fan), it was unbearable! As a result, his website forum had more than 10,000 pages of scolding posts, and the number of scolding posts every day increased to nearly 1,000 pages.

Think about it, when a comic work is supported by so many people, how charming it is. I would like to ask, how many novels in China can achieve this effect?

There is also a "One Piece" comic, which I think has been serialized for at least 12 years. How many comic fans support it, support it, and are crazy about it! His sales volume has topped the list of Japanese comics several times. Why?

To put it bluntly, it is because it is an anime work that can make people laugh and cry. The characters have distinct personalities, the story development is incredible, and it is a work that is described with a strong focus on "human nature.")

The answer is actually very simple, it is human nature! We must give the characters in the play unique personalities, and use these strong characters to fully express human nature. We must be able to control the readers' emotions, arouse the readers' humanity, and make the readers cry.

Cry wildly when you should, laugh wildly when you should laugh, this is the unique charm of drama.

Therefore, when designing a theme, characters also play a very important role. Some good themes have actually been successful before character design.

Remember that when selecting materials, you should also presuppose the key points of expression of characters and human nature. What attracts readers' attention in any work is not the simple painting skills and gorgeous sentences, but the touching stories, and touching stories are often driven by human nature.

manifested.

10. Seeking differences in similarities

Many classic themes or successful works are worthy of reference. It seems that there are very few themes that have not been created in the world. For our creations, we often find a lot of creative themes, which may have been created a long time ago.

Someone has already done it, or similar themes will appear on the market soon, which makes you very regretful. This kind of collision happens often. Just imagine, when your work is suspected of being plagiarized, will you?

Do you feel innocent?

How do we find our own position in an era of constant explosion of information and creativity, or discover new topics in already successful themes. Even the most classic themes have their own differences due to changes in time and space and the differences in the creator’s growth environment.

Opportunities arise for different ways of expression and new connotations. Therefore, it is not difficult to find the direction of a good work by finding out the skeleton, spirit and exciting elements of a successful work, adding your own new ideas and personal characteristics to repackage it.

Eleven, the creativity of the pattern

I don’t know if you have seen some film and television analysis of the movie. Everyone thinks that Zhang Yimou’s films are all about big-picture, and there are only a few people who can achieve the big-picture like Zhang Yimou.

1. Point-type creativity: This type of creativity is usually only used for a small detail and is not suitable for too long extension. It is used as an embellishment in creation.

Point-type creativity is an independent creative type. It can exist alone or be arbitrarily inserted into the required parts of the plot.

Like an interesting dialogue or a funny action, this kind of creativity can also be transformed into a character's mantra or habitual actions.

In a good script, point-shaped creativity exists at any time, because it is like the decoration of a perfect piece of furniture, allowing readers to feel the author's intentions at any time.

Such ideas are not extendable. When we are in the ideation stage, if it is a long story, we must record such ideas without putting them into the story skeleton, because in the ideation stage, it is very important to filter out the key points.

Yes, it doesn’t matter if you give up such creativity when necessary.

2. Key creativity: This type of creativity is the key to an important section or turning point in the plot. It will affect the extension and development of the story and echo the foreshadowing. Such creativity may also form a short story's key creativity.

The characteristic is that he only generates ideas for a single purpose. Unlike typical creativity, his framework is enough to develop into a simple and complete story.

Key ideas can be an important link in a paragraph in a long story. Several key ideas are enough to construct a long story.

The focus when generating ideas lies in unexpected plot changes, with the purpose of compressing the reader's emotions in a short period of time or attracting the reader's attention.

The key idea at the beginning of a long story is even more important, because the readers’ reactions in the first few chapters determine the subsequent life of your work. If you do not use key ideas at the beginning to attract readers, no matter how exciting the subsequent story is, it will not be possible.

Maybe it's just a matter of strength.

3. Structural creativity: It is the main structural creativity that is enough to support a long story or a unit story. This structure is what we call the story skeleton, and the quality of the story skeleton depends on whether the structural creativity is strong enough.

Regarding creativity, in addition to catching sudden inspiration in a timely manner, daily accumulation is also very important. Having a certain amount of accumulation will be very helpful for future creations.

Only when the above-mentioned creative inspirations are fully gathered can an interesting and touching storyline be conceived.

12. Ways to come up with creative ideas

1. Market analysis method: Observe the popular materials currently on the market. If most of the existing materials have been developed, you can use two or more popular materials to combine into a new creative theme. This type of technique often appears in the creation of idol dramas.

Above. The same goes for novels. Fantasy stories can be combined with martial arts, urban stories can be combined with fantasy, etc.!

First of all, we must first pay attention to popular information, start collecting relevant information for the subject you are interested in, and do basic homework. It is best to go to relevant places for actual experience, and conduct interviews with relevant people, which will make your creativity more creative.

The content is closer to reality. Of course, it would be better if the subject matter is your personal experience, because the description of many details is more active.

2. Trend ideas: The future world has always been the direction that scientists work hard to study. In the past, such imaginations could only be excavated from imaginative heads. Fortunately, now we can also predict these futures in various fields.

It is easily known from the media and is very likely to be realized. Therefore, in addition to using the current environment as the direction of creative ideas, we can also pay more attention to future trends. The more distant the future, the more imaginable

The space will be larger.

3. Reverse thinking method: Most people’s thinking mode will rely on their own or previous experience or even information in books as a basis. This direction often limits creativity. If the question and answer are on both sides of the same circle,

points, and the two points are very similar. If according to experience, you have to complete a circle to get the answer, then if you go in reverse, the answer may be right in front of you.

In addition, having the same thinking logic as ordinary people means there is no freshness or excitement. If you violate the way ordinary people think, you may easily find new ideas.

4. Desire satisfaction method: In fact, many creations are to satisfy people's dissatisfaction with the real environment. People will have many desires, but most people find it difficult to achieve these desires in their lives. They can be as small as hoping to know the answer to tomorrow's exam, which one they hope to have.

The annoying fat guy at the same table should stop bullying me: I hope to have a super handsome guy or beautiful woman as your friend of the opposite sex, etc.

People hope to satisfy themselves through fantasy when they cannot achieve things in real life.

Thirteen, the last thing to note

I always feel inadequate and constantly make corrections in my creation.

As a creator, you should have the spirit of seeking innovation and change. Because readers continue to grow, the works on the market will continue to be updated. Without a challenging mentality, the works will become stale and gradually fall out of the market, and you will also

It will slowly fade into the background.

Remember to keep a mentality that you will always feel inadequate. Only when you are inadequate will you want to make progress and continue to absorb and grow. How high do you think you are? Can you reach the end of the universe? Human beings will always be small.

Learning will never end. And when creating, don’t be complacent. Check your work at any time to see if there are better possibilities, because

Works are faced with all kinds of picky readers. Especially new writers, it is easy to be praised by some rhetorical comments, and they can't help themselves, and they really think that they have written well. The comments we face

No matter good or bad, we must work hard in the direction of continuous innovation, continuous learning, and continuous self-transcendence. This should also be the insistence of creators.

Only when the above-mentioned creative inspirations are fully gathered can an interesting and touching storyline be conceived.

12. Ways to come up with creative ideas

1. Market analysis method: Observe the popular materials currently on the market. If most of the existing materials have been developed, you can use two or more popular materials to combine into a new creative theme. This type of technique often appears in the creation of idol dramas.

Above. The same goes for novels. Fantasy stories can be combined with martial arts, urban stories can be combined with fantasy, etc.!

First of all, we must first pay attention to popular information, start collecting relevant information for the subject you are interested in, and do basic homework. It is best to go to relevant places for actual experience, and conduct interviews with relevant people, which will make your creativity more creative.

The content is closer to reality. Of course, it would be better if the subject matter is your personal experience, because the description of many details is more active.

2. Trend ideas: The future world has always been the direction that scientists work hard to study. In the past, such imaginations could only be excavated from imaginative heads. Fortunately, now we can also predict these futures in various fields.

It is easily known from the media and is very likely to be realized. Therefore, in addition to using the current environment as the direction of creative ideas, we can also pay more attention to future trends. The more distant the future, the more imaginable

The space will be larger.

3. Reverse thinking method: Most people’s thinking mode will rely on their own or previous experience or even information in books as a basis. This direction often limits creativity. If the question and answer are on both sides of the same circle,

points, and the two points are very similar. If according to experience, you have to complete a circle to get the answer, then if you go in reverse, the answer may be right in front of you.

In addition, having the same thinking logic as ordinary people means there is no freshness or excitement. If you violate the way ordinary people think, you may easily find new ideas.

4. Desire satisfaction method: In fact, many creations are to satisfy people's dissatisfaction with the real environment. People will have many desires, but most people find it difficult to achieve these desires in their lives. They can be as small as hoping to know the answer to tomorrow's exam, which one they hope to have.

The annoying fat guy at the same table should stop bullying me: I hope to have a super handsome guy or beautiful woman as your friend of the opposite sex, etc.

People hope to satisfy themselves through fantasy when they cannot achieve things in real life.

Thirteen, the last thing to note

I always feel inadequate and constantly make corrections in my creation.

As a creator, you should have the spirit of seeking innovation and change. Because readers continue to grow, the works on the market will continue to be updated. Without a challenging mentality, the works will become stale and gradually fall out of the market, and you will also

It will slowly fade into the background.

Remember to keep a mentality that you will always feel inadequate. Only when you are inadequate will you want to make progress and continue to absorb and grow. How high do you think you are? Can you reach the end of the universe? Human beings will always be small.

Learning will never end. And when creating, don’t be complacent. Check your work at any time to see if there are better possibilities, because

Works are faced with all kinds of picky readers. Especially new writers, it is easy to be praised by some rhetorical comments, and they can't help themselves, and they really think that they have written well. The comments we face

No matter good or bad, we must work hard in the direction of continuous innovation, continuous learning, and continuous self-transcendence. This should also be the insistence of creators.

As a creator, you should have the spirit of seeking innovation and change. Because readers continue to grow, the works on the market will continue to be updated. Without a challenging mentality, the works will become stale and gradually fall out of the market, and you will also

It will slowly fade into the background.

Remember to keep a mentality that you will always feel inadequate. Only when you are inadequate will you want to make progress and will you continue to absorb and grow.