Reborn A Trillion-Dollar Real Estate Tycoon, Boss Yang Called Dad

December 1st.

"I'm sorry, Director Wang, there's something wrong with my funds. I can't transfer that much cash for the time being. Let's wait."

Shen Fei held the phone and said calmly.

"Okay, haha, let's work together next time.

Wang Zhongjun didn't talk nonsense and quickly hung up the phone.

Put down the phone.

Shen Fei showed a sneer.

Bastard Wang Zhongjun actually wants to defraud money from this place, just dream!

Han Sanping was taken away directly from China Film's office by the task force. Shi Xue, who was originally released on medical parole, did not run away and was taken away directly by the police.

As for Gemstone Film and Television Company, it was also seized by relevant authorities.

This is undoubtedly a bolt from the blue for Wang Zhongjun.

His subconscious thought was to contact Shen Fei quickly and try to get Shen Fei to transfer the money to his account as soon as possible.

In any case, let’s get Shen Fei’s money first.

But it's a pity.

Shen Fei didn't agree with him at all and simply refused.

What an international joke!

He is not an idiot. He jumps into a trap even though he knows it is a trap. What is that other than stupidity?

In a sense, in Shen Fei's eyes, Wang Zhongjun and his Huayi brothers are actually like meat on the chopping board, waiting to die at any time.

Sooner or later he will uproot this company!

As for the Wang brothers, naturally Shen Fei will not let them go.

If the Beijing circle in the early years did produce a number of excellent film and television dramas, then the current Beijing circle is already full of the stench of copper.

These people will do anything to maintain their status and make money.

In Shen Fei's view, this is actually normal. After all, everyone has their own selfish motives. Maybe at the beginning, it may be for art, but as time goes by, status and fame are gained, of course, you have to pursue something practical. This It’s also human nature.

But the problem is.

What these people in the Beijing circle have done is beyond human nature.

Or.

With the development of the times, the term Beijing Circle has gradually been disliked by more and more people.

In a hotel in Yanjing.

Shen Fei and Lin Xue sat opposite each other.

"Thank you."

Raising the wine glass in his hand, Shen Fei said to Lin Xue.

In any case, I have to thank others for this matter. Without Lin Xue's intervention, Han Sanping would not have been taken away by the relevant departments so quickly.

After all, this guy has someone up there.

certainly.

Naturally, they are incomparable to the power behind Lin Xue.

"nothing much."

Lin Xue smiled and said: "I helped you because he did break the law."

There was a pause.

She smiled and said, "Besides, I don't like the Beijing entertainment industry either."

Shen Fei was startled when he heard this, and then laughed.

Regarding the Beijing circle, Wang Shuo once mentioned such a boundary in his book.

Established in the 1950s, it hangs alone in the west of the old city of Yanjing. It has nothing to do with the 700-year-old tradition of Yanjing. The living habits, ways of thinking and even the architectural style of the house are all self-contained.

This narrow and long area with a radius of tens of kilometers is commonly known as the "district area of ​​the courtyard culture".

And what was brewed in this area was the Beijing culture that had dominated Huaguo for decades.

The domineering spread of culture in the Beijing circle caused almost all young people in China to have a Yanjing dream.

As long as he can go to Yanjing, Dai Honghua can always choose one to ride a horse to go to university or drift to live in the basement and sell mouth tape.

certainly,

In later generations, a problem that even the young people may not realize is: the culture of the Beijing circle has gradually been ignored.

From the day Yanjing became the capital of the country, a large number of cultural people and artists decided to migrate here to take root and blossom.

But no matter how big the dream of changing Huaguo is, one thing that must be admitted is that the right to speak at that time belonged only to the disciples of the big courtyard.

In the culturally barren 1980s and 1990s, the appearance of these big courtyard children directly led to the aesthetic monopoly of culture and the art circle.

If we say that Yanjing at that time was a paradise of culture and a secular paradise.

The culture outside the gate is secular, and the paradise and heaven are inside the gate.

The children of the big yard all migrated to Yanjing with their parents and settled down. They are new Yanjing people different from the children of Hutong.

The hard work of the parents gave the children in the big courtyard natural resources, and a few walls formed an advanced small society. They worked in groups of three and two, with resources and talents, and used their brains to produce the best works of that era.

For example, Yingda, Liang Zuo, Jiang Wen, Wang Shuo, Zheng Xiaolong, Ma Weidu, and Cui Jian, whose fathers were all soldiers, and they are all on the top of the hills in all walks of life. Gotta be "Godfather of So-and-so".

Another feature of the children of the big courtyard is that they are particularly "unity", so these random arrangements are "I Love My Family", "Sunny Day", "Story of the Editorial Department" or "Seahorse Song and Dance Hall".

This kind of gathering is a ball of fire, and scattering is a production model full of stars, and it is also an important reason why the disciples of the big courtyard have survived for decades.

In addition to the above few orthodox big courtyard children, Feng Xiaogang, who is half of the big courtyard children, was not idle.

After seeing that there is no way out for literature and art [Ten "Party A and Party B" directly hit the concept of "Lunar New Year Movie" in a shocking manner.

In the 1990s when a large number of foreign films and Hong Kong and Taiwan films flooded into the mainland market, Feng Xiaogang successfully brought Chinese people back to the cinema.

Going to the cinema to have fun with the whole family during the Chinese New Year has become a new way for Chinese people to celebrate.

Afterwards, one New Year's film every year, such as "See You or Be Square", "Endless", "Big Wrist", "Mobile Phone", "A World Without Thieves", and "If You Are the One", made Feng Xiaogang's name in the hearts of the majority of Chinese people. Take root.

Since then, decades of cultural immersion, coupled with the vivid interpretation of film and television actors, has undoubtedly soaked the public in the ten sets of language systems led by injection molding for a long time.

Therefore, the image of the group of Yanjing people who are unrestrained, indulgent, and willful in the society has become the target of young people in other cities and towns who are eager to absorb new culture.

And audiences of other ages, in such a big environment, have become accustomed to only Yanjing people in the play.

They are used to Yanjing people's unscrupulous attitude towards things, to the allegorical output that seems to be factory-set, and to the Beijing accent of swallowing words at a 45-degree angle.

After all, Yanjing dialect has a characteristic that tends to be lively. When writing, it is easy to rush the words, and the oral pleasure can easily make the speaker intoxicated, thinking that he is smart, so he uses it more and more. So everyone is willing to pretend to learn two things when they talk.

For a while, Yanjing became the country of Hua, and the whole country was speaking Yanjing dialect.

But since when did this kind of cultural superiority become lonely?

Perhaps it is the gradual rise of the Northwest Circle and the Northeast Circle that pulled the Beijing Circle to start a triwizard struggle for hegemony, making the once dominant coquettish no longer.

Perhaps the rise of cross-border filmmakers in the Shanghai circle headed by "Sheng Hai Jue Lian" has led a group of traffic to impact the inherent cultural system.

But in Shen Fei's view, the real turning point probably started when Feng Xiaogang scolded the audience.

They have easy access to cutting-edge and fashionable productions when everyone else has to struggle to watch a bootleg.

This sense of superiority when they were young made them feel narcissistic, and the blessings of various identities gave them a natural sense of nobility.

But their rebellion is different from Nezha's rebellion that is bound to overthrow the patriarchy. They get everything because of the patriarchy, so the anger from their nostrils can be directed at ordinary people who are lower than themselves.

But with the rise of the Internet and the abundance and prosperity of information acquisition channels, audiences who have been imprisoned by stylized aesthetics for many years gradually have their own thoughts and are more eager to express their own consciousness.

They no longer believe in the "only big introduction", but are more loyal to their own ideas.

So in this social environment, literary and artistic works began to become difficult to agree with.

The "demanding" masses are often so angry that cultural people grab their heads for land, and their sense of superiority gradually disappears.

Unreconciled, they speculated about everything, but were furious at criticism.

Moreover, with the passage of time, all directors in the Beijing circle have entered the middle-aged and elderly stage, and age has become an insurmountable gap between them and young audiences in the new era.

What their generation advocated was: if you don't mention money, it would be vulgar to mention money. If you don't work hard, hard work will rot.

The reason why they may be so free and easy is that they are not short of money and don't need to work hard, and they are not from ordinary backgrounds. They have been out of the ordinary class for a long time.

So what they can play is the heartbeat, and they can play wild on the snow, but young people nowadays can't do it.

After all, the works of literary and artistic children of Yanjing Courtyard did not describe job hunting, renting a house, nor did they express crowding the subway or rushing to the bus.

"Northern Ruins and Southern Yuans" is about the illustrated book of women from all walks of life in Yanjing in the new era, but it can be seen that every character in it lives a uniformly decent life, and their biggest gaffe is a small sigh when talking about relationships.

But today's young people in the city dare not choose a working day when they break up, for fear that they will not be able to go to work normally the next day after a hangover and indulgence.

This completely different life makes young people feel empathy.

In "North Ruins and South Yuan", Lan Yingying can eat all over the world with her three-inch tongue, which always makes people think of Uncle Ge in "If You Are the One" who can't starve to death with a little cleverness.

They didn't see that a large number of young people from other places have been pouring into Yanjing in recent decades, and the existence of these people cannot be ignored.

They can fill all walks of life so deeply, and they can quickly turn Yanjing into an empty city during the holidays.

Of course, in addition to the collapse of the language system, the right to speak is also iteratively replaced.

In the Beijing circle, it was the era of old men. It was common for men to talk about wine, and women were just a topic of vital signs, who were tall, short, fat and thin, and each had their own points of ridicule.

But now that women's consciousness is on the rise, the majority of female audiences no longer follow the trick of middle-aged men's "eating milk and scolding mothers".

So the first thing to be bombarded is the kind of poverty that dictates to women.

In fact, the Beijing circle did not collapse from a certain day, but gradually collapsed from the aspects of discourse system, emotional expression and female attitude.

Just like Lin Xue now, she is also young, but she doesn't like the Beijing circle.

"What, do you think it's strange?"

Seeing that Shen Fei was silent, Lin Xue asked with a smile.

Shen Fei nodded, and then said frankly: "I didn't expect that you don't like those people in Beijing either."

"Of course."

Lin Xuexiu frowned slightly, and said casually: "The things they photographed are not the real life in Yanjing."

"Um?"

Hearing Lin Xue's words, Shen Fei was stunned.

But afterward, he understood what Lin Xue said.

As she said, although those people in the Beijing circle have produced brilliant culture, but at the same time there is a big limitation.

What is particularly notable is that most of the characters portrayed in the works are cynical and carefree images of prodigal sons in the courtyard, which of course is not liked by people now

an important reason.

What's more, women have to revolve around men, and female characters are all supporting.

Because this is the concept that they have formed naturally since they were young, so they don't even know where they are wrong.

From these changes, it is not difficult to see that even the works of those years were instinctively liked by people all over the country, and they really felt that they were cutting-edge and interesting.

But now the times have changed, and the audience has long since given up on that set.

"That's right.

Shen Fei nodded, agreeing to Lin Xue's words.

"Also, I think the things they are shooting now are not grounded."

Lin Xue thought for a while and said: "When I have time, I feel that the life they filmed is not the life of ordinary people that I know.

obviously.

Her resentment towards the Beijing circle seems to be quite large.

Shen Fei was taken aback for a moment, and then also laughed.

It's just like Lin Xue said, there is indeed such a problem when filming in Beijing.

That’s too vain!

"Little Shede" is such an obvious Haiding Chicken Baby film, but it was deliberately shot in such a way that it is hard to tell whether it was set in Yanjing or Shenghai.

Don’t you know how to take pictures?

Apparently it was because I didn’t dare to take pictures.

"Family with Children", which the post-90s generation has watched since childhood, is completely out of touch with ordinary people's living standards. After carefully comparing the living standards of Liu Xing's family and his own family, in addition to being helpless,

Can't say more.

If literary and artistic works are an expression of social life, they are a voice for the people of the times.

In the 1980s, everyone could still talk about life calmly.

"Xizhao Street", which tells ordinary people's ordinary stories, at least still smells of a real old alley.

There were also more realistic TV dramas in the 1990s, such as "The Happy Life of the Poor-tongued Zhang Damin".

The screenwriting is solid, the actors are talented, and the liveliness of the city and the tenderness of human relationships are all brought to life. Looking at the stills is like looking at an old family photo from someone's photo album.

Even Hae Yan dramas that are keen on the death of the main character are close to reality. In the 1990s when the crime rate was high, the hearts of young people were indeed so changing and turbulent.

But since the turn of the millennium, there have been fewer and fewer true descriptions of young people living in Beijing. "Lost Lovers" and "Yanjing Love Story" may be about young people in Yanjing.

Finally, a relatively objective expression.

Gradually, social reality dramas make young people confused, and sitcoms make them unable to laugh after thinking about it.

So the young people who are not seen can only choose to miss it.

But those old guns seemed to be suspended in the air, and they couldn't see any of this.

Shen Fei must admit that Beijing culture is indeed a phenomenon of the times, and those excellent works spanning forty years are indeed worth savoring and savoring now.

Precisely because they have indeed created classics, people who don't like them are despised now.

A generation will eventually grow old. Although we still miss those excellent works, we have to admit that each era has its own way of expression.

If they still insist on staying in the past, they will treat the audience as idiots who only follow the applause.

Sorry, the audience will vote with their feet and turn these people's works into jokes.

Moreover, there are saints who will use the pens and mouths in their hands to express what they think in their hearts.

Thinking of this, Shen Fei looked at Lin Xue and suddenly felt that she was a very interesting person.

"What are you looking at me doing?"

Seeing Shen Fei's expression, Lin Xue smiled and said, "You don't think that I am also an indiscriminate person, do you?"

"Of course not."

Shen Fei shook his head and said.

This is from my heart.

Being able to become an investigative reporter is enough to prove what kind of person Lin Xue is.

If she hadn't been filled with a desire for justice, she wouldn't be an investigative reporter.

After all, with her family connections, it is more than enough to be an ordinary reporter on a TV station or newspaper. She can even drink tea in the office every day.

But she chose the most dangerous investigative reporter, which shows what kind of person Lin Xue is.

"I just suddenly felt that you are actually pretty good."

Shen Fei looked at Lin Xue and smiled.

Lin Xue rolled her eyes when she heard this, and said angrily: "My brother Shen, don't praise me. My brother said that you are such a good deceiver, and you will definitely do nothing good if you praise me."

Shen Fei smiled and decided to ask Lin Yuan to give him a sports car.

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