Reborn with Naruto In Tokyo, Japan

Before I finish writing this testimonial, I must first admit a fact that may be seen through by some lovely readers-I have not seen "Naruto".

=_=

To be precise, I have only watched a few episodes of Naruto on Star TV, probably because I saw the plot before the death of the third generation.

You can kill me now.

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On April 15th, at 2:09 in the morning, I started writing this final testimonial.

There are thousands of words in my heart that I want to say, but in the end I don't know what to say.

There are things to say about this book, but there are also things about others.

Because there are too many things I want to say, so I can’t grasp them. After all, maybe my writing ability is too poor. I always want to grab things here and there. go down.

Even the end of this testimonial is the same, it is estimated that I will write a lot of ramblings.

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Thank you for your support, thank you for being able to read these two million-word fantasies, thank you for the editor Xiaoyuan, thank you for the book friends Unicorn Sea Cucumber and Bread Cat, thank you for the boss Laopang 520, the sky of dawn, and Brother Yuhou's little friends. Fan girl (????), can I still have female fans? Thanks...and so much more to thank.

It's actually a bit embarrassing to say thank you. Although I haven't read the comment area for half a year, I also understand that the plot development of this book has become more and more unsatisfactory after it was released.

It's more of an apology than a thank you.

Sorry for making this book more and more boring and boring.

But it's done, just like what I'm experiencing in real life now, the worst things can't be undone, so let's summarize the mistakes and gains.

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This book can be said to have had several twists and turns.

What many people don't know is that the book was actually signed when it was about 110,000 to 20,000 words, and about 50 chapters, and it reached 10,000 collections naked before the first recommended position.

Thinking about it is also very powerful, laughing.

Well, most of the books are actually around 6,000 words, and they were picked up by editors and signed before 30,000 words. It is a rare thing that this book can last to more than 100,000 words before signing the contract. I must thank you again Edit Madoka at once.

So I signed the contract so late, which caused a problem-this book was finished with about a hundred chapters when I wrote more than forty chapters.

Because there was no hope of signing a contract at that time, but I didn't want to go directly to the eunuch, so I accelerated the progress of the plot and went directly to the plot of [Bone Girl Massacre].

By the time of this plot, the protagonist is actually considered invincible.

According to the normal rhythm of the novel, it will take at least a few hundred chapters to reach this plot. In order to finish it quickly without signing a contract, I just quickly skimmed these plots, and finished the book directly in about fifty chapters.

But just when I wrote this plot, I was spotted by the editor and signed the contract. It was such a coincidence, but it is impossible to take back the plot that has been sent out. I can only continue to write along this obviously accelerated plot.

How to write down when the plot is led into an invincible dead end?

At this time, I thought about whether I should just write group portraits, so the system changed under the author's will, and abruptly changed from "The Daily Life of Extraordinary High School Students" to a group portrait drama.

The group portrait characters are Misa, Takeo Moribe and so on.

For example, Misa was probably just a background board in the previous arrangement, using the misery of the little girl to set off the extremely sinister, and Takeo Moribe was also a character who died immediately after appearing on the stage...

But the genre of group drama is really difficult to write, or it is not suitable for individualistic web articles, or the main track of this book is not prepared to write group drama, and there is no spine, so how can you create a bully dragon? So as the plot gets deeper and deeper, more and more characters are needed, and as the characters get more and more, the connection with the protagonist becomes more and more scattered...

Not only are the readers not happy watching it, but I also occasionally burn out when writing this kind of group drama. It's like Russian nesting dolls, one inside the other.

If I only write the branch stories of Misa, Takeo Moribe, etc., I can write dozens or hundreds of them without repeating, but I always write the story of the matryoshka going offline, which makes me feel like I am doing a mechanical Sexual movements, and the story of the supporting role seems to be pouring water, but the description of the protagonist always inevitably leads the story to the end quickly, because the protagonist is in fact already an invincible existence, which falls into the [watering is still the end, End and impossible to end】Extremely vicious cycle.

This book is struggling to write down in the quagmire of spider webs, just like my indescribable dramatic life.

Many people should have heard the question on the Qidian APP [Author, how many chapters do you plan to finish? ], I remember that what I answered seemed to be six or seven hundred chapters? Yes, I did try to finish in chapters six or seven hundred, but I was almost sprayed with autism...

Therefore, under the strong opposition of everyone, I thought that I would not continue to write, so I applied to the editor to block the new book that was opened at that time, and I continued to write this book—well, because of this, I was told by the editor Madoka and the editor-in-chief A few words, autistic +2.

At that time, some unpleasant things happened in my life, autistic +3.

But the problems encountered in this invincible novel will not change because of my personal will, or I don’t have the talent to put the train back on track. There is an endless loop.

Invincible novels are not suitable for writing long novels.

Most Invincible novels are either about a million words or less, or they end up with less than a million words, or they simply write two or three hundred chapters before they are eunuchs, because the collapse of the power system will inevitably bring about the collapse of the entire book, and the readers will also be disappointed. It will cause reading fatigue. What an invincible protagonist wants is to overwhelm everything, but since he has already overwhelmed everything, how can the novel continue to be written? After all, what the story needs is tension and conflict, and the invincible protagonist has lost the conflict point, which is naturally contrary to the story writing.

Where do my writing ideas come from? Because there is no point of conflict, so I simply think about what kind of social stress will be caused by the intervention of an extraordinary force? So I continued to write with this stress response, describing the "not too mentally handicapped" national government, describing the nesting dolls under the siege of the national government, and describing the influence and transformation of society.

By the way, describing the small stories surrounding the downlines and the offlines has also tempered some of my thinking, or rather, I have let myself go and experimented on the dolls. My new ideas, such as the two transformations of Takahashi in his hometown and the orphanage, the people around these two transformations, the short story of Park Piaole...

The short story of Ichitou Zatou, the story of the monk, these two characters are different from other characters, there is no background of the past, and the background narrative required to describe the characters of the novel is abandoned.

It is also in the experiments again and again that I try to make facial makeup and label characters, and gradually develop towards the kind of "active" characters I want.

A character can be a bad guy or die, but because the values ​​it represents are too alive and active, a short page can leave a heavier memory than other important characters, like the protagonist of this book, Mizuno Sora, in itself, does not seem to convey any values, concept of good and evil, or vitality.

As for the ending of this book, I actually thought it would be like this when I started writing it. No matter how many words and chapters I write, the ending will be like this, and it is the only ending that this book will have—— After all, it is impossible to hide behind the scenes forever, as long as you go to the front of the stage, it will definitely end like this.

Hey, before I knew it, I wrote more than 2,000 words in this testimonial.

But it is already three o'clock in the morning, so it is impossible to fall asleep tonight.

There are so many lovely readers reading my book, although I am just a person without much talent, what I write is just a bunch of chaotic and boring books, and the books that are sprayed are not even dared to read in the book review section, but I am still sincere and sincere Feel happy and sorry.

The beginning of writing this book, the blunt change of the plot, the end of the chaos...

But this does not mean the end of the book. I plan to write the stories of the characters in the book in the form of [Fanwai].

Readers who want to read it at that time can watch it, maybe this is the right way to write this book.

Everyone has their own story, and it doesn't have to end with the end of the protagonist. After all, the protagonist is just a background board for the ghost, laugh.

It’s already more than 2,700 words to write here, ah, there is still a lot to say, but the readers who can see here are probably tired of reading my ramblings.

Let's promote the new book "Start of Tokyo Earthburst".

You can tell from the title of the book—Tokyo, Transcendence, but the difference is that this time I am no longer planning to write a group drama, but a social story in the now popular Transcendence and weird shell. I really don’t know how to write monster-fighting upgrades Therefore, I will only write some social stories that I have seen, come into contact with, and heard.

Just like the stories experienced by the supporting characters described in this book, I start writing from a personal point of view, babbling and living stories. Of course, these stories will be closely connected with the protagonist.

For example, girls who want to resist socializing, parents who entrust to help kill their children, and so on.

These short stories have been brewing in my mind for several years, and now I want to combine them with the protagonist. In reality, I am just an ordinary person who can’t extricate himself from mundane and disgusting things, so I I want to call a "superman" in the book who can transcend reality, tear up, smash, and unravel all darkness, nausea, and terror.

It is the complete opposite of the mysterious protagonist of this book.

The protagonist of "Startup Tokyo Earthburst" is the Superman that I call in my heart.

I also hope that lovely readers will give me one last chance to read this book.

April 15th, three thirty in the morning.

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Disappointed, sincere and fearful.

This is the end of this testimonial.

Quiet Mimi said, everyone can look forward to the episode.