Save the Bachelor of Heaven

That night, Xiang Nan quietly used the time converter and came to the Sutra Library of Cihang Jingzhai alone. He hoped to find the secret book of Cihang Jingzhai, "Cihang Sword Canon".

In the original novel, "Cihang Sword Canon" was created by Di Ni, the founder of Cihang Jingzhai, after seeing "Demon Dao Random Thoughts" written by Xie Tiao, the first evil emperor of the Demon Sect.

Therefore, it can be said that Cihang Jingzhai and the Demon Sect are actually from the same source.

It is said that practicing "Cihang Sword Canon" can also achieve the realm of breaking the void and ascending in broad daylight, just like practicing "War God Atlas", "Longevity Secret", "Heavenly Demon Strategy", etc.

But unfortunately, "Demon Dao Random Thoughts" was written by Xie Tiao after reading the "War God Atlas" left by his predecessors. Compared with directly seeing "War God Atlas", it is already discounted.

Di Ni also realized "Cihang Sword Canon" on the basis of "Demon Dao Random Thoughts", which is discounted compared to the original "War God Atlas".

Therefore, although the "Cihang Sword Canon" is listed as one of the four great magical skills along with "War God Atlas", "Eternal Life Secret", "Heavenly Demon Strategy", etc., it is actually a step behind.

The disciples of Cihang Jingzhai have never been able to break the void and ascend to heaven in broad daylight.

The origin of the drama version of "Cihang Sword Canon" is not clear.

However, in terms of power, it is not too strong.

Even if Shi Feixuan practices the highest level of "Cihang Sword Canon" and joins the strength of Xu Ziling, she is still no match for the evil king Shi Zhixuan who has practiced "Immortal Seal".

Of course, since Shi Zhixuan's "Immortal Seal" is too evil, Xiang Nan really doesn't want to practice it, so "Cihang Sword Canon" is a good substitute.

...

After Xiang Nan came to the Sutra Library, he saw that the defense inside the Sutra Library was strict.

In addition to Master Yiyun sitting at the gate of the Sutra Library, there are many disciples guarding each floor. In addition, there are also mechanisms to firmly protect the classic secrets in it.

However, Xiang Nan was not afraid. On the one hand, he had the art of escaping the earth and the magic spell, so he would not be seen at all; on the other hand, he was also a master of mechanisms. Even if there were many mechanisms in the Sutra Library, it would be difficult to prevent him.

Therefore, Xiang Nan entered the Sutra Library as if he was in an empty space.

He saw that there were indeed many books collected in the Sutra Library, but most of them were Buddhist classics.

Although Cihang Jingzhai was not a nunnery, it was like a monk, eating vegetarian food, chanting Buddha, meditating, and sitting in meditation, so Buddhist scriptures were naturally indispensable.

In addition to Buddhist scriptures, there were also medical books, history books, Confucian and Taoist classics, etc.

In fact, in the Wei and Jin Dynasties, the confluence of Confucianism, Buddhism and Taoism had already begun to emerge. Although Cihang Jingzhai burned incense and worshipped Buddha, it was not a nunnery, so it was not surprising that it had Taoist and Confucian classics.

However, these books were not what Xiang Nan wanted. What he wanted was the martial arts secrets of Cihang Jingzhai.

Therefore, after Xiang Nan searched the Sutra Library but still failed, he finally decided to use his "Heavenly Eyes" to look through the Sutra Library. See if there are any secret rooms, secret boxes or secret doors that he has not found.

As a result, Xiang Nan finally found something.

It turned out that the martial arts secrets of Cihang Jingzhai were hidden in the futon where Master Yiyun meditated.

She meditated on the futon every day, and it can be said that there is no safer place than here.

And no one could have imagined that when they broke into the Sutra Library to steal the secrets, the secrets were actually in the futon at the entrance of the Sutra Library.

This is a case of darkness under the lamp.

…

Xiang Nan then waved his hand, and Master Yiyun suddenly got up and walked out.

Xiang Nan took the opportunity to cast the copy spell, copied the futon, left it in place, and took the original futon away.

Following him quietly back to the room, after tearing open the futon, he took out the two secret books collected in it, one of which was the "Bird Crossing Technique" inherited by Master Feixuan, and the other was the "Cihang Sword Classic", the secret book of the Cihang Jingzhai sect.

It turned out that the "Cihang Sword Classic" itself already included internal strength and swordsmanship, while the "Bird Crossing Technique" included light skills and body skills. These two are already top-notch skills, so there is no need to practice other martial arts, and it is enough to travel the world and have no rivals.

Xiang Nan had been taught the "Bird Crossing Technique" by Master Feixuan. Now when he read the secret book again, he found that she really taught him everything she knew without hiding anything, so he was very grateful in his heart.

Then, Xiang Nan read the "Cihang Sword Classic" again, and saw that the sword classic had a total of thirteen chapters, with the four-character mental method of "quiet", "guard", "empty", and "nothing" as the main focus, and emphasized the use of invisible intentions to drive the visible sword. The sword moves at will, the intention moves with the heart, and the sword heart is clear, naturally it will be invincible.

Xiang Nan was also greatly inspired after reading it.

In fact, he is also a great expert in swordsmanship, and he knows a lot of swordsmanship, such as Taiji swordsmanship, Pishui swordsmanship, Xuantie swordsmanship, Dugu Nine Swords, Xuanpin swordsmanship, Xie family swordsmanship, and Fifteen Deadly Swords, etc.

In terms of the high level of swordsmanship, he can be called an unparalleled master.

However, the strongest swordsmanship he practiced is only Yan Shisan's "Fifteen Deadly Swords". This is a swordsmanship that kills with one move. Once the sword is stabbed, it will return only when blood is seen.

However, "Fifteen Deadly Swords" still has moves, and swordsmanship with moves will be cracked by others, so "Fifteen Deadly Swords" was eventually cracked by Xie Xiaofeng and Ding Peng.

Xiang Nan also knows that in the end, what you practice is the sword intent. It's just that sword moves are easy to practice, but sword intent is difficult to practice.

How many swordsmen have never been able to practice their own sword intent throughout their lives, and they can't even realize this level.

Since "The Little Fish and the Flowerless" and "The World's Number One", Xiang Nan's internal strength has been greatly improved and he has also learned many high-level martial arts, but he has stopped improving in swordsmanship for a long time.

To this day, his swordsmanship is still at the level of "no sword in hand, no sword in heart".

But Xiang Nan knows that this is not the highest level.

The same is true for Zen martial arts. According to the famous "Ten Oxen Picture" of Zen Buddhism, the ten major levels of practice are to find the ox, see the trace, see the ox, get the ox, herd the ox, ride the ox home, forget the ox and keep the man, forget both the man and the ox, return to the original state, and enter the shop with hands hanging down.

The same is true for swordsmanship.

When a swordsman learns swordsmanship, it is "finding the ox". After entering the door, it is "seeing the trace". After learning a swordsmanship, it is "seeing the ox". If you practice it thoroughly and can perform it at will, it is "getting the ox". If you can come up with something new and bring forth something new, it is "herding the ox". If you become a master and dominate the world, it is "riding the ox home".

Generally, when a swordsman reaches this level, he is already unbeatable in the world.

And "forgetting the ox and keeping the man" is actually "no sword in hand, but a sword in heart"; "forgetting both the man and the ox" is "no sword in hand, but no sword in heart".

Above that, there are two realms: "returning to the origin" and "entering the shop and hanging hands".

Xiang Nan had never understood it, but now after reading "Cihang Sword Classic", he suddenly realized it.

The so-called "returning to the origin" is "true emptiness and no form", which is not the same as the "quiet, guarding, emptiness, and nothingness" advocated by "Cihang Sword Classic", but at least it gave him a way to comprehend.

"I see." Xiang Nan nodded, then put the two books back on the cushion, restored the cushion, and put it back in the Sutra Library.