Shenhao starts from a fake rich man

After Han Haoran finished greeting everyone, he looked at Svenpeng-Hilbert and asked, “President.” Can I start playing?”

Svenbourne-Hilbert laughed, “Naturally, we all can’t wait to hear your amazing piano music.” ”

Svenpeng-Hilbert knew that Han Haoran was busy, so he let the pianists present enter two hours early.

At this time, almost all the musicians who were qualified to come to the Golden Hall were already waiting for a long time.

Han Haoran did it before the only piano in the Golden Hall.

Han Haoran studied well-known piano brands before he came.

He immediately recognized the piano as a Viennese Bessendorfer piano.

Each Besendorfer piano is made by hand, and it takes seven or eight years to complete the production of a piano.

Although not as well-known as the Steinway or the Ya “Two-Two-Three” Maha piano, the Beesendoff piano also has a unique rich timbre and singing-like sound quality.

Han Haoran gently tapped the keys a few times and completed the audition.

The piano pitch is simply impeccable and does not need to be tuned.

And this hand-built Besendorfer piano is definitely no worse than any piano in this world.

Han Haoran sat in front of the piano, Han Haoran adjusted his mood slightly, and began to play.

I know that there are almost all the best pianists in the world. Han Haoran naturally planned to do his best.

In fact, two performances in “Meet the Rich and the Poor”.

First time in the “Cottage of Love”. Han Haoran just tried his hand at it, and “Piano Sonata No. 14 in C sharp minor”, that is, “Moonlight Sonata”, only used seventy percent of his strength.

And the second time in Dongying, because of the piano restrictions on the scene, and Han Haoran was actually a little reluctant to catch the duck on the shelves, the “Third Symphony” that shocked all Dongying’s classical music lovers, that is, the “Heroic Symphony”, probably used eight points of strength.

This time, knowing that the audience is the best pianist in the world, Han Haoran used all his strength at the beginning for the pride of the nation and in order to live up to the Beethoven skills he drawn.

From the moment the keys played the first note, all the top pianists in the audience held their breath.

They found. Han Haoran didn’t play the “Piano Sonata No. 14 in C sharp minor” that they watched countless times this time!

Han Haoran played the “Beethoven Symphony No. 5 in C minor”, which is commonly known as the “Symphony of Destiny”!!

The Symphony of Destiny, one of Beethoven’s most famous works, was completed in late 1807 and early 1808.

The prestige of this piece is so high, and the degree of classicism can be described as the crown of symphonies!!

Everyone was listening intently to Han Haoran’s performance.

From the moment Han Haoran struck the first note, he showed extraordinary strength.

This made every outstanding pianist present, like a student and a foundation, listen to Han Haoran’s performance with the highest awe and learning mentality.

The pianos, equipment and design of the Musikverein are among the best in the world.

For example, the walls of the Golden Hall are like a sound box, allowing the sound of the piano to vibrate and reverberate in the hall.

This is a great and intelligent design of our predecessors.

It can be said that in the eyes of the Golden Hall, anyone can raise the level of completion of piano music to a higher level.

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“Symphony of Destiny” is a passionate and beautiful symphony.

Although Han Haoran only played alone on the piano, he did not assist any musical instruments.

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But it still shows the majestic momentum of this symphony vividly.

In the first movement, there are powerful and dynamic four notes from the beginning, which is also the pattern that Beethoven hailed as the knock of fate.

This is known as the “fate motive.”

The “motive of fate” is the theme of this symphony and appears repeatedly throughout the symphony.

All the pianists here know that the “fate motive” is the key to the perfect interpretation of the Symphony of Destiny.

And Han Haoran’s interpretation is undoubtedly impeccable.

The first movement, from the very beginning of the passionate and powerful, is transformed into gentleness, lyricism, and beauty.

All of a sudden, it was as if people were seeing another picture.

The lyrical melody and the gentle, beautiful and bright tone make the gentle music have an unsettling color and promote the continued development of the music.

However, this lyricism and grace did not last long, the music returned to an uneasy tone, and the “fate motive” reappeared!

Wallé Tu Kate covered his heart……..

He found. His mind was too agitated, and he was completely brought into his emotions by Han Haoran.

This is the most touching piano piece he has ever heard in most of his life, when he is close to retirement.

Wallais Katze even had the feeling that after listening to such a short piece of piano music, he had another epiphany.

It was as if he saw the door to a new world and opened it to himself.

However, Hualaitu-Katze regrets that he knows his age, even if there is a higher breakthrough in consciousness.

But his physical strength, his body, and the sensitivity of his fingers were no longer enough for him to improve his piano skills.

So, Wallais Kat was a little frustrated.

It would be nice to hear such a piano piece five years in advance!!

The second movement is a beautiful lyric poem, magnificent and brilliant.

Han Haoran’s performance made everyone happy.

The third movement is the pain of endless longing, the pain that makes the joy ignited in the jubilant cry fall and pass away.

Xu Siyu This is the third time that he has heard Han Haoran play Beethoven’s piano music.

From the earliest “Moonlight” to the later “Hero” to today’s fate.

Xu Siyu found that although it was not the first time to listen to Han Haoran play live.

But Han Hao’s 4.6 Ran’s “Symphony of Destiny” played now gave her a new feeling!

Although in terms of piano skills, Xu Siyu is not as good as many “palace-level” pianists present.

But Xu Siyu is undoubtedly the person who knows Han Haoran the most among so many people.

Xu Siyu knew that although Han Haoran’s three performances could be regarded as peerless.

But in contrast, Han Haoran’s performance this time was more perfect than the previous two performances.

Xu Siyu also found a mysterious and mysterious feeling, as if he had grasped the trick of entering the “palace level”.

Xu Siyu sat in one of the best positions.

She is surrounded by the top “palace-level” piano masters.

And saw the piano masters around him, who he originally admired, with a fascinated expression, listening attentively to Han Haoran’s playing.

Xu Siyu was very proud of Han Haoran. _

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