Shinigami: A Double God, Younger Brother Aizen

"Compared to Kendo, I am inferior to you; compared to Reiatsu, I am also inferior to you; compared to Kendo, I am still inferior to you."

"But Shunpo, I have great confidence in myself."

"This is the third of the "Four Maples", Kong Chan, let's see it, Lan Yan."

Shihouin Yoruichi stepped forward with such a fast speed that his figure flashed like lightning, and he grabbed Lan Yan's shoulder with one hand:

"Sixty-one of Bakudō Six sticks of light prison Ten heavy."

Lan Yan still turned her back to Shihouin Yoruichi, until her palm was less than ten centimeters from her shoulder, the space behind her suddenly burst into brilliant golden light.

Immediately afterwards.

Six Paths golden light sheets appeared out of thin air, and then each light sheet was divided into ten, and then weaved into a net that surrounded Shihouin Yoruichi impenetrably.

"You... Aizen, when did you master the Kidō technique of quasi-singing?"

Facing the huge net of light covering all directions without leaving even a single gap for himself, Shihouin Yoruichi was like a ferocious beast locked in a cage, and he withered on the spot.

There is no way, facing the overwhelming light in front of her, even if she even gave up her underwear, it is impossible to escape from the gap between the light.

"Isn't it written in the Kidō Encyclopedia?"

"Kidō techniques like simulacrum are just child's play."

"I just need to watch it once to get the hang of it."

Lan Yan looked down at the Spiritual Arts Academy below, and said in a neutral tone.

"That's right, the technique of quasi-singing, which is used to make up for Shinigami's abandonment of chanting through numbers, which greatly reduces the power of Kidō, is indeed not difficult to master."

"But this is the six-stick light prison, the Bakudō of No. 61!"

"You cast ten times in one breath, let's not talk about how many Reiatsu you need, just say that you must ensure that the power of the ten-fold six-stick light prison will not decrease in the slightest, and you can control it as you like. ?”

Shihouin Yoruichi's eyes widened, and when he looked at Lan Yan, it was like looking at a monster.

It's like a duet.

She does, of course, but it's usually used for low-level Hadō, and mid-level Bakudō, with the renunciation chant.

without him.

For high-level Kidō, even a captain-level Shinigami may not be able to ensure that Kidō's power is not inferior to full chanting, even if the chanting is abandoned.

Even giving up the chant and casting a high-level Hadō still can't achieve the same power, not to mention giving up the chant on the basis of casting a pseudo duet.

The combination of quasi-singing and abandoning singing is used on high-level Kidō. Even most of the guard captains often have only two results.

Either when Reiatsu takes time out, Kidō fails; or when Reiatsu goes berserk, Hadō loses control and blows himself up before hurting the enemy.

But what about Lan Yan?

Directly Bakudō's sixty-one, six sticks of light and ten companies, not only the power of each Bakudō is not inferior to the full chant, but also can be perfectly controlled, like arms and fingers.

Reiatsu that is as vast as the sea.

That unfathomable Kidō attainment.

It actually appeared on a Shinigami who had been in contact with Kidō for less than ten days.

How to teach her Shihouin Yoruichi is not surprised!

"Did I mention, did I just use the quasi-due?"

Lan Yan turned his head and looked at Shihouin Yoruichi who was surrounded by sixty sticks of light.

"It's not a quasi-singing, what else could it be?"

Shihouin Yoruichi glanced at the sheet of light in front of him.

"Abandon the re-sing."

Lan Yan doesn't hide anything, after all, it's just a name.

"What? Abandon the re-sing?"

"Does the Soul Society have such a technique?"

"I do not know how?"

Shihouin Yoruichi frowned slightly, and seriously recalled all the records of Kidō's cultivation that he had come into contact with, but found that he had never heard of this name.

"I created it."

"Of course you don't know."

Lan Yan chuckled lightly.

"You created it?"

"When did this happen?"

Shihouin Yoruichi was shocked immediately.

First, he created his own kendo, nailing the captain-level Shinigami and Hirako Shinji to the wall with one move.

If it's creating a Kidō, that's okay, many Shinigami can do it.

But in terms of Kidō skills, any kind of Kidō was created by the Shinigami of the past dynasties, exhausting thousands of years, or even thousands of years of time and wisdom.

But what about Lan Yan?

From the moment I came into contact with Kidō to now, it doesn't even add up to ten days, right?

"The day before yesterday."

As soon as Lan Yan said this, Shihouin Yoruichi's mouth opened into an O, unable to speak for a long time.

"Lan Yan, are you really a Shinigami?"

"A living body with the same structure as me?"

"Otherwise, everyone is a Shinigami, and also a six-year Shinigami education at Spiritual Arts Academy. Why are you so good?"

Shihouin Yoruichi glared at Lan Yan with monster-like eyes.

"Leave that aside, you're not studying at Spiritual Arts Academy, why come here to hang out instead?"

Lan Yan didn't talk much about his Kidō accomplishments.

no way.

You can’t tell Shihouin Yoruichi that ever since Unohana Yachiryu took the initiative to come to the door that night and invited him to a fencing under the moon, and won the title of the strongest from First Generation Kenpachi, the way of swordsmanship depends on everyone Folks, it looks like everyone is selling the first bid.

Especially in the face of Kidō, Kendo, Shunpo and White Hits, it is completely judging people with their nostrils.

If it wasn't for Zanpakutō Candle Yin who had already comprehended Bankai, Kendo would even want to ride on the opponent's head.

Seeing that the way of swordsmanship is becoming more and more domineering and defiant day by day, while feeling uncomfortable, Kidō also secretly decides to practice hard, strive to become stronger, and strive to win the title of the strongest from the master Kidō.

So, in just a few days, not only did he make great strides in the cultivation of Hadō and Bakudō, but even the No. 80 Hadō was able to give up chanting, and his power remained undiminished. The chants are similar to the re-singing of the four Kidō skills learned, and then embrace all rivers and bring forth the new.

By combining the three Kidō techniques of abandonment chant, double chant, and quasi-chant, taking the essence and discarding the dross, Soul Society finally created an abandonment chorus that combines the essence of the three techniques in one.

Abandoning the chanting, you can abandon the process of chanting 呪文, and directly pronounce the Kidō's name to use the Kidō.

Double chant, through specific rules, after combining the chant of two Kidō, the two Kidō can be released simultaneously.

It is similar to re-singing. When abandoning chant and performing Kidō, by consuming several times of Reiatsu, the effect of abandoning chant is displayed several times, that is, the number of Kidō makes up for the quality of Kidō. However, because of the extremely high difficulty and the huge consumption of Reiatsu, Only available for low-intermediate Kidō.

But Lan Yan found that his own Kidō had practiced for several days, and created the abandonment chorus, but he could simultaneously release two, three, or even ten Kidō on the basis of abandonment chants, and the consumption of Reiatsu was far less than that of the ensemble Much smaller, even the premium Kidō can fit.

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