Soul Painter

Although worried, Mrs. Feng and Baobao Feng couldn't leave their home just because of Gao Fan's words.

Seeing that Gao Fan couldn't persuade them to leave, he decided to resolve the matter as soon as possible and surrender the Command Spell as soon as possible.

It may be the pressure from Gao Fan, so after another three days, Feng Yuan has already broken through the 390 barrier, and seeing 400 is in sight, if the figures in the Red Mansion in Mao Zhou's hands are calculated according to the Qing version statistics, Feng Yuan has already depicted Nearly 90% of the characters in "The Fragment of the Red Mansion" have been filled. In a few days or half a month, this practice that lasted for more than a year can come to an end.

today.

Gao Fan aggressively took the toner and charcoal pen and continued to challenge.

In order to take care of his ancient treasures, Feng Yuan has been on the sidelines during Gao Fan's challenge.

Looking at the things Gao Fan brought here, I couldn't help being very curious: "What's in this box? Are you still using charcoal pens? How can you draw meticulous paintings with charcoal pens? Are those drawn with charcoal pens still called meticulous paintings?"

"Whether it works or not, you'll know if you try it." Gao Fan said while unrolling the scroll that Xin Wei had made, a ten-meter-long scroll of rice paper that had been mounted.

Ink and wash painting is usually painted first and then mounted. The reason is that the brush and ink are difficult to control. The masterpieces such as "Orchid Pavilion Preface" and "Tengwang Pavilion Preface" have been changed countless times by the author himself because of typos and omissions. There are too many words and other characters. If it weren't for these wonderful works that were accidentally obtained and were too famous, it would be difficult for the author himself to reproduce, and I am afraid that he would not have the opportunity to pass them on to the world.

But Gao Fan imitated the fine brushwork with carbon powder and charcoal pen, which is different, because the carbon can be erased.

So Gao Fan first mounted and then painted, so that the drawing paper is hard and solid, which is very convenient for drawing with charcoal pens.

"Xiao Gao, you are really deliberate." Feng Yuan saw what Gao Fan wanted to do, and couldn't help but sigh with emotion, but he couldn't object, because Gao Fan didn't violate the rules.

A gentleman can deceive him, and Feng Yuan is that 'gentleman'.

Gao Fan chuckled, called out Mao Zhou, raised his inspiration, and let this Qing Dynasty female painter sit in front of him.

"Are you here again?" Mao Zhou didn't have a good look at Gao Fan. He had been pestering him for the past few days, but he couldn't even draw a complete painting. He was really a rascal.

"It's different this time~" Gao Fan said with a smile, "Look at Ms. Mao Zhou!"

As he said that, Gao Fan began to spread out the rice paper on the desk and paint with charcoal with his hands. I saw that he drew the outline with his right hand and painted the shadow with charcoal with his left hand. It is extremely heavy on form, and there is no lack of techniques in painting such as filling in color, applying powder and wearing black and white together, so the finished product is extremely rich and easy to spread and portray.

Meticulous brushwork can be extremely complicated when used on portraits, just like ancient cameras. Yan Liben's "Bu Luu Tu" depicts the picture of Tang Taizong meeting foreign envoys. If you observe carefully with a magnifying glass, you will find the solemnity of Tang Taizong, the fear of the envoys, and the leisurely comfort of the maids, all of which are completely wonderful.

However, in Mao Zhou's "Red Mansion Fragment", the characters on the scroll are only in ink, not painted with lead, beauty and powder. The delicacy and beauty of the picked flowers can even reveal the vivid expression and demeanor of a person, which shows that Mao Zhou's fine brushwork skills have reached the level of supernatural skills.

In addition to the "Red Mansion Fragments", the strangeness of "after drawing one piece, another one will be reproduced", it is not surprising that Feng Yuan, a national artist of fine brushwork, fell in love with it.

Now, seeing Gao Fan smearing on the rice paper with his left and right hands together, Mao Zhou couldn't help frowning. With these amazing skills again, wasn't the beating last time not enough?

But looking at it again, the lines drawn by Gao Fan's right hand are twists and turns as you wish, and with a few strokes, a female figure is outlined. She looks shy, holds a round fan in her hand, and has a graceful figure. Fufu, his romantic posture, has come to life on paper.

At the same time, Gao Fan quickly painted with his left hand, and the background of the woman appeared one by one. She seemed to be hugged by an old woman. The old woman did not describe in detail in the painting, but with a few simple strokes, it has been painted out. In addition to its kind figure, and then outside, there are many shadowy portraits of standing women.

Going down again, Gao Fan applied toner with his right hand again, and the face of the only woman with a clear face also appeared on the rice paper. I saw two curved eyebrows that seemed to be frowning but not frowning, and a pair of affectionate eyes that seemed to be happy but not happy. It must be a crimson pearl fairy grass walking in the world, and the fairy in the sky is relegated to the mundane world.

Looking at this painting, Mao Zhou gently put down his raised right hand. Others may like scenes in books such as "Daiyu Burying Flowers" and "Reading Together in the West Chamber", but she only loves Lin Daiyu's relegation to the mortal world, the moment when she first came out of this world. .

"How?" Gao Fan finished painting, looked at the time, it was only five minutes, he raised his head with black carbon in his hands and asked Mao Zhou with a smile.

snort! Mao Zhou snorted coldly, and turned the scroll to the second page.

...

ah?

Feng Yuan looked at the "Statue of Daiyu" drawn by Gao Fan with toner and charcoal pen on the table, and immediately opened the space behind the long scroll to start drawing the second portrait of the figure in the Red Chamber. He realized that Gao Fan The first painting has already been completed, and it has been approved by the "fairy in the volume". What's more, Gao Fan only took less than ten minutes.

"You... you?!" Feng Yuan was shocked.

"Tsk tsk, the first one is over, and there are more than 400 more. Fortunately, I have practiced~" Gao Fan snapped his fingers, recalling the days of practicing in Boston Municipal Square more than a month ago, talking about painting Speed, he is a professional, as long as this painting method can be approved by Mao Zhou, then he can kill all directions!

Next, it is time to witness the miracle.

Holding the "Red Mansion Fragments" in Feng Yuan's hand, he watched Gao Fan start to draw characters in the Red Mansion on a large enough rice paper, from Daiyu Baoyu to the other eleven golden hairpins, from Jia Jing, Jia From Fu and Jia She to Jia Zheng and Jia Min, in one night and six hours, nearly fifty characters have appeared in Gao Fan's works, occupying one-eighth of the ten-meter scroll.

I saw that Gao Fan not only wanted to finish painting "The Fragmented Scroll of the Red Chamber", but also wanted to finish painting "The Fragmented Scroll of the Red Chamber" on this scroll.

Moreover, the portraits of the characters drawn with carbon powder and charcoal pens actually reveal a kind of rigor and neatness of fine brushwork from the bottom of their bones. The lines are regular and the colors are exquisite. infinite stretch.

Feng Yuan believes that the difference between oil painting and gongbi lies in the treatment of the world outside the scroll. The world in oil painting techniques is limited to a corner, while gongbi has infinite imagination for the world outside the painting. Of course, this is just a personal perception. It is subjective, but Feng Yuan believes that temperament is difficult to change.

A person who is accustomed to depicting the world with oil painting thinking and methods will never escape from this framework.

However, at this moment, Gao Fan used toner and charcoal brushes to describe the fine brushwork characters with oil painting skills, which surprised Feng Yuan greatly. , use skills to go beyond the stereotyped thinking.

After waiting for six hours to pass, Feng Yuan, who was in shock, suddenly realized what happened to him.

If Gao Fan continues to paint at this speed, he only needs to multiply the time for creating these fifty characters by eight, that is... six to eight, forty-eight hours, or two days, and he can complete the entire "Red Mansion Fragments" Reprinted!

And Feng Yuan's fastest speed is only three or four meticulous brushstrokes a day.

How does this compare?

There is no way to compare!

Feng Yuan fell into anxiety.

Chapter 1~