Soul Painter

Picasso also had a similar phase of 'losing technique'.

At the age of 70, after experiencing Cubism and Surrealism, he began to turn his attention to those masters.

The works of Veslaquez, Goya, Poussin, Manet, Courbet and Delacroix all became his objects of copying. He integrated the painting characteristics of all the masters into one furnace and began to try a variety of works. In the 21 years until his death, he created nearly a thousand paintings and etchings based on this.

At that time, these paintings were regarded as the erotic fantasies of a powerless old man, or the sloppy works of an artist who had lost his peak. It was not until Picasso's death that the art world began to face up to his creation as a kind of neo-expressionism. , just behaving like the art world itself.

Picasso’s experience came first, so the art consultants of the Metropolitan Museum made the judgment of “return” to Gao Fan. In fact, Picasso was not the only artist who chose to return, but most of them were due to physical and mental reasons. Had to choose a more 'ordinary' way of creation.

As for Gao Fan, who was clearly in his prime, the act of "returning" seemed very weird. Of course, if he really had no inspiration and couldn't paint, there were precedents, such as Picasso in his later years. Unable to carry out the complex composition and powerful color rendering of Cubism, that's why I changed the creative direction.

In short, each oil painting master is a branch of art history, and modern art history is a vast ocean composed of the rivers of creativity of each master master. Therefore, no matter what outrageous creative direction Gao Fan chooses in the end, he can only rely on the creation of the devil. Pai is enough to record himself in history, and after that, everything about him becomes a part of history.

Now, Gao Fan began to try Picasso's Cubism on San Zhuxiong.

Although there is no way to spend a whole year studying and copying like Degas, the style of Picasso's works is deeply rooted in the hearts of the people, and the French even evaluated him as one of the ten greatest oil painters of the 20th century.

Before Gao Fan, four of the ten most expensive paintings in the history of oil painting auctions belonged to Picasso. Of course, more than half of the top ten paintings belong to Gao Fan.

Therefore, Gao Fan is very familiar with Picasso.

'Focus' allows him to imitate Picasso to 99%. For the latter 0.99%, he needs to wait for his 'focus' skills to be higher, or to systematically copy Picasso's works, but at this moment, 99% is enough.

Gao Fan first erased the upper body of Sanzhuxiong he had previously painted with the techniques of 'focus' and 'distortion', and then began to use 'focus: cubism' and 'distortion' to make a second base.

What is the master technique that Picasso mastered?

Gao Fan thought it might have something to do with 'space', but he wasn't sure.

Beginning with Picasso, oil painters began to try to control the 'space'. They took Picasso as their teacher, tried to abandon the real shape of the human body, and tried to turn the plane into a three-dimensional.

Painters use flexible, layer-by-layer decomposition, forceful, broad and general techniques to combine planes at will, so that these planes can develop and combine into new intentions, surpassing a single object and encompassing all Space, this is the truth of Cubism.

Therefore, Cubism is a re-deconstruction of people and objects. When Gao Fan tried to use a three-dimensional body to depict a bust of Sanzhuxiong, he chose to pay attention to the structure of Sanzhuxiong’s body. A large number of light and dark color blocks appear in the In Gao Fan's works, the bust of the three pillars is formed. This expression is very similar to Picasso's "Seated Woman", after all, Gao Fan is just imitating.

Wu Haoxue stared nervously at Gao Fan's brush.

For he knew that meant there was a mystery to be summoned.

But what exactly?

When the first cylinder full of radiance fell from mid-air and almost hit Sanzhuxiong, no one reacted, but all looked into the mid-air, but there was nothing there.

Snapped!

This shiny cylinder disappeared after falling to the ground, but it took a large piece of floor with it, where a depression with the same shape as the cylinder appeared.

This is... what?

Even Gao Fan was stunned for a moment, but he soon realized that this is a minion, right? A minion of a great existence whose traits are related to 'space'?

Whether it is true or not, it has to be proved that Gao Fan kept writing, so the second and third three-dimensional shapes were summoned. They are big or small, light or dark. This scene is a bit like Tetris, but every time When a shape falls, as long as it touches the object, it will leave corresponding traces on the object, and disappear into this world together with the same amount of matter.

When Gao Fan was halfway through the painting, the three-dimensional shapes that fell from mid-air were already a bit 'dense'. San Zhuxiong dodged left and right, and his dead man was staring at the mid-air, holding a knife, but he couldn't move at all. Attack, because although their swords are fast, as long as the blade touches those three-dimensional shapes, they will be 'eaten', and the three-dimensional shapes will continue to fall without interference.

In order for San Zhuxiong to avoid a cube that appeared suddenly, a dead man pushed San Zhuxiong away, and one of his arms touched the cube. In the next second, the arm of the dead man disappeared, and the wound There wasn't even blood, as if he didn't have this arm in the first place.

This weird scene made San Zhuxiong's eyes reveal a look of shock. He looked at Gao Fan with a slightly ferocious expression.

Ikeda said this on behalf of San Zhuxiong, and he growled: "Mr. Gao Fan! If the Patriarch has something to do, you will be buried with him!"

"Okay, okay~" Gao Fan had already stopped painting, although he hadn't finished drawing the half body, but it was just an experiment after all, and Gao Fan didn't have to finish the painting.

Once Gao Fan stopped writing, the rain of brilliant shapes falling in mid-air stopped, as if they had never existed, and where they came from and where they went, people dare not think carefully.

Although the disaster stopped, Sanzhuxiong and the dead soldiers still looked around in fear, and they didn't relax until they were sure that nothing was wrong.

Ikeda put on clothes for Sanzhuxiong, and Sanzhuxiong slowly walked behind Gao Fan's newly drawn drawing board, looking at the human body depicted on the drawing board in Lixiuism, the man's expression was full of doubts.

"Mr. Gao Fan, is this...?" San Zhuxiong asked.

"What a great muscle mass~" Gao Fan pointed to the painting and said, "This will be a stronger body that Mr. Sanzhu has. It will never age, and it is so tight and strong that bullets can't penetrate it."

"Haha~ I like it." Sanzhuxiong said with a smile, but his eyes did not smile at all, it was frighteningly cold.

in the afternoon~