Soul Painter
Chapter 432 Great Existence: Space Anchor
Three more days.
Wu is studious and eager to show off his achievements with Gao Fan.
Just last night, Wu Haoxue and Minase Yangmeng jointly raided the Prime Minister who was inspecting the Japan Maritime Self-Defense Force. The Prime Minister originally wanted to rename the Maritime Self-Defense Force as the United Fleet at this ceremony.
The Combined Fleet of Japan was once the pride of the entire country, and of course it was also a war criminal in World War II. Now that the name of the Combined Fleet has been restarted, the Prime Minister's intentions are clearly revealed.
It's just that Wu Haoxue and Minase Harumi were like divine soldiers descending from the sky, which disturbed the ceremony. What Wu Haoxue was most proud of in this battle was that he shot the prime minister with the arrow of the "Van Gogh" command spell. The Prime Minister was engulfed in a bright yellow flame on the spot.
"I'm afraid the prime minister sent it." Wu Haoxue said cheerfully, "The emperor has to re-appoint a prime minister."
Of course, it turned out that Wu Haoxue's thoughts were too optimistic. The prime minister bowed and disappeared so quickly that the arrow of the Command Spell hadn't taken effect. . .
"Good boy, well done~" Gao Fan flipped through the biography of Nai Liu Lingmeng compiled by Wu Haoxue. Although Wu Haoxue's focus was not on Wu Haoxue, Wu Haoxue's record was indeed amazing, and he did praise him sincerely.
"But it's just a sleight of hand. When we and Yangmeng attacked the prime minister, Ryuzaki had already placed a signal transmitter of the 'Flying Hydra' race on a cargo ship. The operator of STK had all the signals. For the record, I believe that as long as this cargo ship leaves Japan, we will soon be able to re-establish contact with STK." Wu Haoxue said.
"Since that blind streamer knows so much about high technology, why doesn't he set up a satellite phone or something directly connected to STK in Dongying?" Gao Fan asked while flipping through the information.
"Mr. Ryuzaki really can't do this. After all, he is only a half-demon, and he has limited racial technology information." Wu Haoxue also asked this question. On top of technology, make some improvements, otherwise he would simply make a nuclear bomb and blow up the palace.
"Then since the signal transmitter can be sent out, why not send one of you out?" Gao Fan asked again.
"...Because none of us are willing to leave, including you, Teacher." Wu Haoxue smiled wryly.
Gao Fan rolled his eyes at Wu Haoxue, "I'm here to save the world, you know nothing."
"We are also here to save the world." Wu Haoxue laughed.
yes.
Everyone is saving the world, but some people say it bluntly, while others think it is hypocritical and use excuses to cover up the justice in their hearts.
...
Gao Fan originally intended to paint Nei Liu Reimu into the old pollution represented by the bronze-colored 'Dali'.
But after learning about the life of Nai Liu Reimu.
Changed my mind again.
He decided to make Neru Reimu represent Picasso's blue 'space anchor'.
"Blue, it suits you~"
Gao Fan said to Narui Reimu on his instant book.
The old days named "Great Existence: Spatial Anchor" by Gao Fan appear on the canvas as a mass of stable blue, which once favored Picasso, or was summoned by Picasso's "Cubism", and now it pollutes , entrenched in the center of this 60X80 canvas, Gao Fan began to try to combine it with the soul of Nai Liu Reimu with a brush.
It will definitely fail at first.
Because Gao Fan doesn't have enough mysterious knowledge of the 'space anchor'.
His current occult is 53.
It is estimated that it needs to be increased by 58 points to be able to fully understand this great existence with space attributes.
So, from this day on.
Gao Fan's room began to glow with blue light again.
The blue mystery is like one weird three-dimensional cube after another.
Other investigators never imagined that the light would spread outward in this form.
They squeezed out from the crack of the door, unlike the scorching and passionate flames, they looked like calm middle-aged people one after another.
It's like Gao Fan's understanding of Nai Liu Lingmeng.
Gao Fan had seen Nai Liu Reimu in two scenes before.
One is that she made her debut on the streets of Ginza riding a motorcycle. As a human being, she confronted the B-level minions fearlessly.
The second is in the live TV broadcast, before she was beheaded by the Prime Minister, she was full of fear but still determined.
Gao Fan always believed that Naru Reimu should have a soul full of justice and fearlessness, but after reading the life of Naru Reimu, including her father Naru Kawagami, her friend Minase Harumo, her companion Sanbao, her From the perspective of admirer Ryuzaki and others, Gao Fan realized that not all Naru Reimu were like this.
It's like the "boss" who looks like a down-and-out middle-aged man, who actually has such a wonderful life in the underworld, and is suspected to be a fan friend all over Japan.
The other side of Naru Reimu is also an ordinary girl who is afraid of pain and death. She likes to go shopping and all kinds of shiny gadgets. She wants to fall in love but has no suitable partner. Because she is almost 30 years old, she is very looking forward to it. Married, I want two children after marriage, preferably a boy and a girl, I don't want to be a full-time housewife, because I want to inherit the family's police career...
All these descriptions have enriched the soul of Nai Liu Lingmeng on Gaofan's canvas.
Of course, for Gao Fan, he would not paint all the Nairu Reimu on the canvas, that would be too complicated.
Paintings need sublimation of art.
Especially oil paintings.
Otherwise go for a movie.
Oil painting only needs to capture a wonderful moment in life, and it doesn’t even have to be real. It only needs to be enough for the artist to represent his life and trigger his inspiration. It can be fictional, fabricated, and beyond reality.
For example, "Princess Tarakanova" created by Russian painters Konstantin, Dmitrievich and Flavitsky in the 19th century. Gao Fan liked it very much, and in his eyes, it was even rated as one of the best works of classicism in the 19th century.
This painting describes the story of a female liar who pretended to be the heir to the queen, was imprisoned, and finally died in the flood that poured into the dungeon in 1777. Of course, the artist did not experience all this personally, but only in the process of reading the story , painted this scene in my mind and pen.
Even if it is just fiction, this painting has a soul.
Legendary stories endow it with legendary significance.
Just like what Gao Fan did for Nai Liu Lingmeng now.
In order to accurately capture the soul characteristics that should be drawn into the paintings, Gao Fan made nearly a hundred sketches of characters for Nai Liu Lingmeng in the next half month, just like painting for the "boss".
These sketches are just Gao Fan's source of inspiration and preliminary drafts, but each one still uses the dual techniques of 'distortion' and 'focus', which makes them become one after another enough to touch the hearts of the living. A work of mourning.
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