Soul Painter

This is a 60X80 painting.

The area is not large,

As a painting that bears a spiritual pillar of Japan, it also seems too small.

The last time there was pollution flowing out of the painting, polluting a row of five high-end apartments in Shibuya, with a wonderful enlightening characteristic for the people of Japan, but according to reliable sources, these five apartments were bombed ten days ago.

The residents living there, of course, had no plans to move back, but were directly imprisoned and examined one by one whether they participated in the mass murder of a heroic spirit. If they were convicted, they would be sentenced to death.

Ever since the prime minister publicly murdered Naru Reimu on live TV, the "execution live broadcast" has been broadcast simultaneously on major TV stations from time to time. There are humans, demons, and investigators who are executed. This kind of execution is like a deterrent or demon. The curse made the country of Japan tremble.

Now that the five 40-story condominiums can all be demolished at any time.

This 80X60 painting is really too small for a pillar.

Investigators of the two demon races, the first impression of this painting is that it is small.

The second feeling is profound.

It feels very contradictory, but once you focus your eyes on the content of the picture, you instantly feel that you have entered a vast world.

If you take a photo of this painting in an album without indicating its size, someone will believe that it is a masterpiece that is several meters long and wide.

Although there is no mysterious bloom in the painting.

But still doesn't seem to be a full version. .

Because except for the backs of the four figures in the painting, the other parts are blank, and the background of this painting has not yet been created.

Since the painting is unfinished, why is the pollution gone?

Both Sambo and Ryuzaki remembered that the artist said that when the painting was finished, the pollution would naturally disappear.

Is the painting finished now?

The four figures in the painting stand back and forth.

The first one is a man. The painter's expression to him is full of power and anger, and a large amount of red paints his body like boiling magma.

Red should be the painter's first...well, the first pillar soul in the painting, which was taken from the investigator 'Boss' of the Kyoto team.

This is very strange. Looking at the first red figure, both Sanbao and Ryuzaki clearly felt what the painter wanted to convey. He believed that the numb Japanese people must be awakened by the boiling anger like a flame.

Painter wants everyone to be angry! Let everyone launch an endless attack on the minions! No nation can achieve real liberation by relying on outsiders. If you want dignity and freedom, you must be angry, fight, bleed and sacrifice! You must be brave and fearless!

Even if 100 million people die and only a few million or hundreds of thousands are left, the remaining people are worthy of the title of a nation, otherwise they are just a group of useless dolls, vassals of demons, and only the shells left Miserable human.

Looking at the red figure in the painting, Sanbao and Longqi felt their blood boil, and they wished they could find a minion on the street and fight to the death.

But after all, they were angry and fought before, so this emotion was quickly suppressed.

The second back is blue.

Unlike the 'boss' who is all red, she looks slender, weak and firm.

Seeing her, Sambo and Long Qi took a step forward in surprise, because they immediately recognized that this was their former comrade-in-arms, Naru Reimu. Although the painter used modernist forms of expression, he also had the skill of "focus" , those who are familiar with the model in the painting will quickly recognize it.

Narui Reimu in the painting is very firm.

Her firmness is a kind of unyielding from weakness.

Like the low-lying grass blown by the strong wind on the grassland, she will lower her head, but the strong wind cannot be endless, so she will always use the vigorous growth strength and courage under her feet to raise her head.

Yes, the painter hopes that the Japanese people will be firm. Anger is an extreme emotion for a while, but firmness is the character of life for a lifetime. The combination of the first two characters in the painting means "resistance to death", right?

Although it is also in line with the current harsh environment in Japan, it always feels a bit too stubborn...

Then Sanbao and Ryuzaki saw the third and fourth backs.

Both of these are Minase Harumi.

One is serene and the other lively.

The quiet one is bronze, and a lot of different shades of copper cover her figure, with a sense of timelessness and harmony, while the lively one is light yellow all over, with a kind of agility and alertness, which seems to be inherited from the former The two characters convey the fighting spirit and plan the spiritual understanding that this nation can obtain after fighting.

what is it then?

Sanbao and Longqi felt that they could not get details for the time being.

Because their battle is not over yet.

But there is no doubt that the anger, uneasiness, restlessness and anger felt by the first two characters in the painting have become a kind of spiritual comfort and peace for the latter two characters.

"This is really a great work..." Ryuzaki murmured. He doesn't understand art, but everyone has a soul. As long as they are human beings, they can feel the great characteristics of this work. It seems to be a Inspiration, an enlightenment.

"If you read it to every Japanese citizen, you might be able to organize a real resistance army." Ryuzaki broke away from the amazement, and suddenly smiled bitterly, "That's not how the pillars are."

"Yeah, what a pity." Ryuzaki also looked disappointed.

Although this painting is miraculous, if it is said that only the people who see it can feel the shock and inspiration, then it is of no use.

'Pillars' should not be like this.

suddenly.

Sambo's phone rang.

The specific ringtone made Sanba look solemn. He took out his mobile phone and looked at it, then said to Ryuzaki: "Na Rukawa got the battle plan for Japan! We need to meet him!"

"Okay, we'll go right away!" Ryuzaki nodded.

The two hurried out of this room and called Wu Haoxue and Minase Harumi again. These two are the main force in the battle. When they get the plan information from Narukawa, they don't know what will happen. The battle preparation is must do.

And Wu Haoxue glanced at the weak painter who was lying on the sofa, thinking that he probably wouldn't die, right?

Meow~

The black cat seemed to see Wu's studious hesitation, so he barked, as if saying that there was still me, and it wasn't like I hadn't fed him.

"Then please~" Wu Haoxue said to the black cat, and then hurried to his room to get a compound bow. When he took the bow, he saw two arrows of the Command Seal. He hesitated, but still didn't take it.

"Let's go~" After going downstairs, Wu Haoxue said to the Tokyo team that was ready to go.

"Wu Sang, you give people a different feeling~" Minase Harumo suddenly said to Wu Haoxue when they set off.

"Different? What's the difference?" Wu Haoxue didn't feel anything.

"Well, you used to be very 'rushed', but now you seem to be 'slow'~" Minase Harumeng said, "It's a strange feeling."

That's right... Wu Haoxue didn't feel much. He patted his human skin mask and said with a smile, "Maybe you've become handsome?"

And San Bao and Long Qi looked at each other, and they found that the feeling on Wu Haoxue's body at the moment was very similar to the fourth back figure in that painting, while the previous Wu Haoxue was very similar to the first back figure.