Soul Painter

This is a new way of creating.

For the two 'colors' from the silver key.

Gao Fan did not use 'Paris Blue' alone, but took a step forward to combine 'Sakura White' and 'Paris Blue'. The result he hoped to achieve was that the soul is alive, and so is the city. Not only can it be a "pillar" worthy of the name, but it will also be a city scroll that records the entire history of civilization.

So this creative process is full of interesting 'encounters'.

Where the soul meets the city.

The encounter of life and death.

War and peace meet.

Gao Van and Anna will first describe a soul's life trajectory in the city of Paris according to the life trajectory of a soul. The way of depiction is to use the "world" technique and "Paris blue" to paint some landmark buildings come out.

Then, in this urban landscape painting, I use 'Sakura White' to draw the human soul.

Once the human soul is stabilized in the city.

Then they created a living city and a living soul in the painting.

One after another such paintings will form the urban spirit of Paris.

Of course, the first painting featuring the journalist 'Emma' failed. .

Not every soul can remain 'stable' after realizing that it is dead, he or she will collapse.

The result of the collapse was the waste of Gao Fan's two 'colors'.

At present, Gao Fan's skill value is not enough to create these two colors out of thin air. He needs to use 'demon dye' as a raw material to produce these two 'pigments' and 'colors'.

But these wastes are necessary in Gao Fan's eyes.

'Sakura White' is Gao Fan's familiarity with its characteristics and characteristics in Dongying's creation.

'Paris Blue' needs one or more such creations to understand it.

So, next, after 'purchasing' enough souls.

Gao Fan and Anna began to try to create a more stable "painting of the soul and the city".

Logically, according to Gao Fan's imagination, the souls of soldiers who have experienced life and death should be more resilient.

But it turned out to be exactly the opposite.

In the following "experimental" creation, the appearance of these souls that are difficult to melt into the canvas and easy to break reminds Gao Fan of jewels that are already full of cracks one after another.

Among the souls of these soldiers that Gao Fan collected, there are both young men who were hastily conscripted into the battlefield, and some professional soldiers.

It is understandable to say that the souls of those young people who were urgently recruited to the battlefield are so "fragile", but the souls of those professional soldiers are also "full of cracks", which makes people feel surprised.

hold paintbrush.

Facing the painting smeared by broken souls in front of him.

Looking at the scattered white in the blue city, it looks like a broken corpse.

"Maybe it's because the opponent is a demon..." Gao Fan said to himself.

No human being can face a demon without trembling.

Sending human soldiers into battle to face demons is like sending lambs into the jaws of tigers.

Think about it, even investigators who are accustomed to facing demons will still lose their minds and even go crazy when facing those servants with strange shapes. What about ordinary people?

The desperation and fear of ordinary people in the face of minions is not different because of the status of elite soldiers or ordinary humans. They are also facing the bottomless abyss of madness.

...

At this moment, the night in Paris is dark.

The lights in the apartment were still on.

Gao Fan looked at Anna in front of the canvas, and said to her: "AA, take a rest, you have only slept for less than four hours these days."

In the division of labor between Gao Fan and Anna, Anna is responsible for the creation of more "city parts" because she is good at "world" skills.

Gao Fan's current 'World' skill value is currently 67, Anna is not lower than this, or even higher, and Anna's 'infinite symmetrical drawing method' belongs to her with dual perspectives of mathematics and painting. This saves a lot of time when painting cityscapes.

Therefore, Anna has a lot of work to do, and she has to paint the cityscapes she is accustomed to for every soul, but all these attempts have been wasted so far, and no soul can survive in the paintings of the two painters.

"I'm fine." Anna said, her expression was focused, even a little obsessed, and the wonderful fusion of 'Paris Blue' and 'Sakura White' made her unable to extricate herself.

If it is said that most of the paintings she drew before were settled, they were either beautiful or concise formulas, but the creation at this moment is like throwing a bunch of parameters into the creation environment of the Big Bang. How wonderful they can be inspired in it, for Anna, it is not an exaggeration to describe it as a miracle.

"It's too slow to draw like this..." Gao Fan muttered while sitting among a pile of nameplates and records.

It has been several days, they only drew three souls, and there are hundreds of nameplates here, how long will it take to draw all of them?

The point is, what Gao Fan is doing now is just experimenting, not real creation. How long will it take to wait for the success of the attempt and to start real creation?

"There must be some way to get all the souls at once, draw a huge picture of the city, and throw all the souls into it..." Gao Fan said to Anna.

"Then we need to find a soul that is tough enough. He touched every corner of Paris during his lifetime, so that we can draw the entire Paris based on his soul footprints." Anna said while writing.

"It depends on Mr. Manager, well, I have to find a way..." Gao Fan pondered.

"Gao, I have a question." Anna said, at this time she stopped painting and looked at Gao Fan, "We are painting a painting of the city of Paris in order to contain all the souls, and finally make it the spiritual pillar of Paris If so, why not do it the other way around, first paint Paris, and then put all the soul in?"

This question is very acute.

According to Anna's understanding, first paint Paris, and then paint all the residents of Paris. According to the magic of the two colors, you can naturally have a painting of spiritual support.

Then paint the soul first, and then paint Paris, what do you want to do?

Isn't this the other way around?

And get twice the result with half the effort.

"That's a good question." Gao Fan nodded and fell into deep thought.

"My understanding is that with our creative method, we can draw Paris in history instead of Paris in the present, so why do we do this?" Anna asked.

Sure enough, I couldn't hide it from Anna... Gao Fan sighed, he couldn't hide it from the operator, but he couldn't hide it from Anna. After all, they created this painting together.

At this time, Lawrence happened to walk in, and seeing Gao Fan's appearance, he knew that he wanted to make up nonsense again.

"Ms. Han Meimei is here." Lawrence said to Gao Fan.

"That's great~" Gao Fan said happily, and then happily left the studio and ran to the living room.

"What did you ask him to force him to lie?" Lawrence looked at Gao Fan's leaving back and asked Anna curiously.

"Why does Gao have to lie?" Anna didn't understand, and she didn't ask him any difficult questions, did she?

"When you ask him a question that he doesn't want to answer but has to answer, he will make up a lie to deceive you, but because he doesn't have the ability to do this, he will fall into a very 'low-intelligence' state It's easy to see in the middle," Lawrence said.

"But why didn't I see it?" Anna asked curiously.

Maybe it's because your 'IQ' in this area is similar... Lawrence shook his head.