Stars of China Entertainment
Chapter 47 Where is the car going?
The noisy cicada forest is more than quiet, and the bird singing mountain is even more secluded.
The patter of rain made the room feel even quieter.
In a quiet environment, with white sheets and slightly dimmed lights, let go of all your precautions.
For the first time, Cheng Shuo shook his mind. This kind of test is sometimes quite accurate.
Cheng Shuo's ideas have always been wild and unconstrained. It's not as tacky as white arms when you see short sleeves. He has always been a person who has escaped from vulgar taste.
When he saw "Raleigh's Boyhood", he thought of Pirates of the Caribbean.
Seeing the little boy reminded him of Hiroshima Fever.
When he saw the faucet, he thought of Shui Longjing.
Seeing the white sheets, his heart was already filled with thoughts on the Cuju field.
Why is it Cuju instead of football? Because he doesn’t know much about football, and because you don’t know much about Cuju.
Cuju flies over the flying birds many times, and the swings compete among the weeping poplar trees.
The light rain was pattering, making the grass a bit wet. Cheng Shuo was even more comfortable facing this kind of venue.
Although her technique is not very good, as a dancer, her leg proportions and body flexibility are outstanding.
With a slight lift, she lifted her legs over Cheng Shuo's shoulders.
This move was really dangerous. It looked like a pressing move, but it was actually an injurious move. Fortunately, Cheng Shuo had good skills and turned his head to avoid injury.
Take advantage of the situation and hold the opponent's legs to prevent the opponent's defense from advancing or retreating.
Her movements were a little stiff, perhaps because she had never experienced such a fierce fight. In panic, she changed from a direct threat to a secondary threat, and the pressure of resistance was relieved a little.
This paragraph on paper is matched by ancient books, and it is recorded in "Warring States Policy":
The carriages hit each other, people's shoulders rub against each other, their folds form a curtain, their sleeves are lifted up to form a curtain, they sweat like rain, and they stand high and proud.
Cheng Shuo had been in battle for a long time, but he was still one step ahead. With an upside-down romantic eye, he finally triggered the anti-addiction mechanism.
The game came to an end, Cheng Shuo won a small victory, and they agreed to fight again another day.
Seizing the time, Cheng Shuo picked up his pants and left the field in a hurry as the referee was about to come back.
...
The wheels of the car rattled through the dirt tunnel of Hengdian, causing Cheng Shuo to feel a little dazed.
Cheng Shuo yawned all the way, and everyone in the car was infected by him.
"You didn't sleep yesterday? Are you still sleepy now?"
Cheng Shuo looked out the window and didn't say anything.
"Let him sleep for a while."
Hu Ge turned around and found that it was Liu Shishi who was trying to excuse Cheng Shuo.
Okay, this girl is a big deal.
When Mi Mi Hu Hu Di arrived at the set, Cheng Shuo patted his face and felt much more awake.
With this trip to the bay, their promotional plans were temporarily suspended.
The Propaganda Department is eagerly watching the audience feedback, and for a while, the publicity campaign has been completed.
This didn't mean that he could stop. As soon as his butt touched the stool, Luo Qirui, who had not heard from him for a long time, called him.
The filming of "Thieves of Time" is coming to an end. During the final stage, Cheng Shuo also picked up a role and had to show his face.
Three days after the appointment, Cheng Shuo did not devote himself to the filming of "The Strange Man Iljimae".
The promotion of "Sword and Sword III" has come to an end, and the promotion of the album follows one after another.
The album is about to be released, and there are still two or three MVs that have not been filmed.
Due to the poor talent pool of Sugar Man, the leading ladies in the MV were taken up by Guo Xiaoting and Liu Shishi.
Except for the two songs "Sword and Sword III", the two of them each played half of the remaining songs.
The content of the filming was relatively tacky, basically Cheng Shuo was acting and Hu Ge was singing to the camera; Hu Ge was acting and Cheng Shuo was singing to the camera.
Not to mention Cheng Shuo's dissatisfaction with the perfunctory production, even netizens didn't buy it.
When the MV for "Boy" premiered, one of the most popular comments was: "Solanum nigrum has run away with Chonglou, and Jingtian is still standing there singing stupidly."
Unfortunately, Sugar Man and the others really don’t have much resources, so they can only promise to wait for the sales to improve before reshooting.
This promise is like hair floating on the water, and whoever believes it will have cerebral palsy.
Although the cast is poor, the production team is luxurious.
The one who participated in the filming was Ma Yinzhong, the queen of MTV in Wanwan.
In the past, she has collaborated with big names like Ge Ge, Wu Bai, Ren Xianqi, Big Brother Long, and Li Zongsheng. The MVs for songs such as "Norwegian Wood" and "White Dove" were all shot by her.
In horizontal comparison, Cheng Shuo and Hu Ge were indeed the worst.
Due to financial considerations, she did not lead the entire album, but selected representative works.
One song is "Little Lucky" and one song is "Ordinary Road".
In terms of song quality, these two songs may not be the highest in the album, but in terms of control and expressiveness, they are indeed the most suitable for the two of them.
At this time, Hu Ge no longer avoided that difficult time. Under his performance, "The Ordinary Road" had a different flavor.
Cheng Shuo has the most say. If Pu Shu is a storyteller, then Hu Ge brings an experienced perspective.
The song was melodious, with a hint of sadness, and Cheng Shuo was willing to play the part for him in this song.
The two people were sitting in a convertible car, with the photographer sitting on the front hood facing the two people's faces.
Using a high-power hair dryer, the hair of the driver and passenger was flying.
This section does not require any performance, and the requirements given by Ma Yinzhong are also very simple.
First take the photo while driving, and then take the photo again in the studio.
She prepared the entire MV to keep the two of them in the process of driving, interspersed with shots of the road stretching endlessly, with no dialogue and no plot.
This coincides with Cheng Shuo's idea.
Her request for the two of them was that their performance should be as natural as possible, and no sound would be taken during filming. Casual chatting while driving can also enhance their expressiveness.
The wind was so loud that no one else could hear the two of them talking.
Hu Ge stepped on the accelerator and asked, "Where is this car going?"
Cheng Shuo held out a finger: "Keep going south."
Hu Ge smiled casually. This sentence came from "The Song of the Highway", and he had heard this song.
Cheng Shuo stretched out another finger unhurriedly: "Open in Journey to the West."
Hu Ge also understood this sentence, it was the second-hand rose's "The Train Moves Fast".
When he thought of second-hand roses, he could no longer hold back. His whole body swayed, and he nodded fiercely, and the sunglasses on his head hung on the bridge of his nose according to the inertia.
He sang at the top of his lungs: "Our life is still going on, where is it going?"
Cheng Shuo also kept up with his rhythm and sang: "Are you going to dream of Red Mansions?"
"Our love is still blossoming, where is it going?"
"Go for the climax."
The photographer sitting on the hood of the car had a look of helplessness on his face, as if these two guys were suffering from strangulation.
Although the blower was right next to him, he could still clearly hear the two singing.
I thought they would sing some lyrical and unrestrained songs, but I didn't expect that they were half singing and half howling as if they were celebrating a wedding or wedding.
As a photographer in Wanwan, he is not very familiar with the music atmosphere in the mainland. Are their music styles so wild?
From the perspective of the two of them, they might be a little reassured that it is too early for this style of music to be heard by humans.
Hu Ge was still howling: "Our youth is still blooming, where are we going?"
"Heading into the ditch!"
Hu Ge was a little dissatisfied and pulled Cheng Shuo's arm, "You sang it wrong."
"You're about to fall into a ditch, and you're still singing!"
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