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Chapter 164 The Big Villain
During a conversation with Director Lynch.
A police officer came over and reminded the extras wearing zombie makeup not to wander around the town, lest they scare the children.
Upon learning that parents had complained, Director Lynch immediately promised that he would restrain the extras.
He then shrugged again and said to Suri:
"I really don't blame those parents for complaining. This time we strive to be real. Some of the living dead need close-ups. It takes three or four hours to put on makeup. Walking on the road is particularly scary."
Even though he knew it was fake, Su Rui still felt a little scared.
After all, the zombie troupe is standing in front of them. There is no way to minimize the screen. They can only face the impact directly. The visual experience must be very strong.
Patting Daddario on the shoulder, Suri joked: "You feel good. You will have to see that kind of scene every day for a while. I hope your psychology is strong enough."
Director Lynch also added some additional cuts, telling:
"It's okay during the day. In order to facilitate shooting, I won't take off my makeup at night until the entire plot is shot. I'm a little worried that the hotel staff will eventually complain to us because of psychological problems. Sure enough, we should sign an agreement in advance and give them some Compensate and avoid losing big for small things.”
Suri deeply agrees with this, just as not everyone has mature views, and not everyone can laugh off scary scenes.
Even if American residents have experienced the baptism of Halloween costumes since childhood, the realistic zombie images in "The Walking Dead" will still make people feel physically uncomfortable.
Therefore, it is necessary to restrain the extras to avoid scaring some people and causing any accidents.
Daddario rubbed his fair arms and asked curiously:
"Is it really that scary? I have never seen an extra group of actors playing the living dead. I have watched similar themes before, such as "Resident Evil". Some scenes are very...disgusting."
Suri continued:
"Believe me, watching them through a screen will feel very different from having close contact with them. As a female warrior in the show, you have many opportunities to come into contact with them."
Director Lynch reminded: "There is no need to adapt in advance. When you are scared during filming, the reaction will appear particularly realistic..."
The two of them sang along.
Not only Daddario was muttering, Hoshino Yuko also became nervous and looked around subconsciously.
Although Hoshino Yuko usually has a sharp mouth and is not very courageous, the hotel that she thought had a good environment suddenly turned into a scourge in her eyes. She thought that if she met those extras in the elevator, wouldn't she be in trouble? They were all scared away.
"Star-Lord" Chris Pratt happened to drive up in a car at this time, wearing a police uniform. After seeing Suri, he greeted Suri warmly and said:
"Hi, Su Ruiqi is the chief producer. He should have read the script. Have you seen the guy I cheated on?"
Suri said speechlessly: "Don't be too arrogant. Be careful that Ashton finds an opportunity to beat you up. As a villain in this first season, you must not be as out of tune as usual."
Chris hadn't seen the rest of the script yet, so he had some idea of the character, and made an OK gesture and said:
"Don't worry, the woman I have already got is going to be snatched back by Ashton again. I will show the complicated emotions. So...will I still be there in the second season? Since I am not on the same page with the male protagonist, could it be Will it end up as the feces of the living dead?”
After listening.
Su Rui had a picture in his mind, which was too eye-catching, so he waved his hand and said:
"We'll decide when the time comes. If you perform exceptionally well and your acting skills are as good as you usually say, I might consider saving your life."
When Chris heard this, he instantly became energetic.
He was about to speak when Director Lynch interrupted and said:
"Now that we're all here, let's start shooting? I found an eight-year-old girl. She doesn't even know what she is going to look like. I hope she won't find out until the shooting is finished."
Su Rui instantly understood that this meant that the hero found the little girl on the road.
When the little girl turned around, she realized that she had turned into a zombie and rushed towards the male protagonist.
Such a classic scene made Suri unforgettable for the rest of his life, so the screenwriters specifically asked the screenwriters to add it to the beginning of the film.
The approximate sequence is that the male protagonist wakes up in the hospital, goes out and finds everything has changed, is attacked in the hospital, and escapes only to see body bags all over the floor.
Later, on the way home, I saw this little girl. After being rescued, I went home to check on my wife and children.
The main plot of the entire first season is to find a wife and children, adapt to the environment, and go to the so-called "Los Angeles Shelter."
In order to attract the audience with the plot, or to enrich the story line, the screenwriter also wrote a short story for each fixed starring character who just encountered the crisis. As a reminder, since it involves big scenes, it should be the most popular in the first season. Money-burning special effects.
have to say.
Perhaps due to a lack of funds, the plot of "The Walking Dead" in Suri's memory was indeed a bit thin, so that the filming was anticlimactic.
This time, he has been rushing to film at least ten seasons from the beginning, so he asked the screenwriter to lay a lot of foreshadowing in the first season, and even designed a plot in which a certain research institute in the United States created a virus and accidentally released the experimental monkeys. .
…
The RV is too big and difficult to navigate around Virginia towns.
Instead, he took a bulletproof car driven by a bodyguard and came to a renovated "hospital". He could see abandoned cars and body bags in the yard, which looked decent.
Ashton had already changed into his hospital gown and was sitting in the car drinking coffee. His face looked very pale due to the makeup.
Director Lynch found Ashton and Star-Lord Chris, and after briefly explaining the plot, he walked over to Suri and said:
"It costs 3,000 US dollars to rent here for a day. We are also responsible for restoring the place to its original state. We hope to get it done today. Your bulletproof car is very interesting. It is most comfortable to own an island at the end of the world. Why don't you try to play a villain? From the first Ji began to lay out some foreshadowings, such as filming you riding in this bulletproof car, driving away the living dead on the street, escaping from Los Angeles, and taking away a large number of elites on a yacht."
Suri thought for a moment, snapped his fingers and said:
"This is just enough to promote my Lanai Island. If it's a supporting role that doesn't have many roles, I can consider designing a new character and playing the villain myself. I have a yacht, but it's not super. If necessary, I will Go out and borrow a superyacht over 100 meters in size, or place an order to buy one directly.”
"..."
Director Lynch couldn't keep up with Su Rui's thinking. Thinking that this was too arrogant, he quickly waved his hand and said:
"There is no need to buy a new boat. In fact, you can use computer special effects to make it. A few thousand dollars is enough. Buying a 100-meter-long yacht costs at least two to three billion dollars. It is better to use it to make movies."
Suri just said it casually.
A superyacht is not as practical as a private jet. You will probably have to wait until you have more money than you have anywhere to spend before you consider buying one...
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