Starting From Cutting Hu Bai Niangzi To Dominate Xiangjiang

There are really many mixed-race goddesses in Xiangjiang. After all, there are many foreign devils here, and there are also many transnational marriages.

For example, the famous Hong Kong sister Li Jiaxin and Zhang Bozhi are all mixed-race beauties, but they don't look so obvious.

But if they weren't of mixed race, maybe their looks wouldn't be so exquisite and three-dimensional.

In addition, there are some handsome men of mixed race, such as Wang Minde, this year, he was promoted from Hu Guanjie's stand-in to one of the leading actors.

At the beginning of the last booming decade of Hong Kong films, some later generations of big names began to stand out.

The 20-year-old Ye Weixin started running errands on the set, and was soon promoted by Zheng Zeshi as an assistant director.

In the future, Zhuang Cheng, one of the founders of Media Asia, was also appreciated by Lin 06 Lingdong and promoted to creative director.

Lin Chaoxian is an office assistant, Chen Jiashang works as a screenwriter under Tsui Hark, and Zhang Zhiliang, who joined the job in 1983, has already become a producer.

Their long journey has just started, and it is not enough to take the lead at this time. Only the seven people in the struggle room are qualified to compete in the Central Plains.

New Art City has been the best partner series for the New Year film for three consecutive years. They wanted to use the same theme to continue to explore new ideas, but found it difficult and the script discussion was not good, so they replaced the 1985 New Year film with Stone Sky's "Gong Xi Fa Cai".

At this time, the status of the Big Three has changed subtly. The eldest Jia and the youngest Huang Baiming have both come to the front of the stage, and besides being a director, they have also become extremely popular stars. .

The role he plays is not representative, and although the main movie has a good performance, it is not surprising that it is placed in the thriving New Art City. In terms of word-of-mouth and awards, it is not as good as "Hitch the Wrong Car". Therefore, he fought hard in internal meetings, and finally grabbed the Lunar New Year schedule in 1985, and he was determined to fight a good fight.

However, he couldn't come up with new ideas, so he directly changed the happy ghost into the God of Wealth, and directed and acted "Gong Xi Fa Cai". For the first time after winning three consecutive box office titles, it gave up the top spot.

Since then, Stone Sky has been depressed, but Huang Baiming has risen steadily, which eventually led to the Big Three starting to share accounts to make films.

Not only Stone Sky, but New Art City as a whole in 1985 was showing signs of fatigue. Profit is still quite high, but the momentum has slowed down. Only four of the 13 films in the year exceeded 10 million, and none exceeded 20 million, which is not the same as the previous year. The reason is that the creative concept has not been able to keep pace with the times.

New Art City started out with comedy, just as it is said in "Gong Xi Fa Cai", as long as you laugh often, you will be rich. However, most of the works153, like "Gong Xi Fa Cai" and "Working Emperor", have been reduced to fast-moving consumer goods catering to the market, noisy and lively, and once seen, they are forgotten.

The comedy route made it great, but it also led the company down a narrow fast lane. The production of the film has solidified into an assembly line production mode, and there are strict requirements on which time periods in the script need to be set for laughs, and successful experience has become a shackle that confines the hands and feet.

In order to please the audience, each movie has to rack its brains, pile up shallow jokes, and repeatedly concoct the same plots, which not only weakens the artistic value, but also accelerates the enthusiasm of the creators, limits the diversified creativity, and affects the company. overall strategy. .