Starting From Cutting Hu Bai Niangzi To Dominate Xiangjiang

Before time travel, Li Changsheng saw that a lot of mobile Internet capital entered the show business circle to shoot a lot of film and television dramas, but the results were very poor.

One of their very fundamental mistakes is that they think that the audience's preferences can be quantified through numbers.

But in fact, they have all gained experience from the past, and they are all trying to find a sword.

The audience's aesthetic needs to be guided by excellent creators, not kitsch.

Blindly catering to the audience will not be recognized by the audience.

Just like Wu Yusen and Zhou Runfa's "The True Colors of Heroes" they made, there was no similar movie before that fully demonstrated that the audience's 870 aesthetic needs the thick of practitioners.

Li Changsheng told the Seven Monsters of New Art City one of the simplest facts. As creators, they cannot always figure out what the audience thinks. They should not follow the audience's preferences step by step, but must be brave and innovative to lead the audience. aesthetic.

Xiangjiang audiences do not just love to watch comedies, but need the guidance of excellent works to discover their aesthetic and emotional needs that they have not even noticed.

The rapid development of society has exposed many problems. Realistic themes are actually more touching, but it takes extraordinary courage and vision to find a new way in the trend of entertainment first.

In this respect, Li Changsheng appreciated Huang Baiming's attempt.

Two years ago, Huang Baiming's "Hit the Wrong Car" was a great success, which gave him the confidence and the right to speak to continue to try tragedies.

This year, he repeated his tear-jerking technique, changing the relationship between father and daughter to mother and child, which helped Zheng Zeshi launch another tragic film "Why Me".

Zheng Zeshi graduated from Zhang Che's Longbow Films actor training class in his early years. Later, he signed a contract with TVB. He started from a side role, worked through the 1980s, accumulated a certain popularity and experience, and began to participate in behind-the-scenes creations. Last year, "The Divorced Bean", which he wrote, directed and acted in, gained a good reputation, which allowed him to be nominated for the Best Actor in the Academy Awards.

This year he won the support of Huang Baiming, and started filming tragedies in New Art City where comedy is king, and he also invited his friend Zhou Runfa (agba) to support him, which was not easy.

Zheng Zeshi successfully seized this opportunity, made full use of his appearance characteristics, imitated the demeanor and movements of mentally handicapped people vividly, and performed the innocence and childishness in the stupidity, which strengthened the tragedy of the film.

Since then, Fat Cat has become a classic image, which not only won the Zheng Zeshi Golden Statue Award, but also spawned many related film and television works.

Every time he sees his silly appearance on the screen, the busy Xiangjiang people will feel the softness in their hearts and be awakened.

The silhouette of the heroine Zheng Wenya taking a shower in the film will be transformed into the shape of the Academy Award trophy in the future.

Jiao Jiao, who plays the fat cat's mother, looks somewhat similar to Bao Qijing. She was the little man next to Wang Yu in "The One-Armed Swordsman" in the early years. .

Cheng Kui was still innocent and innocent in "Shanghai Night" last year, and now he began to show his villainous image.

Hui Yinghong's excellent looks and skills, but she played a ridiculous and pitiful nonsensical role in this film, is really reckless.

Zhou Runfa plays handsome girls while working as a social worker, Zhu Jian's rise from a downcast to a prodigal son, Shaw's porn star Tian Ni's interaction with new and old lovers, Zeng Zhihao's gags, etc., are all common commercial elements, which are related to the theme The relationship is not big, and it stems from the chronic habit of Hong Kong films that always put the market first. .