Starting From Cutting Hu Bai Niangzi To Dominate Xiangjiang

Of course Li Changsheng will not let go of Zhang Wanting's classmate Li Press.

He asked Zhang Wanting to ask Li Yin to come over from the United States and come to Xiangjiang to start filming Li Yin's father trilogy.

Although it is still far away from Li Yin's famous "Crouching Tiger, Hidden Dragon", but now in 1985, Li Yin is still asked to shoot some movies with his own style

He didn't want Li An to make a lot of money for himself right away, and now he wanted to let Li An try his hand.

Prior to this, in 1984, Li Yin graduated from New York University with his graduation work "Boundary Line" and obtained a master's degree. The film won the New York University Wasserman Award for Best Director and Best Film.

But in the original time and space, Li Yin stayed at home for 6 years.

During this period, he read, watched movies, wrote scripts, and took care of all the housework. The family expenses depended on his wife who was still studying for a Ph.D. in biology at the University of Illinois.

In 1985, Li Shun signed a contract with Will Morris Brokerage Company of the United States, canceling his return to Taiwan for development and staying in the United States. In 1988, Li Yin returned to Taipei.

In 1990, Baodao's "News Bureau" collected excellent scripts. In order to win the prize for excellent scripts, Li Yin wrote a movie script "Pushing Hands". The script not only won a prize of 400,000 yuan for Li Yong, but also gave him the first opportunity to direct a film independently——China Film Company adopted a contracted shooting method and asked Li Yin to shoot "Pushing Hands".

The film is the first of Li Yin's "Father Trilogy" and was nominated for the Special Jury Award at the 28th Taiwan Film Golden Horse Awards, and Li Yin was nominated for Best Director.

Li Changsheng watched to see if it would have been different if Li Yin hadn't been at home for six years.

A female director, Chen Anqi, also filmed "Flower Street Times" this year.

This is one of her few commercial films. She thought it was not suitable for the commercial atmosphere of her era, and later became famous for her documentaries.

The film was released shortly after the signing of the "Joint Statement", and it does seem to have some intention of recording world events. There are no ups and downs and complicated techniques, but it contains a real strength. The atmosphere rendered by the photography and soundtrack is quite old-fashioned, recreating the scene of the Hong Kong red light district in the 1960s.

The heroine Xia Wenxi is the last remaining color of Shaw Brothers. She gave up the pioneering attitude of Yu Xuanji in "The Tang Dynasty's Unrestrained Girl". She is still arrogant, but she is more tenacious, more optimistic, and unyieldingly struggles for life.

This character is the best embodiment of the theme of the film. He climbed up step by step from the bottom of the society, experienced all kinds of hardships, until he had a piece of the sky, suffered the blow of his old lover, and the tragic death of his best friend, and finally chewed the pain silently. In the long melody, I salute and bless her through the mouth of the fast food restaurant owner.

Suzie Huang represents Hollywood's stereotypes of oriental women—superficial and confident, vain and enthusiastic, naive but cunning, with a mysterious and exotic atmosphere, waiting for singers from far away on the pier.

Such a low-level woman with a variety of styles is also the positioning of the English people in Xiangjiang. The title of the film itself reveals the dissatisfaction with their colonial identity, and the competitiveness of Wen Xi and Ye Dexian in the film, as well as their disdain for men, are all symbols of Xiangjiang people's resistance to fate.

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