Starting From Cutting Hu Bai Niangzi To Dominate Xiangjiang

Li Changsheng has been cooperating with Mainland China and Xiangjiang in filming since 1981. Since then, he has promoted the mechanism of equal pay for equal work in both places.

On the one hand, it is beneficial for him to discover and retain mainland film and television talents, and on the other hand, it is also a kind of containment of Hong Kong's local talents!

It is to attract a large number of mainland talents to join, so as to promote the continuous involution of local talents in Hong Kong and promote the development of the overall film and television industry.

Otherwise, these Xiangjiang people will always be arrogant and not enterprising~.

Li Changsheng has tried his best to break the inequality between the two places from the very beginning, and will not let the mainland entertainers feel wronged.

Previously, when the two places co-produced "Burning the Old Summer Palace", Liang Jiahui had a special dining car to deliver meals, and Liu Xiaoqing could only eat steamed buns for every meal. Although she cried and made noises, and even stole Liang Jiahui's food from the dining car, she did not become enemies with Li Hanxiang because of this.

Li Lianjie is full of blood, and he visited the United States with a delegation in his teens. He can talk freely in front of President Nixon, so he naturally has the courage to challenge the Xiangjiang people.

But he didn't know that in the future, he would have to experience countless blood and tears when he went to Xiangjiang alone. Compared with those encounters in the future, today's disappointment is really nothing.

In the 1980s, film workers in the two places were in completely different industrial stages and economic environments. For co-productions, the mainland has dedicated a lot of sincerity, but they are not self-consciously self-effacing. In addition to retaining a veto right on the creation of the subject matter, they give up all the right to speak during the filming, and the daily living conditions are also adjusted according to the income difference between the two places. Naturally inferior.

At that time, Li Lianjie or Liu Jialiang could not decide everything from food and salary to filming plans.

But Li Changsheng is the big boss, he can decide that everything is equal, whoever farts, he will let him go!

After "Shaolin Temple" was released, the units of the main actors such as Li Lianjie, Yu Hai, and Yu Chenghui all signed five-year exclusive contracts with Yindu. Yindu arranged the filming plan, and the actors themselves had no choice.

In 1983, Shi Nansheng quietly flew to the capital, intending to directly recruit Li Lianjie to come to Xiangjiang, but of course he returned in vain.

This time "North and South Shaolin" is only after the Shaw Brothers negotiated with Yindu to borrow the team of "Shaolin Temple".

But Yindu did not make good use of these outstanding domestic martial arts athletes during the contract period. Later, Li Lianjie complained that he only made four films in eight years, wasting his youth for nothing.

0...ask for flowers...

After filming "North and South Shaolin", the angry young Li Lianjie almost wanted to say goodbye to the big screen. Yin Du kindly persuaded him to stay, which provided him with a new opportunity, so Li Lianjie started a new life, imitating Cheng Long's acting and You Ze's directing, and went to Qingdao to film "Chinese Heroes".

Yu Chenghui and other original cast members were led by Zhang Xinyan, and co-produced "Heroes of the Yellow River" with Xi'an Film Studio.

Li Lianjie put all the resentment in his heart into the production of the film, but after all, he has only acted in three films and has no experience as a director. The film was difficult to end halfway through filming, Yindu invited Xu Xiaoming to rescue him, and completed the entire film in the name of an action director.

The movie is full of passion, and its core is Fei Lianjie's personal emotional expression.

He realized that he did not have the talent to hold a camera, and since then he has been at ease in front of the screen, and has never been a director again.

Li Lianjie later took the initiative to find Li Changsheng, and Li Changsheng still gave him a chance, but the Huang Feihong series had no fate with him. .