Starting From Cutting Hu Bai Niangzi To Dominate Xiangjiang

Chapter 465 The Stars Of The 1985 Golden Melody Awards Are Shining!

Li Changsheng hates this kind of skewered songs and feels that this kind of skewered songs are really a bit too clichéd.

Anyway, he won't let these strings of songs become Golden Melody Awards.

Lin Zixiang's version of the cross-burning songs has some technical content than the so-called crazy and so-called mainland cross-burning songs.

But it is still difficult for Li Changsheng to accept, so Li Changsheng will not give this kind of song a chance to develop.

There may be many ordinary people who like it very much, so if they like it, they like it. But Li Changsheng will not pollute his ears with this kind of song.

When he has such capital, he can wantonly suppress what he doesn't like.

It turned out that in that time and space, in 1985, the upsurge of fast singing and dancing was sweeping the music scene, and disco became the favorite of young people.

Lin Zixiang's "Ten Ten Twelve Inches" came at the right time and became a footnote of the times.

Affected by it, the opening program of the Top Ten Songs Awards Ceremony also used a large platter of skewered songs "Super Forty Inch Sing and Dance". So many popular songs were all arranged in disco rhythm, and all the most popular singers at that time were all on stage , dedicated a carnival audio-visual feast.

It turns out that the 1985 Top Ten Golden Melody Awards Ceremony may be the most wonderful one in history. Although Chen Baiqiang and Zhong Zhentao were missing, the overall atmosphere was warm and the entertainment effect was excellent. Those young and beautiful people danced their youth wantonly, swayed their passion, and had unlimited joy.

Tan Yonglin is full of vitality, Anita Mui is hot and charming, and Leslie Cheung is swaying with forgetfulness.

Zhang Xueyou's face is full of childishness, Lu Fang is charmingly naive, and Priscilla Chan is sweet and lovely.

Hu Guanjie has just recovered from a serious illness, Luo Wen is favored by everyone, and Xia Shaosheng is independent.

The interaction between guests and singers is also brilliant. Miss Hong Kong Zhu Lingling was gorgeous and noble, and the elder brother coaxed Jin Bao to cheer up the audience.

Zhou Run, the tallest, presented an award to Lu Fang, the shortest. Lin Yanni watched Huang Zhan perform body language with a smile on her face.

Tan Yonglin sang "Friends" with Cheng Long, who survived the catastrophe, and Zeng Zhihao, who was fully armed, provoked the prankster Yu Zheng.

The charming Zhong Chuhong practiced one-handed horses, and the bold Zhang Aijia bravely caught mice.

Cheng Long sent Anita Mui to the stage directly in the princess's arms, and Tan Yonglin received Zhang Guorong's hug and congratulations for being crowned again.

That was the golden age of the Hong Kong music scene, and it was the most wonderful memory of the 1980s.

In the next few years, with the help of the island country's electronic technology, KarlaOK soon spread all over the city. Although it reversed the record sales, it also had a negative impact on song creation.

In order to increase the popularity of the song, the composer deliberately narrowed the vocal range used to reduce the difficulty of singing, so as to satisfy the fans in KTV without acoustic training.

The weakening of the richness of the melody further restricts the individual expression of the lyricist, and confines the ideological realm of the work to a certain extent. At the same time, the threshold for becoming a professional singer is also correspondingly lowered.

The elegiac songs were gradually expelled by shallow singing, and the original high-pitched and powerful voice of the times was reshaped by commercial forces into a decadent voice.

Practitioners are intoxicated in the prosperity, only a few people of insight speak out to puncture the emperor's new clothes.

The sincere Huang Zhan engraved the seal angrily, not believing that the world is deaf.

The hot-blooded Ka Kui said bluntly, Xiangjiang has no music scene, only entertainment circle.

However, these disharmonious and prosperous times are always ignored, until the myth is shattered, and the huge wave of the Internet hits, swallowing the world, and no one is spared. .

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