Super Dimensional Wizard
Chapter 3426 Polar Region
Angel: "Huh?" Using a mysterious object?
Laplace put the previous dragon scale in his hand: "You can use the dream conch to pull it into the dream crystal plain."
Pull Ea's dragon scales into the Crystal Plain of Dreams?
So, does this dragon scale have a special effect?
Perhaps sensing Angel's doubts, Laplace handed the dragon scale to Angel: "You will know after you see it for yourself."
Angel took the dragon scale and directly used his mental power to explore it.
Soon, information came back.
"Is this a space prop?" Angel whispered, but his tone was very firm.
Laplace nodded: "Yes, there is no defense in the space, and mental power can penetrate directly. You might as well take a look at the things inside."
Angel didn't hesitate, directly controlled the mental tentacles and penetrated into the space.
With the nearly blind angle of his mental power, as soon as he entered the dragon scale space, he could see everything inside.
The dragon scale space is not large, it can even be said to be extremely narrow.
Only the size of a storage box.
The capacity can at most accommodate one or two folded quilts.
And such a small space seems very spacious at this time, which is enough to show that there are not many things in it.
There was only an exquisitely framed oil painting, a pure white quill, a bottle of lacquer-colored ink, and two stacks of paper. One stack was of ordinary paper pages, which were relatively thick; the other was a small stack of paper pages, perhaps only a few dozen, but they shone with a faint light.
When he saw clearly that it was an oil painting and a paper page, Angel immediately understood what Laplace meant: "Is this a text space? And the corresponding paper medium?"
Laplace nodded: "Yes."
They were interested in this after experiencing text space before.
This is a special ability involving "underlying operating logic", which is even more magical than the Witching Garden. They really want to know, when the text space is included in the Dream Crystal Plain, will some special operating rules be formed?
Because of this, when they had a private chat at the Dragon Banquet, Laplace had said that she would go to Ea to borrow a writing space. When the time comes, use the Dream Conch to pull the text space into the Crystal Plain of Dreams and see if there are any changes.
Angel originally thought that this matter would start after the party was over, but he did not expect that Laplace's actions were so efficient. Not long after the dragon banquet ended, he directly communicated with Eya.
It even brings text space and paper media!
While Angel was feeling emotional, he did not forget to look at the oil painting carefully.
Based on the relationship between Laplace and Ea, the text space contained in the borrowed oil painting must be higher than the previous Dragon Feast space.
I just don’t know what the environment will be like?
forest? grassland? Or should we say, ice fields and deserts? Or is it an extraordinary vacuum?
Angel looked at the oil painting with curiosity.
However, when he saw the surface of the oil painting clearly, he was stunned.
In the oil painting...there is nothing.
It's just a piece of paper with a slight oil mist.
Such dark paper framed in such an exquisite frame? What does it mean?
Could it be that this oily and oily paper actually has something to say? For example, is there a quaint castle hidden in the mist? You just have to wait for the fog to clear before you can see it.
"There is no explanation and no castle." Faced with Angel's inquiry, Laplace said calmly: "This is just a blank drawing paper coated with tung oil."
Angel: "..."
Laplace: "However, although there is no picture, there is indeed a text space hidden inside. Moreover, it is the highest level text space."
Angel looked at the foggy coating in the oil painting, full of doubts. If it is the highest level text space, why doesn't it have any pictures?
Laplace: "Because it is still in its initial state. If you want a picture, you need to write it on paper and then add it."
To put it simply, the "oil painting" presented to the outside world in the text space is not drawn with paint, paper and pen, but described with words.
Take the oil painting of Dragon Banquet, for example. From an outsider's perspective, the oil painting depicts a luxurious court and a grand banquet.
But these banquets, including tables, chairs, tableware, curtains, etc., are actually described sentence by sentence in words. When the written description takes shape, the oil painting from the outside world will show a corresponding picture.
Now, the oil painting in front of me is blank, which means that there is no text space inside.
If you want to make a blank oil painting wonderful and gorgeous, you have to enter the text space and describe these things yourself.
Laplace: "The textual space contained in this oil painting is actually cut from the secret library and belongs to the same source."
The secret library is also a text space, and it is the strongest text space created by Ea so far. So, even though this oil painting has nothing, its level is very high.
Also because this oil painting is of extremely high grade, it can carry extraordinary items that are at least wizard level.
"The glowing papers that Aya left in the space are the pages specially made by Aya, which can be used to describe extraordinary items."
Don't look at the pile of glowing paper that Aya left for them, but it's really not much.
Because if you want to create an extraordinary object in the text space, you cannot succeed with a description of one or two sentences. You must start with a detailed description of each material.
In other words, you must have an understanding of extraordinary materials and sufficient alchemy knowledge, and then describe different extraordinary materials on different extraordinary pages. Finally, through the combination of these materials, it is possible to create extraordinary items.
So, don’t look at a stack of glowing paper, but if you really want to create extraordinary objects in the text space, you can probably consume all the pages in one piece.
However, Aya only kept this small stack of special paper pages, which was not because he was stingy.
But this kind of special paper page is very difficult to produce, and it is made by consuming the potential of the "Book of Time". Occasionally producing one or two will not have much impact on the talent of the "Book of Time", but if produced frequently and in large quantities, it will cause permanent damage to the "Book of Time".
Therefore, Aya was very sincere in leaving such a stack of special paper pages to them for Laplace's sake.
But then again, although the number of special paper pages is small, it is not a big problem for them...
They will not consume these special pages in reality, use the dream conch to pull them into the Dream Crystal Plains, and then pull new ones after they are consumed. This cycle is almost equivalent to white prostitution.
Anyway, there is nothing to do for a while now. Angel looked at Laplace: "Then shall we drag him into the Dream Crystal Plain now, or shall we create something in the oil painting first and then drag him?"
…
In the end, they decided to drag the oil painting into the Crystal Plain of Dreams first.
Because this blank oil painting was just "borrowed" by Laplace from Eya under the pretext of "research", and he would have to return it when the time comes.
Since the right of ownership is no longer in their hands, there is no need to "get involved" in it.
Of course, even if a blank oil painting was used in reality, Eya wouldn't care. After all, he was willing to lend it out and had all the pens and papers ready for them to use.
But for Ingres and Laplace, it was not important to make space for words unused. Pulling the text space into the Crystal Plain of Dreams is their purpose.
After deciding on the plan, Angel began to take action.
Although Laplace has determined that the current crystal cluster space can hide the mysterious atmosphere to the greatest extent, but just in case, and to prevent the giant city spirit from leaving "monitoring", Angel decided to build multiple layers of protection.
He took out the geometric lock and entered the Yinsen space inside the geometric lock.
The Dream Conch was used in Yinsen Space.
In this case, although some of the mysterious aura still escaped from the Yinsen space, it was suppressed by the geometric lock of the outside world and did not float further to the outer crystal cluster space.
Under this multi-layered protection, even if the giant city spirit has "monitoring" means, it will be difficult to detect any abnormalities.
Let’s get back to the point.
Angel had already pulled Eya's dragon scales into the Crystal Plain of Dreams.
Because text space involves underlying rules, Angel is worried that it may have some impact on the current power logic after entering the Dream Crystal.
At that time, there may be some abnormal celestial phenomena and changes.
In order to avoid affecting the creatures in the Crystal Plain of Dreams, Angel placed the dragon scale's login location in a polar area far away from human habitation.
"Any changes?" Laplace asked.
Angel withdrew from the vision of power: "I haven't seen any changes yet. Maybe it's because the oil painting is in the dragon scale space. How about we go in and take a look?"
Laplace thought for a while and nodded. With Angel here, if anything went wrong, it wouldn't have much impact.
Angel and Laplace landed on the Crystal Plain of Dreams at the same time.
When they opened their eyes, they were already on a vast crystal plain.
This is the "pole" of Dream Crystal Plains.
The "ji" here does not mean the end, but means "pure".
The "crystal" in Yume no Akirahara refers to "crystal." Almost the entire world is made of crystal.
It seems that these crystals are all the same, but in fact...crystals in different areas show different properties.
Just like the earth outside, there are red soil and black soil, so are the crystals of Dream Crystal Plains.
The crystal structure in some places is thin and scattered, that is, the relative stability is relatively low, which also leads to a very peculiar two-layer world view in these areas.
Because the crystal structure is weak, large areas of underground space appear.
There is a world on the surface and a world underground.
In some places, the crystal structure is extremely pure and solid, and there is almost no space underground in such places.
This kind of crystal plain is more solid and there is little underground space. Angel calls it "the polar region".
Angel chose to place the dragon scales in the polar regions, not only because of the sparse population, but also because the crystal plains here are very stable. If it is really because of the arrival of the text space, some earthquakes and natural disasters will occur.
So, with the structure of the polar regions, its risk resistance is definitely stronger than that of other regions.
Angel looked around, and soon found Eya's dragon scales on a crystal that protruded like a table not far away.
Angel picked up the dragon scale and inspected it. Not long after, Laplace's voice came to his ears: "How is it? Has there been any change?"
Looking back, Laplace had already walked to his side.
Perhaps because of the special landforms of the polar regions, the temperature here is much lower than in other places. When speaking, you can clearly see clouds of white cold mist coming out of your mouth.
Angel shook his head: "There is nothing abnormal so far. Maybe we need to take out the oil painting to see if it will have any impact."
Laplace: "Try now?"
Angel thought for a moment, nodded and said, "Okay."
After finishing speaking, Angel took a deep breath and took out the quill from the dragon scale space.
The appearance of the quill did not cause any abnormalities, so Angel struck while the iron was hot and continued to take out the ink.
Angel originally thought that the ink should be similar to a quill, but what he didn't expect was that as soon as the ink mixed by Aiyat was taken out, the sky, which was originally normal, began to darken.
Pieces of dark clouds kept gathering.
Waves of biting cold wind also blew in Jingyuan...
Naturally, Angel and Laplace would not ignore such changes. Find Shuyuan www.zhaoshuyuan.com
Laplace pushed the silver hair that was blowing in front of his eyes behind his ears: "Is this the reaction of the Crystal of Dreams?"
Angel pondered: "Maybe."
It was difficult for Angel to tell whether it was a coincidence or whether Eya's ink really caused the Dream Crystal to react.
However, it is not difficult to know the answer. Just take out the remaining pages and oil paintings to confirm whether they are related to changes in the celestial phenomena.
In order to confirm accurately, Angel still did not choose oil painting, but took out a stack of ordinary paper pages from the dragon scale space.
The moment the paper appeared, the dark clouds in the sky gathered faster, and they were superimposed layer by layer, forming deeper black clouds.
It is not yet evening in the Crystal Plain of Dreams, but this side of the polar region is already shrouded in black clouds, like night.
Moreover, the black clouds covered a huge area, at least to the naked eye, there was no white space in the sky. It has completely entered day and night.
The surrounding wind also became stronger and stronger.
Like cold knives coming towards you, it hurts your face.
Feeling such sudden changes in the world, Angel has basically confirmed that these changes should come from the stack of pages in his hand.
Because Angel has seen the scope of the black cloud's influence through God's perspective, almost encompassing the entire polar region.
And the center of the entire black cloud is exactly where they are!
Ink attracts dark clouds and cold wind.
Folding paper attracted dark clouds.
If this pace continues, once the extraordinary pages and the final oil painting are taken out, it is estimated that they will have further influence, and the scope will continue to expand.
Thinking about it, at least most of the Dream Crystal Plains will be included.
Angel is also a little lucky now. Fortunately, he chose the pole far away from human habitation...
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