The author's diary of ghost stories

Chapter 642 Steadily entering the Age of Discovery!

[Logged in to the ownerless ship, do you want to register as the captain? ]

[Yes/No]

After driving the raft close to the large ship obtained through character synthesis, Yu Liang could not wait to climb up the rope ladder on the side of the ship and climb up to the deck.

As soon as he got on the deck, Yu Liang received a reminder from his personal page. This was a rare prompt box message in recent days. If it weren't for this prompt box message, he almost thought that he had lost contact with the official of the world of strange stories.

And such news also cheered Yu Liang up, at least it showed that the world of strange stories had not completely lost control of this copy.

The situation was not so bad that it was out of control.

Yu Liang studied the option of registering as a captain, which basically meant giving up the ownership of the original raft and instead obtaining this huge two-masted sailing ship compared to the raft.

This naturally did not require too much hesitation. Yu Liang quickly chose the identity of the registered captain and officially became the owner of this sailing ship.

——

Two-masted sailing ship

Length: 24 meters

Tonnage: 245 tons

Ship type: Basic II

Current captain: Yu Liang

Crew: (……)

Through the three-dimensional model of the ship on his personal page, Yu Liang has a basic understanding of the entire ship.

As an illiterate in navigation, his greatest achievement in this field is that he once sailed on the sea for three days and three nights on a six-square-meter raft.

However, in this state, An Buchen probably gave him the best thing he could get, so he naturally wanted to make good use of this novice gift package.

The ship model can be defaulted to "zhou", which is mixed with "义" which has lost its metal texture as a radical, so that the "boat" character is obtained, and the noun character will directly become a physical object and appear in the copy space.

Yu Liang recalled that even if he was a ship blind, he could still recognize that the two-masted sailing ship that was now revealed by making the "ship" character was the one that was originally in the drift bottle.

The models of the two are very similar, but the proportions are different.

This means that the ship that the "ship" character can embody depends largely on the model of this "boat".

The "boat" in the previous character synthesis was a two-masted sailing ship in the drift bottle, so after synthesizing the "ship" character, he also got such a two-masted sailing ship.

Of course, the one in the drift bottle is just a ship model toy, not a very professional and detailed model, so the result of the AI ​​analysis in the glasses is a mixture of several ships, without a fixed name.

If you have to say it, it can only be said to be a sailing ship, a two-masted square-rigged ship with wind as the main force and manpower as the auxiliary force.

After boarding the ship, Yu Liang could feel the hugeness of the ship, but he also knew from the explanation of AI that such a two-masted sailing ship could only be regarded as a medium-sized ship, which could not be compared with the large ships of the same era, not to mention that there are some modern and even modern super-large ships with a displacement of tens of thousands or even hundreds of thousands of tons.

Combined with the information obtained from the book craftsman in Wangcheng, there is a cruise ship on this endless ocean, and Yu Liang basically has some guesses.

I'm afraid there are still some models of large warships, steamships and even modern warships in this dungeon world. The "ship" characters synthesized from them are probably real warships, steamships and modern warships.

A two-masted sailing ship can bully a raft, but if it really encounters something like a cruise ship, it will probably be torn apart in an instant.

Overall, this ship is an ancient ship from more than a century ago. The whole structure is made of wood, and only the lower body below the waterline is paved with copper plates.

The bottom layer is some empty wooden barrels, probably used to store food and other goods, but Yu Liang's ship is brand new and has nothing, so the bottom layer only has a large amount of ballast stones to counter buoyancy.

The second floor should be the crew room, with about ten bedrooms, dressing rooms and kitchens.

In addition, there is the superstructure, including Captain Yu Liang's forecastle and the slightly bloated stern.

The ship is not big, but it can still easily accommodate dozens of people. However, correspondingly, if you want to successfully drive such a ship, you also need a certain number of people. At least Yu Liang alone cannot drive it normally.

Fortunately, Yu Liang is not alone now.

After obtaining a whole ship, Yu Liang's own abilities have been greatly liberated. Now he still has a six-grid item column and a four-grid character column, while the stamp column and the monster column are not unlocked, but the alienation ability has been unlocked a lot.

There are quite a few strange creatures that can be summoned, which just fills the current problem of insufficient manpower.

Under the limitation of the overall strength of the strange creatures, Yu Liang still gives priority to summoning strange creatures that can work, and drive the whole ship first.

First of all, there are 37 small paper people. Although their size is slightly smaller, they are definitely the most suitable crew members in general.

They are highly intelligent and have the physical fitness of normal adults. For some operations that cannot be completed by small bodies, they can also be completed by merging into large paper people. This is a unique skill taught to them by "Zhi" a long time ago.

This is equivalent to having twenty normal crew members, which is enough to start the sailboat and put it into normal operation. Secondly, the remaining cosmic strength can also summon two strange creatures of about T1 gradient. After thinking about it, Yu Liang chose the Money-Keeping Ghost and the Snake Dream Dragon.

As a steward-like figure, the Money Keeper is naturally the most suitable for the duties of the first mate. It can help Yu Liang relieve the pressure of managing a ship, so that he can enjoy the fruits of others' labor and better play the author's own character characteristics.

As for the Snake Dream Dragon...

It is also suppressed by the ocean now, so it can only maintain a slender body of about ten meters. If it is longer, it will be exposed to the range of the ocean and be greatly suppressed, and there is a risk of losing consciousness and sinking into the sea.

Even so, with the ability to float and full resistance, it is still the most perfect player in the sea "boarding battle", which can easily destroy the manpower of other ships, and even directly penetrate some small and medium-sized ships, causing them to leak and sink.

From this point of view, its ability in boarding battles is more exaggerated than that of T1 warriors like Li Chao Niang.

Maybe its frontal combat power is not good, but its opponent is never a normal target, but the ship itself.

The other T1 monsters to be selected include the mother of the sentinel beast and the human snake. The mother of the sentinel beast is really good, and can produce sentinel beasts almost continuously to assist in combat. However, in this sea, Yu Liang doesn't know what to use for the young sentinel beasts to parasitize, and the sentinel beasts produced can only be used for combat. Their intelligence level cannot understand complex work instructions.

As for the human snake...

Yu Liang has thought of using it as a killer. After all, the human snake after two-dimensional expansion can completely entangle small and medium-sized ships and sink them into the ocean.

However, this kind of sinking requires special rescue, otherwise the human snake will become a disposable ship sinker, and it can only sink small ships.

In addition, it is too inconvenient to keep such a huge creature on the ship, which will affect the normal operation of the daily ship, which is far less worry-free than the snake.

Coiling into a ball and throwing it into the utility room, throwing a dog bowl and creating some dream energy is enough for the snake to stay for a day.

Anyway, this guy is immersed in his own dreams every day, and he doesn't need to move around too much. At most, he can bask in the sun during the day.

Finally, the last bit of summoning limit was used to successfully produce two pilots of the Grass Infant Mech. Their strength was not high, but their ability was indeed not to be underestimated.

There were two bone machine guns, two Grass Infant Mechs and two grids of ammunition in the six-grid inventory. The combat effectiveness of the mech pilots was not good, but they could definitely take on the task of combat sailors after boarding the mechs.

You can also do some simple tasks that require physical strength, such as carrying goods, which will be very useful as a helper for the paper people.

So far, the manpower needed for a sailing ship has been gathered, including the captain, first mate, helmsman, navigator, main and secondary sail helmsman and deckhands, as well as three navy officers who can be put into battle at any time.

It seems that in the end, it was Captain Yu Liang who had no work to do, and perhaps he could only go to the kitchen on the second floor to prepare food for the crew for the next day.

After Yu Liang boarded the ship, because he could not carry the original raft, he packed up all the resources and restored the raft to its original size of 1*2. After boarding his new ship, he destroyed the raft.

Since we can't take it away, we might as well destroy it. We can't leave it to the natives on the island, right?

Two heavy bone machine guns, placed on the top of the forecastle and the top of the poop, have an excellent range of fire and can provide the most basic firepower support for the ship.

Of course, it is impossible to rely on bone machine guns to sink other ships. Only 35-pound heavy artillery can do that. The bullets of bone machine guns hit the deck without any pain, and the enemy ships don't even lose blood.

Heavy machine guns are considered a big killer in normal copies, but in naval battles...

They can only be considered light cold weapons and are useless.

The role of bone machine guns is to kill sailors on the deck of enemy ships, or to attack some small creatures in the ocean.

For example, barrel people.

The ship set sail smoothly about 200 meters away from the island, and Yu Liang looked back and saw a bunch of torches burning on the side of the island close to the ship, and there were faint human figures flashing constantly.

They were all natives of the island who had chased after Xiaoyi the Paper Man because he had stolen the white gem. They were not the disciples of An Buchen the Barrel Man, but a third party.

Although Yu Liang's boat was parked very close to the island, these people with torches still dared only stand on the shore and howl about something, and did not dare to cross the water to approach while Yu Liang was counting the boats.

Now, Yu Liang determined the wind direction and wind force, and sailed the boat downwind, almost in the blink of an eye, away from the troubled island.

And this scene was a bit like the protagonist in some anime leaving the Novice Village Island by boat, and the elders and villagers on the shore desperately shouted blessings, wanting to bless the protagonist group to have a smooth sailing and a smooth return.

"Record the wind direction and wind force, infer the direction and speed of our ship's course, and try to draw the most basic navigation chart." Yu Liang came to the small observation tower above the main sail and ordered the AI ​​in his eyes to record the navigation chart.

Although it is known that the entire instance is most likely an ocean without borders, as long as these islands are not randomly refreshed maps in low-quality online games, it is necessary to record the sea charts.

Besides, the island where An Buchen is...

Yu Liang feels that he may come back again in the future.

After all, he can't abandon An Buchen, right?

From the information revealed by An Buchen, she was born to be a barrel man. She became a barrel man as soon as she entered the dungeon, and this will not change with her own will.

Just like the countdown of the biochemical mode, once mutated, it is mutated, and there is no way to recover.

If there is a choice, she will definitely not want to appear in the form of a barrel man.

Besides, this is the little fairy An Buchen. If there is really a conventional method to change from a barrel man to a human, she will definitely not use it.

In this way, the creation characters scattered throughout this dungeon may have mutated into barrel men...

It is considered bad news.

Yu Liang is now in urgent need of a rational creation character who is still a human to help him and answer his questions, otherwise he really can't figure out what his current main task is.

Finding Xue Wubin and S1 is definitely one, and finding out the truth is also one, and finally it is to make the strategy as perfect as possible.

There is no clue to these things.

Forget it, let's study the upgrade route in the dungeon world view first.

After getting the ship and just walking out of the Novice Village, Yu Liang became very curious about the "technology tree" of this world.

Larger ships are suitable for more synthesis props, and even technology can be climbed to upgrade the ship and other aspects.

At least we should be bold to try, carefully verify, and bravely step into the era of iron and even firearms, right?

The basic setting of this copy is similar to the game, and the improvement of technology is not too cumbersome. Things like firearms and steam engines should not require players to wait for hundreds of years to develop.

The first step is to collect a large amount of floating resource materials on the sea, which requires the manufacture of filters for ships, and collect floating objects on the route into the ship while sailing slowly.

For this reason, Yu Liang made a subtle modification to the ship in his personal page. With the assistance of AI, he can design a relatively complete plan.

Three palm leaves are placed in a row to form a simple thick rope, and then they are placed crosswise to get a net bag. After mixed stacking and synthesis, a filter with smaller holes can be obtained.

Yu Liang installed the filter on the front of the hull, and then assembled parallel driftwood on both sides of the cabin. They are like pipes that can intercept the material resources collected by the filter and guide them to the corresponding area.

Two groups of paper people were arranged in the assembly area to collect these resources and transport them on board, and the other two groups of paper people were sorted and packed. The Caoying mecha transported the packed resources to the storage room on the third floor.

It is worth mentioning that the resources on the ship can be used remotely by the captain, and the resources stored in the three-story storage room can be directly used by Yu Liang in the captain's room for synthesis and construction, which is very humane and convenient.

Through repeated synthesis experiments and AI analysis records, Yu Liang's technology tree grew rapidly, and the things that can be manufactured gradually increased, and the level was improved.

Well, how did he see the level improvement?

It's very simple, that is, the quality of the materials randomly refreshed around the ship has become higher.

From the beginning of palm leaves, waste plastics and ore blocks, it gradually became high-grade cloth, metal smelting blocks and simple molds.

It's still garbage picking, but the quality of garbage is improved. This must be the upgrade mechanism hidden in the dungeon.

This upgrade mechanism is likely closely related to the richness of the technology tree that Yu Liang has mastered.

And in the experiments for many days, it is almost inevitable that Yu Liang discovered a detailed setting across technologies.

Strictly speaking, this is a conflict between the local setting of the dungeon and the big setting of the world of ghost stories.

Character synthesis.

The synthesis of noun characters can create cross-era equipment that surpasses the current technology tree.

For example -

"cannon" character.

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