The bard joins the entertainment industry

They were still in a hurry when they arrived in the morning. Although Chen Shuo and Liu Wen didn't pedal as hard as they could, they didn't slow down either.

At this time, the interview was over, and I had nothing to do, so I rode leisurely on the road, chatting against the sunset, and bursting into laughter from time to time.

The three of them had dinner near Hua Opera and sent Liu Wen back to school, while Chen Shuo took Shu Chang to No. 4 Middle School.

Neither of them spoke a word along the way, they just rode quietly, quietly watching the last touch of fish belly white disappear in the west, and the lights all around began to light up.

There is a feeling of peace left in the bustling city.

"When will you join the team?" Chen Shuo asked at the door of No. 4 Middle School.

"Let's finish this week, take a day off on June 1st, and join the group on the 2nd." Shu Chang thought for a while and said.

Chen Shuo calculated the date and found that June 1st happened to be Saturday. Even if the high school did not have a holiday, it was still a day off.

He nodded and said, "Okay, let's meet again on June 1st. You can copy Xie Yushu's scenes and give them to me."

"Okay, bye!" Shu Chang watched Chen Shuo get into the car and waved his hand.

"Let's go in." Chen Shuo said, waved his hand, and pushed hard with his feet, and the bicycle accelerated instantly.

Shu Chang watched his back disappear around the corner, turned around and entered the school.

After returning home, Chen Shuo explained the interview situation to Chen Rui and others, then returned to the room and began to study the newly opened creative skills and "Legendary Masterpieces".

The first was the creative skill. After studying it for a while, he had a vague understanding of this newly opened skill.

Unlike the three skills of drama, stunts, and singing, it is not a performance skill, but a prerequisite skill for performance.

And its basic challenge experience is higher than others, with 100 points as the base.

This is because it is more difficult to create a work from scratch than secondary creation such as acting or singing.

At the same time, re-creating on the basis of your original works, with new breakthroughs or changes, can still be regarded as a creative challenge.

In other words, if Chen Shuo can innovate the Lingbo Weibu, or use the Lingbo Weibu to create other stunts.

Although it is a second creation, it is still a creative challenge.

It's not like acting or singing, even if he has his own ideas and changes when performing or singing.

But since this thing was not created by him from scratch, it is not considered his creation.

Lingbo Weibu was not the original creation of Chen Shuo, nor were the footwork, bodywork, etc. he used.

But there are no restrictions on these basic things.

These are basic elements just like the notes and tones of a song.

He combined these elements and then integrated them to create "Lingbo Weibu", a complete set of stunts that is not the same as the others.

Then when he performs it, this set of movements is his creation.

After having a clear understanding of the definition of creation, Chen Shuo also knew how to improve this skill.

After putting this skill on hold for the time being, he looked at the "Legendary Masterpiece" that had been activated.

"Masterpieces handed down from generation to generation" can be attributed to the talent of "knowledge of music", which made him think it would be some music score or something.

I didn't expect that it would be divided into performance and dance steps.

After taking a look, the performance chapter is linked to drama skills, and there are currently two chapters: "Brainstorming Speech" and "Glock Revue".

The dance chapters are linked to stunt skills, and there are many of them, including "White Night Vine Dance", "Twenty-three Step Dance", "Peacock Extravaganza", "Endless Waltz of the Elders", "Elegant Festival Dance", " Cat Walk", "Dance of Desire" and other chapters.

Each chapter does not have a specific speech or performance content, but only a clear and definite perception, which allows Chen Shuo to perceive and understand the artistic conception contained in this chapter.

For example, "Dance of White Night Vines", if he opens this chapter, he will seem to be transformed into dancing vines, but there are no specific dance steps.

To be truly effective, he must write a speech, create a dance, perform a performance, and fit the meaning of the article.

Only when he performs his creation can he achieve the effect of this masterpiece.

Before he could think about it carefully, another piece of information appeared in front of his eyes:

"The test work "Lingbo Weibu" is highly consistent with the handed down masterpiece "Twenty-Three Dance Steps". Is it possible to integrate the two?

Fusion please rename. "

Chen Shuo looked at the description of the twenty-three dance steps.

Twenty-three step dance: sudden changes in footwork, spins, and untimely leaps. The complex movements make it difficult to grasp your figure.

He compared it with the meaning of Lingbo Weibu and found that the two did have something in common.

After thinking about it, I directly chose fusion and named it Lingbo Weibu.

"The work "Lingbo Weibu" was integrated with the handed down masterpiece 23 dance steps, and was finally named "Lingbo Weibu"."

Lingbo Microsteps (Completeness: 50%)

Performance conditions: Stunt level 7

Performance effect: Lingbo Microstep, Agility +1

The body is fast and flying, erratic like a god, walking slightly on the waves, and the socks are dusty.

This complex stunt makes it difficult for you to be hit by the enemy. The enemy's speed and agility are not more than 20% of yours, and they will not be able to touch you.

When you perform an acrobatic maneuver, your Dexterity score increases by +1.

When the stunt skill level exceeds the casting conditions by 4 levels, the enemy's quality requirements increase by 10%.

(Note: Since the work is not yet completed, the effect is ×50%.)

Chen Shuo got up and walked around the courtyard, observing his movements through his own image display on the information panel.

He found that the most significant effect was that his movements became more sudden.

At the same time, when walking around in the courtyard, he can spontaneously avoid some obstacles without deliberately thinking about it, and use this to make more complex and difficult movements.

After stopping, Chen Shuo thought for a while and said to himself: "Isn't this "Masterpiece handed down from generation to generation" just like the effects of spells?

It's just that if he wants to use these spell effects, he must re-create and perform them himself.

As for the effect, I don’t know what the value of 10% is.

But in general, as long as he performs this body movement and his speed does not exceed his own, even if he is close to his body, he will not even think of touching him.

This will be convenient if we fight in the future. "

Then he suddenly woke up and said: "Bah, why are you thinking about fighting? Isn't it better to just perform it and make money?"

He carefully looked at the chapters that had been opened in the masterpieces passed down from generation to generation. In addition to the chapter originally titled "Twenty-Three Dance Steps" and now titled "Lingbo Weibu", there was an additional set of his performance moves and detailed explanations. Apart from tutorials, there is not much movement in other articles.

However, when he clicks on other corresponding chapters, he will be immersed in the artistic conception contained in them.

I believe that if I gain more insights and accumulate more in the future, I will be able to create other chapters like "Lingbo Weibu".

However, Chen Shuo does not have the desire to recreate every chapter.

Such as the dance of desire.

Dance of Desire: Every sway of your waist and hips can arouse your audience's passionate passion from the depths of hell.

Not to mention the shame of creating and performing this thing, even if he wanted this effect, it would be useless, right?

Under what circumstances does he need to arouse the audience's lust?

Still enthusiastic?